 | Jerry Blunt - Performing Arts - 1990 - 232 pages
...his first concrete plan of action, to determine with certainty the guilt of his uncle. Hamlet: O what a rogue and peasant slave am I! Is it not monstrous...his visage wann'd, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? and all for... | |
 | Murray Cox - Performing Arts - 1992 - 312 pages
...exchanges with Rosencrantz and Gildenstern were quite potent there. This speech was amazing too: 'O what a rogue and peasant slave am I! Is it not monstrous...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for... | |
 | William Shakespeare - Drama - 1992 - 196 pages
...Elsinore. Good my lord. [Exeunt Rosencrantz and Guildenstem. Ay, so, God buy you! Now I am alone. O, what a rogue and peasant slave am I! Is it not monstrous...force his soul so to his own conceit That from her working59 all his visage wanned, Tears in his eyes, distraction in's aspect, A broken voice, and his... | |
 | Lars Engle - Drama - 1993 - 284 pages
...incapacity to force his soul to his conceit. This particular case deserves more detailed discussion. O what a rogue and peasant slave am I! Is it not monstrous...his visage wann'd. Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for... | |
 | Meredith Anne Skura - Drama - 1993 - 348 pages
...legitimate. Hamlet, even while being affected by the performance, condemns the player's perverse achievement: Is it not monstrous that this player here, But in...his visage wann'd; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for... | |
 | K. G. Binmore - Business & Economics - 1994 - 624 pages
...subject: Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could form his soul so to his own conceit, That, from her working,...suiting With forms to his conceit? And all for nothing! Multiple personalities? The preceding summary of the evolutionary version of the Transparent Disposition... | |
 | Daniel N. Robinson - Psychology - 1995 - 390 pages
...of the jaw, Darwin finds support from a judge possessing "wonderful knowledge of the human mind." 7 Is it not monstrous that this player here, But in...suiting With forms to his conceit? And all for nothing! Hamlet, ii, 2 In the romantic poetry of Wordsworth and Coleridge, in the literary allusions of Darwin,... | |
 | William Shakespeare - Poetry - 1995 - 136 pages
...be true, And it must follow as the night the day Thou canst not then be false to any man. 19 O, what a rogue and peasant slave am I! Is it not monstrous...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | Richard Courtney - Drama - 1995 - 274 pages
...tragedy is back on course. "Now I am alone," says Hamlet. It is a long time since he was so. O, what a rogue and peasant slave am I! Is it not monstrous...his own conceit That from her working all his visage wanned ... (546-551) "This player here": Burbage gestures to where he has performed. He re-plays it... | |
 | Herbert R. Coursen - Performing Arts - 1995 - 314 pages
...conscious and unconscious mind. (19) Mazer quotes Hamlet's response to the Player's Hecuba Speech: Is it not monstrous that this player here, But in...his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his own conceit? The process... | |
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I'll leave you till night; you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Giiildenstern. Ham. Ay, so, God be wi' ye :—Now I am alone. O, what a rogue and 'peasant slave am I ! Is it not monstrous that this player here, But... 
