Walden, that there is no one in Concord with whom he could talk of Oriental literature, though the man was living within two miles of his hut who had introduced him to it This intellectual selfishness becomes sometimes almost painful in reading him. He... The North American Review - Page 582edited by - 1865Full view - About this book
| James Russell Lowell - 1904 - 524 pages
...acorns and nuts by squirrels. TJnsJs a defect in his character, but one of his chief charms as a ^riter. Everything grows fresh under his hand. He delved in...impatient when any one else spoke of mountains, as if he had a peculiar property in them. And we can readily understand why it should be so : no one is... | |
| James Russell Lowell - Birds - 1913 - 454 pages
...reading him. w° VM t.bnt g«"«™«ify nf " pnTnTnuni.. cation " which Johnson admired.: in.BurJifi^ De Quincey tells us that Wordsworth was impatient when any one else spoke of mountains, as if he had a peculiar property in them. And we can readily understand why it should be so : no one is... | |
| James Russell Lowell - 1916 - 292 pages
...introduced him to it. This intellectual selfishness becomes sometimes almost painful in reading him. He 10 lacked that generosity of "communication" which Johnson...Quincey tells us that Wordsworth was impatient when anyone else spoke of mountains, as if he had a peculiar property in them. And we can readily understand... | |
| Ernest Rhys - English essays - 1922 - 270 pages
...world, the hollowness of whose satisfactions he had never had the means of testing, and we recognise Apemantus behind the mask of Timon He had little active...impatient when any one else spoke of mountains, as if he had a peculiar property in them. And we can readily understand why it should be so: no one is... | |
| Ernest Rhys - English essays - 1923 - 270 pages
...convincing, the sentimental melancholy of those poems should be conclusive of their modernness. 'Re had no artistic power such as controls a great work...impatient when any one else spoke of mountains, as if he had a peculiar property in them. And we can readily understand why it should be so: no one is... | |
| David Mazel - Literary Criticism - 2001 - 388 pages
...of those poems should be conclusive of their modernness. He had none of the artistic mastery which controls a great work to the serene balance of completeness,...impatient when any one else spoke of mountains, as if he had a peculiar property in them. And we can readily understand why it should be so: no one is... | |
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