 | Phillip Sipiora, James S. Baumlin - Language Arts & Disciplines - 2002 - 276 pages
...pipe for Fortune's finger To sound what stop she please. Give me that man That is not pass1on's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee. (3.2.67-73) Here, Hamlet's "pipe for Fortune's finger" recalls emblems from Guillaume de la Perriere's... | |
 | Emily Brontė - Fiction - 2001 - 524 pages
...'What a piece of work is man! [...]' and his plea, 'Give me that man / That is not passion's slave, and I will wear him / In my heart's core, ay, in my heart of heart',46 Wilberforce proposed that freedom is attained when the soul adopts invisible chains as a... | |
 | Claire McEachern - Literary Criticism - 2002 - 310 pages
...have trusted their friends to drag them off the field of war when things went badly, and promises to 'wear' him 'In my heart's core, ay, in my heart of heart' (3. 2. 7 "2.-$}. Were these friendships understood as including a homoerotic element? This question... | |
 | Laurie Shannon - Literary Criticism - 2002 - 258 pages
...success of these ideas when Hamlet will say of Horatio, "Give me that man / That is not passion's slave, and I will wear him / In my heart's core, ay, in my heart's heart" (Hamlet, 3.2.68-70). Such radical self-sufficiency liberates a given friendship from... | |
 | K. H. Anthol - College readers - 2003 - 344 pages
...for Fortune's finger 75 To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee. — Something too much of this. — There is a play to-night before the King. 80 One scene of it comes... | |
 | Jamie Harrison, Rob Innes, T. D. Van Zwanenberg - Case studies - 2003 - 220 pages
...for Fortune's finger To sound what stop she pleases. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart. 6 This is a comment about a personal relationship, a friendship — but it is also the comment of a... | |
 | Frank Julian Philips - 2003 - 188 pages
...below some Unes from Act III, scene two, of Hamlet: Give me that man, That is not passion's slave, And I will wear him, In my heart's core, Ay in my heart of heart. There is a concept of individual self that we keep within ourselves. We could say that we have a cosmetically... | |
 | Amelia Opie - Fiction - 2003 - 382 pages
...(11.163-166). 3 Shakespeare, Hamlet, Act 3, scene 2,11. 75-78: "Give me that man /That is not passion's slave, and I will wear him /In my heart's core, ay in my heart of hearts/As I do thee." you are so sorrowful, yet so kind and gentle, somehow, that both my wife and... | |
 | Piotr Sadowski - Literary Criticism - 2003 - 336 pages
...pipe for Fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee. (3.2.65-74) As the epitome of mental stability and reliability Horatio thus gives further dramatic... | |
 | Steven Carter - Philosophy - 2004 - 154 pages
...Later in the play, however, he changes his mind: Give me that man That is not passion's slave, and 1 will wear him In my heart's core, ay, in my heart of heart...21 The Irish writer Patrick Kavanagh reminds us that there are no answers to the real questions... | |
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That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee. 
