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" What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? "
The Beauties of Shakspeare Regularly Selected from Each Play. With a General ... - Page 213
by William Shakespeare, William Dodd - 1827 - 345 pages
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The Aesthetic Contract: Statutes of Art and Intellectual Work in Modernity

Henry Sussman - Philosophy - 1997 - 338 pages
...his own conceit That from her working all the visage wanned, Tears in her eyes, distraction in his aspect, A broken voice, and his whole function suiting...for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech, Make mad the guilty and appal the free, Confound...
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Shakespeare Among the Moderns

Richard Halpern - Literary Criticism - 1997 - 308 pages
...her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting With forms to his conceit?...for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech, Make mad the guilty, and .appall the free,...
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Moses Mendelssohn: Philosophical Writings

Moses Mendelssohn - Philosophy - 1997 - 370 pages
...his whole conceit That from her working all his visage wanned, Tears in his eyes, distraction in 's aspect, A broken voice, and his whole function suiting...he the motive and the cue for passion That I have? . . . - Hamlet, Act II, Scene n What a masterstroke! Experience teaches that dejected souls find a...
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Footnotes: Six Choreographers Inscribe the Page

Elena Alexander, Douglas Dunn, Marjorie Gamso, Jill Johnston, Ishmael Houston-Jones, Kenneth King, Yvonne Meier, Sarah Skaggs - Performing Arts - 1998 - 204 pages
...his own conceit That from her working all his visage wanned. Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, too young to have engaged in any war maneuvers and entrusted to Polymestor, a supposed family...
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Shakespeare and the Literary Tradition

Stephen Orgel, Sean Keilen - Literary Criticism - 1999 - 356 pages
...his own conceit That from her working all his visage wanned, Tears in his eyes, distraction in his aspect, A broken voice, and his whole function suiting...he the motive and the cue for passion That I have? [2.2.534-46] Hamlet makes the point that dances before us in every scene. Dramatic, rhetorical motive...
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Marcus is Walking

Joan Ackermann - Drama - 1999 - 60 pages
...arm, waving on a car.) Go, go, go. Get thee, get thee, get thee. (Sinks back into character.) What's Hecuba to him, or he to Hecuba, That he should weep...for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech Get off my ass, buddy. (Looking in the rearview...
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The Plays of Christopher Marlowe and George Peele: Rhetoric and Renaissance ...

Brian B. Ritchie - Drama - 1999 - 358 pages
...highlight the power of this rhetoric, and in the end increases the theatrical awareness of his audience. A broken voice, and his whole function suiting With...him, or he to Hecuba, That he should weep for her? (2. 2. 552) On the links between character fashioning andpronunciatio as taught in the schools see...
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The Plays of Christopher Marlowe and George Peele: Rhetoric and Renaissance ...

Brian B. Ritchie - Drama - 1999 - 358 pages
...highlight the power of this rhetoric, and in the end increases the theatrical awareness of his audience. A broken voice, and his whole function suiting With...him, or he to Hecuba, That he should weep for her? (2. 2. 552) On the links between character fashioning andpronunciatio as taught in the schools see...
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Crying: The Natural and Cultural History of Tears

Tom Lutz - Psychology - 2001 - 358 pages
...her working all the visage wann'd, Tears in his eyes, distraction in his aspect, A broken voice, an' his whole function suiting With forms to his conceit?...him, or he to Hecuba, That he should weep for her? Hamlet finds it "monstrous" that the actor can simulate the full bodily array of emotional expression...
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The Cinema of Tony Richardson: Essays and Interviews

James M. Welsh, John C. Tibbetts, Professor John C Tibbetts - Performing Arts - 1999 - 320 pages
...fiction, in a dream of passion; Could force his soul so to her own conceit That from her working all his visage wann'd, Tears in his eyes, distraction...forms to his conceit? and all for nothing! For Hecuba! The vital yet often marginalized role of the Player, is essential if the dramatic irony of Hamlet's...
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