The Science of Discourse |
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Page 121
... ideal of that emotion , as in the case of love with its gross and carnal element . Some poets use the carnal side , but in doing so sin against the laws of poetry and fine art in general . Each of the emotions arises by degrees out of ...
... ideal of that emotion , as in the case of love with its gross and carnal element . Some poets use the carnal side , but in doing so sin against the laws of poetry and fine art in general . Each of the emotions arises by degrees out of ...
Page 122
... ideal of a pure spiritualized virtue . The poet must give each emotion freedom from disen- chanting elements , that it may find a response from the reader's craving for the ideal . 99 Not only by omissions does the imagination of the ...
... ideal of a pure spiritualized virtue . The poet must give each emotion freedom from disen- chanting elements , that it may find a response from the reader's craving for the ideal . 99 Not only by omissions does the imagination of the ...
Page 123
... ideal characters are formed . THE EXTENT OF THE THEME . As we have seen , the extent of a general notion is correlative to its content ; either implies the other . The content , or germinant idea , must pass out into the diversity of ...
... ideal characters are formed . THE EXTENT OF THE THEME . As we have seen , the extent of a general notion is correlative to its content ; either implies the other . The content , or germinant idea , must pass out into the diversity of ...
Page 133
... ideal with the real . The exemplification is carried on by the process of narration . The poem appears to be a narration , yet the narration is subordinate to the generalization , which modifies the narration to the end of exposition ...
... ideal with the real . The exemplification is carried on by the process of narration . The poem appears to be a narration , yet the narration is subordinate to the generalization , which modifies the narration to the end of exposition ...
Page 252
... in marriage to the man who should find it . " The character of German prose is an object of legitimate astonishment . Whatever is bad in our own ideal of prose style , whatever is most repulsive in 252 THE SCIENCE OF DISCOURSE .
... in marriage to the man who should find it . " The character of German prose is an object of legitimate astonishment . Whatever is bad in our own ideal of prose style , whatever is most repulsive in 252 THE SCIENCE OF DISCOURSE .
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Common terms and phrases
adaptation Allegory Amphibrach Anapaest apple argument Asyndeton attention attri attributes basis beauty called cause and effect clear common comparison and contrast composer conception condition connection conscious copula definite desire distinct effort Elegance elements emotions end sought energy essential euphony exposition expression fact feeling figure force given gives growing on trees guage hearer Hence idea ideal imagination impression individual induction inferred interpretation judgment language form law of unity liquid consonants literal literary logical means ment Metaphor Metonymy mind addressed move movement narration nature object oration oratory organic organic unity periodic sentence phases Pleonasm poem poetry Polysyndeton presented preter principle produced prose purpose reader reading relation requires resemblance rhetoric secured selection sense sentence Sir Launfal sound speaker style syllable syllogism Synecdoche Tautology tences theme things thought tion Trochee truth unified unit utterance vincing power whole words writer