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" Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her! "
The Works of Shakespeare in Seven Volumes - Page 281
by William Shakespeare - 1733
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Amleto

William Shakespeare - Drama - 1995 - 320 pages
...s'adattava con le forme alla sua idea? For Hecubal What's Hecuba to him, or he to her, That he should weep for her ? What would he do Had he the motive and the cue for passion That I have ? He would drown the stage with tears And cleave the general ear with horrid speech,...
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Power Plays: Shakespeare's Lessons in Leadership and Management

John O. Whitney, Tina Packer - Business & Economics - 2002 - 320 pages
...in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms of his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? HAMLET (2.2, 550-60) I N the turnarounds I have led, there have been...
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The Kendall/Hunt Anthology: Literature to Write About

K. H. Anthol - Language Arts & Disciplines - 2003 - 313 pages
...[wann'd], 580 Tears, in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, 585 That he should weep for her? What would he do, had he the motive and the cue for passion...
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The New Aestheticism

John J. Joughin, Simon Malpas - Literary Criticism - 2003 - 242 pages
...to stage 'The Mousetrap', cf. II. ii. 584-601): What's Hecuba to him, or he to her, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? (II. ii. 553-6) In some ways Hamlet's 'own' mistaken sense here of not 'measuring...
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Introduction to Dramatherapy: Person and Threshold

Salvo Pitruzzella - Psychology - 2004 - 196 pages
...wanned. Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For...Hecuba! What's Hecuba to him, or he to Hecuba That he should weep for her? (Shakespeare, Hamlet) Fictions In the last period of his life, the Russian director...
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Introduction to Dramatherapy: Person and Threshold

Salvo Pitruzzella - Psychology - 2004 - 196 pages
...wanned, Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For...Hecuba! What's Hecuba to him, or he to Hecuba That he should weep for her? (Shakespeare, Hamlet) Fictions In the last period of his life, the Russian director...
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The Literary Wittgenstein

John Gibson, Wolfgang Huemer - Philosophy - 2004 - 356 pages
...wanned, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing. For...Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? (3.1.552-62) Hamlet confronts here the negation of his earlier disavowal of mere...
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Separate Theaters: Bethlem ("Bedlam") Hospital and the Shakespearean Stage

Kenneth S. Jackson - Drama - 2005 - 309 pages
...waned. Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting With forms to his conceit? And all for nothing? For...Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? (551-59) The players' ability prompts Hamlet to conjure his "mousetrap" scheme...
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Shakespeare's Rhetoric of Comic Character: Dramatic Convention in Classical ...

Karen Newman - Literary Criticism - 2004 - 168 pages
...wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting 550 With forms to his conceit? And all for nothing! For Hecuba! What's Hecuba to him, or he to her, That he should weep for her? What would he do Had he the motive and the cue for passion 555 That...
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Style: Essays on Renaissance and Restoration Literature and Culture in ...

Allen Michie, Eric Buckley, Harriett Hawkins - Literary Criticism - 2005 - 296 pages
...But this controlled syntax breaks down in a series of short, bitter phrases marking the first "turn": "And all for nothing,/ For Hecuba!/ What's Hecuba to him, or he to Hecuba,/ That he should weep for her?" Then, in another shift he finally comes to the reason for his self-reproach,...
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