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" I have heard That guilty creatures, sitting at a play, Have by the very cunning of the scene Been struck so to the soul that presently They have proclaim'd their malefactions; For murder, though it have no tongue, will speak With most miraculous organ. "
The Plays of William Shakespeare: Accurately Printed from the Text of the ... - Page 188
by William Shakespeare - 1805
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Hamlet

William Shakespeare - Drama - 2002 - 260 pages
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Was Greek Thought Religious?: On the Use and Abuse of Hellenism, from Rome ...

L. Ruprecht - Philosophy - 2002 - 296 pages
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Cognitive-Behavioral Cybernetics of Symptoms, Dreams, Lateralization: Theory ...

Altan Loker - Medical - 2002 - 300 pages
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Differentiated Instruction: A Guide for Middle and High School Teachers

Amy Benjamin - Cognitive styles in children - 2002 - 184 pages
...or censorship issues. Why do some performances evoke actual riots? * Think about what Hamlet says: "I have heard/ that guilty creatures sitting at a.../Been struck so to the soul that presently /They have confessed their malefactions." What does this mean? Why would this be so? * Find out about some interesting...
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Novel Shakespeares: Twentieth-century Women Novelists and Appropriation

Julie Sanders - Drama - 2001 - 274 pages
...Prince uses the staging of 'The Murder of Gonzago' by visiting players to determine his uncle's guilt: I have heard that guilty creatures sitting at a play...Been struck so to the soul that presently They have proclaimed their malefactions; (2.2.566-9) Here, as in Hamlet, we have ghosts and guilt. But the expectations...
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Staging Consciousness: Theater and the Materialization of Mind

William W. Demastes - American drama - 2002 - 228 pages
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Shakespeare Survey, Volume 31

Kenneth Muir - Drama - 2002 - 260 pages
...deceit-therapy - that the truth is not sufficiently impressive of itself and needs the help of art. I have heard That guilty creatures, sitting at a play,...Been struck so to the soul that presently They have proclaimed their malefactions. (Hamlet, n, ii, 584-8) So the play's the thing wherein to catch the...
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The Authentic Shakespeare, and Other Problems of the Early Modern Stage

Stephen Orgel - Drama - 2002 - 296 pages
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Hamlet

William Shakespeare - Drama - 2002 - 350 pages
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Shakespeare for One: Men : the Complete Monologues and Audition Pieces

William Shakespeare - Drama - 2002 - 332 pages
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