Virgil's Aeneid: books I-XII"Editions and helpful books": pages 26-28 |
From inside the book
Page 15
... Virgil . ' There are no authentic portrait busts of Virgil . Outside of lit- erary sources , our only knowledge of the personal appearance of the poet is derived from miniatures of some existing manuscripts , notably the Codex Romanus ...
... Virgil . ' There are no authentic portrait busts of Virgil . Outside of lit- erary sources , our only knowledge of the personal appearance of the poet is derived from miniatures of some existing manuscripts , notably the Codex Romanus ...
Page 16
... Virgil as a great magician . Many fantastical legends were woven about his name . It was believed that Virgil's name was derived from virga , ' a magic wand . ' Thus , in time this came to be spelled Virgilius , from which the current ...
... Virgil as a great magician . Many fantastical legends were woven about his name . It was believed that Virgil's name was derived from virga , ' a magic wand . ' Thus , in time this came to be spelled Virgilius , from which the current ...
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books I-XII Virgil Henry Simmons Frieze. the Paradise Lost . The authors of these two epics are the greatest of all plagiarists ... Virgil and Horace are in no danger . The Aeneid is too grand , too beauti- ful , too pure , to be despised ...
books I-XII Virgil Henry Simmons Frieze. the Paradise Lost . The authors of these two epics are the greatest of all plagiarists ... Virgil and Horace are in no danger . The Aeneid is too grand , too beauti- ful , too pure , to be despised ...
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books I-XII Virgil Henry Simmons Frieze. Of the preeminent worth of Virgil's poems , and of their impor- tance as literary studies , the most striking proof is presented in the fact that so many of the classics of modern poetry , in all ...
books I-XII Virgil Henry Simmons Frieze. Of the preeminent worth of Virgil's poems , and of their impor- tance as literary studies , the most striking proof is presented in the fact that so many of the classics of modern poetry , in all ...
Page 21
... Virgil's poem is not by any means devoid of scenes of human interest . On the other hand , it abounds in pathetic incidents and exciting situations , and presents many spectacles of human life and manners and passion . The characters in ...
... Virgil's poem is not by any means devoid of scenes of human interest . On the other hand , it abounds in pathetic incidents and exciting situations , and presents many spectacles of human life and manners and passion . The characters in ...
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Common terms and phrases
ablative ablative absolute Aeneas Aeneid aequis aequore agmina alta Anchises animis Apollo arma armis ārum Ascanius atque ātus ātus sum auras āvī caelo caelum caput circum cursu Dardanus dative dextra dictis Dido dissyllable entis equos fata freq genus Greek haec Haud Helenus Hinc Hunc Iamque illa ille ingens inter interea ipse itus Juno Jupiter king Latin Latinus Latium litora manus medio meton Mezentius mihi Mnestheus moenia multa neque nōn nunc omnes omnia omnis ōnis ōris ōrum Pallas pater pectore Priam primum procul pron pugnae quae quam Quid quis quod Roman Rutuli Rutulian sanguine sẽ ships slain subst super synaeresis tela terras Teucri tibi tmesis Trojan Troy Turnus ultro unda urbe urbem Venus videt Virgil
Popular passages
Page 103 - The one seemed woman to the waist, and fair, But ended foul in many a scaly fold Voluminous and vast, a serpent armed With mortal sting.
Page 289 - Contra ego vivendo vici mea fata, superstes 160 restarem ut genitor. Troum socia arma secutum obruerent Rutuli telis ! animam ipse dedissem atque haec pompa domum me, non Pallanta, referret! Nec vos arguerim, Teucri, nec foedera nec quas iunximus hospitio dextras : sors ista senectae 165 debita erat nostrae.
Page 119 - Nox erat, et placidum carpebant fessa soporem Corpora per terras, silvaeque et saeva quierant Aequora, cum medio volvuntur sidera lapsu, Cum tacet omnis ager, pecudes, pictaeque volucres, 525 Quaeque lacus late liquidos, quaeque aspera dumis Rura tenent, somno positae sub nocte silenti Lenibant curas, et corda oblita laborum.
Page 18 - And art thou then that Virgil, that well-spring, From which such copious floods of eloquence Have issued ? " I with front abash'd replied. " Glory and light of all the tuneful train ! May it avail me, that I long with zeal Have sought thy volume, and with love immense Have conn'd it o'er. My master thou, and guide ! Thou he from whom alone I have derived That style, which for its beauty into fame Exalts me. See the beast, from whom I fled. O save me from her, thou illustrious sage ! For every vein...
Page 178 - Fundabit, Curibus parvis et paupere terra 'Missus in imperium magnum. Cui deinde subibit, ' Otia qui rumpet patriae residesque movebit 'Tullus in arma viros et iam desueta triumphis 'Agmina.
Page 174 - Hunc circum innumerae gentes populique volabant ; ac velut in pratis ubi apes aestate serena floribus insidunt variis et candida circum lilia funduntur, strepit omnis murmure campus.
Page 174 - Ter conatus ibi collo dare bracchia circum, Ter frustra comprensa manus effugit imago, Par levibus ventis volucrique simillima somno.
Page 159 - Averni, tollunt se celeres liquidumque per aera lapsae sedibus optatis gemina super arbore sidunt, discolor unde auri per ramos aura refulsit. Quale solet silvis brumali frigore viscum...
Page 180 - Latini, et quo quemque modo fugiatque feratque laborem. sunt geminae Somni portae, quarum altera fertur cornea, qua veris facilis datur exitus umbris, altera candenti perfecta nitens elephanto, sed falsa ad caelum mittunt insomnia Manes.
Page 282 - Aestuat ingens uno in corde pudor mixtoque insania luctu et furiis agitatus amor et conscia virtus.