...voice, and his whole function suiting With forms to his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep...amaze indeed The very faculties of eyes and ears. (II.ii.533-50) Yet the very predicament in which Hamlet finds himself embedded offers its own means...

...voice, an' his whole function suiting With forms to his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep...general ear with horrid speech, Make mad the guilty, and .appall the free, Confound the ignorant, and amaze indeed The very faculties of eyes and ears. Yet...

...voice, and his whole function suiting With forms to his conceit? and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep...very faculties of eyes and ears. Yet I, A dull and muddy-mettled rascal, peak, Like John-a-dreams, unpregnant of my cause, And can say nothing; no, not...

...goods he'd plundered was her last remaining child, her daughter Cassandra, he might have an emoThat he should weep for her? What would he do Had he the...general ear with horrid speech, Make mad the guilty and appall the free, Confound the ignorant, and amaze indeed The very faculty of eyes and ears. (II, ii,...

...and his whole function suiting With forms to his conceit? And all for nothing? For Hecuba! 510 What's Hecuba to him, or he to Hecuba, That he should weep...tears, And cleave the general ear with horrid speech, 515 497 Macready rearranged the sequence of exits so that the First Player is the last of the players...

...arm, waving on a car.) Go, go, go. Get thee, get thee, get thee. (Sinks back into character.) What's Hecuba to him, or he to Hecuba, That he should weep...tears And cleave the general ear with horrid speech Get off my ass, buddy. (Looking in the rearview mirror.) Get off my ass. Make mad the guilty and appall...

...the "time" that is "out of ^Hamlet is here taking the place of the player in H.ii, of whom he says: What would he do Had he the motive and the cue for...tears And cleave the general ear with horrid speech, Confound the ignorant, and amaze indeed The very faculties of eyes and ears. <n.ii. 557-63) He is also...

...abuse - a loud, low woman 595 About: set about your task Had he the motive and the cue for passion 565 That I have? He would drown the stage with tears,...amaze indeed The very faculties of eyes and ears. 570 Yet I, A dull and muddy-mettled rascal, peak, Like John-a-dreams, unpregnant of my cause, And can...

...of this speech, the speaker's awareness of play and the reference to the (First) Player looms large. What would he do Had he the motive and [the cue] for...tears, And cleave the general ear with horrid speech (2.2.560-563) As the traveling player's capacity for rousing, piercing speech and action is imaginatively...

...What's Hecuba to him, or he to Hecuba, That he should weepe for her? What would he doe, 2.2 Hamlet Had he the motive and the cue for passion That I have?...free, Confound the ignorant and amaze indeed The very faculty of eyes and ears. Yet I, A dull and muddy-mettled rascal, peak Like John-a-dreams, unpregnant...