 | Kenneth Muir - Drama - 2002 - 208 pages
...seriousness of Clement McCallin's First Player charged and challenged Hamlet's spiritual resources: What would he do Had he the motive and the cue for passion That I have? (и, ii, 594-6) In coupling 'motive' and 'cue' Shakespeare is approaching the... | |
 | Patrick Tucker - Performing Arts - 2002 - 316 pages
...conceit? And all for nothing! For Hecuha! Whar's Hecuha to him, or he to her, That he should weep for het? What would he do Had he the motive and the cue for passion That I have? He would dtown the stage with rears, And cleave the genetal ear with hotrid speech,... | |
 | John J. Joughin, Simon Malpas - Literary Criticism - 2003 - 254 pages
...to stage 'The Mousetrap', cf. II. ii. 584-601): What's Hecuba to him, or he to her, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? (II. ii. 553-6) In some ways Hamlet's 'own' mistaken sense here of not 'measuring... | |
 | K. H. Anthol - Literary Criticism - 2003 - 344 pages
...conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, 585 That he should weep for her? What would he do, had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech,... | |
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What's Hecuba to him, or he to Hecuba, That he should weep for her/ What would he do, Had he the motive and the cue for passion That I have... 
