 | William Shakespeare - 1843 - 364 pages
...Ros. and Gun.. Ham. Ay, so, God be wi' you : Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in...a dream of passion, Could force his soul so to his whole conceit, That from her working, all his visage warm'd ; Tears in his eyes, distraction in 's... | |
 | James M. Welsh, John C. Tibbetts, Professor John C Tibbetts - Performing Arts - 1999 - 320 pages
...provides a potent catalyst for Hamlet's question: Is it not monstrous that this player here But in fiction, in a dream of passion; Could force his soul so to her own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect,... | |
 | Gail Holst-Warhaft - Family & Relationships - 2000 - 252 pages
...225 The Cue for Passion Introduction: The Theater of Mourning O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting... | |
 | William Shakespeare - Drama - 2000 - 356 pages
...Now I am alone. O what a rogue and peasant slave am I! Is it not monstrous that this player here, 555 But in a fiction, in a dream of passion, Could force...conceit, That from her working all his visage wanned; Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting 560 With... | |
 | Bruce R. Smith - Literary Criticism - 2000 - 194 pages
...has, in physical fact, breathed in the very spirit of Hecuba. 'Is it not monstrous', Hamlet wonders, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wanned. . . . (2.2.553-6) 'Her' in the last line... | |
 | Dennis Kezar Assistant Professor of English Vanderbilt University - Literary Criticism - 2001 - 282 pages
...with almost clinical interest the "monstrous" rehearsal of an apparently delusional speech-act theory: Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting... | |
 | Lawrence Schoen - Fiction - 2001 - 240 pages
...GUILDENSTERN] Hamlet Ay, so, God be wi' ye! Now I am alone. O, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in...his own conceit That from her working all his visage wan'd; Tears in his eyes, distraction in's aspect, A broken voice, and his whole function suiting With... | |
 | William Shakespeare - Drama - 2001 - 304 pages
...GUILDENSTERN] Hamlet Ay, so, God b'wi' you. Now I am alone. Oh, what a rogue and peasant slave am I! Is it not monstrous that this player here, But in...a dream of passion, Could force his soul so to his whole conceit That from her working all his visage wann'd, Tears in his eyes, distraction in's aspect,... | |
 | William Shakespeare - 2001 - 494 pages
...not men^ tally affected. 523. peasant slave] It is shown by FURNIVALL in M. 6» Qu. 12 April and 3Is it not monstrous that this player here, But in a fiction, in a dream of passion, 525 Could force his soul so to his own conceit That from her working all his visage wann'd ; Tears... | |
 | Mary Thomas Crane - Literary Criticism - 2010 - 276 pages
...relationship between such outward "actions" and inner feeling. He believes that the player has been able to force his soul so to his own conceit That from her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function... | |
| |
I'll leave you till night: you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Guildenstern. Ham. Ay, so, God be wi' you : — Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But... 
