The Science of Discourse |
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Page 87
... emotions for their own sake , spe- cifically , pleasure in contemplating physical comfort and security . II . Unity . The scene in its attributes and parts must be so presented as to stimulate this particular emotion . III . The Scene ...
... emotions for their own sake , spe- cifically , pleasure in contemplating physical comfort and security . II . Unity . The scene in its attributes and parts must be so presented as to stimulate this particular emotion . III . The Scene ...
Page 98
... emotions , or to stimulate to action . The law of purpose and unity requires such relations to be chosen in the comparison and con- trast as will best accomplish the end sought in the narration . ―― The second step in narration is that ...
... emotions , or to stimulate to action . The law of purpose and unity requires such relations to be chosen in the comparison and con- trast as will best accomplish the end sought in the narration . ―― The second step in narration is that ...
Page 105
... emotions . aroused or the will moved . Unity is secured by choosing the adequate unifying idea of purpose . This gives a definite current to the movement at the outset . Unity is further secured by giving the space and time boundaries ...
... emotions . aroused or the will moved . Unity is secured by choosing the adequate unifying idea of purpose . This gives a definite current to the movement at the outset . Unity is further secured by giving the space and time boundaries ...
Page 106
... emotions , and logical coherence would be largely disregarded . The thought relations would be left incomplete , the matter would be presented in the progressive order of its power over the emotions , exciting incidents would take the ...
... emotions , and logical coherence would be largely disregarded . The thought relations would be left incomplete , the matter would be presented in the progressive order of its power over the emotions , exciting incidents would take the ...
Page 110
... emotions . 4. The campaign of Burgoyne . 5 . " The Wreck of the Hesperus , " by Longfellow . 6. " King Vol- mer and Elsie , " by Whittier . 7. The life of Franklin . 8. The changes of the seasons : ( a ) to instruct , ( b ) to excite ...
... emotions . 4. The campaign of Burgoyne . 5 . " The Wreck of the Hesperus , " by Longfellow . 6. " King Vol- mer and Elsie , " by Whittier . 7. The life of Franklin . 8. The changes of the seasons : ( a ) to instruct , ( b ) to excite ...
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Common terms and phrases
adaptation Allegory Amphibrach Anapaest apple argument Asyndeton attention attri attributes basis beauty called cause and effect clear common comparison and contrast composer conception condition connection conscious copula definite desire distinct effort Elegance elements emotions end sought energy essential euphony exposition expression fact feeling figure force given gives growing on trees guage hearer Hence idea ideal imagination impression individual induction inferred interpretation judgment language form law of unity liquid consonants literal literary logical means ment Metaphor Metonymy mind addressed move movement narration nature object oration oratory organic organic unity periodic sentence phases Pleonasm poem poetry Polysyndeton presented preter principle produced prose purpose reader reading relation requires resemblance rhetoric secured selection sense sentence Sir Launfal sound speaker style syllable syllogism Synecdoche Tautology tences theme things thought tion Trochee truth unified unit utterance vincing power whole words writer