“The” Plays of William Shakespeare, Volume 5F. C. and J. Rivington, J. Johnson, R. Baldwin, 1805 |
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Results 6-10 of 59
Page 19
... Rosalind replies - Thou losest thy old smell . So here when Rosalind had said - With bills on their necks , the Clown to be quits with her , puts in - Know all men by these presents . She spoke of an instrument of war , and he turns it ...
... Rosalind replies - Thou losest thy old smell . So here when Rosalind had said - With bills on their necks , the Clown to be quits with her , puts in - Know all men by these presents . She spoke of an instrument of war , and he turns it ...
Page 20
... become part of Le Beau's speech ; in which case the word bill would be used by him to denote a wea- pon , and by Rosalind perverted to mean a label . M. Mason . $ Touch . Thus men may grow wiser every day ! 20 AS YOU LIKE IT .
... become part of Le Beau's speech ; in which case the word bill would be used by him to denote a wea- pon , and by Rosalind perverted to mean a label . M. Mason . $ Touch . Thus men may grow wiser every day ! 20 AS YOU LIKE IT .
Page 21
... Rosalind hints at a whimsical similitude between the series of ribs gradually shortening , and some musical instruments , and therefore calls broken ribs , broken musick . Fohnson . This probably alludes to the pipe of Pan , which ...
... Rosalind hints at a whimsical similitude between the series of ribs gradually shortening , and some musical instruments , and therefore calls broken ribs , broken musick . Fohnson . This probably alludes to the pipe of Pan , which ...
Page 25
... Rosalind and me , not suffering me to hope that love will ever make a serious matter of it . The famous satirist Reg- nier , who lived about the time of our author , uses the same me- taphor , on the same subject , though the thought be ...
... Rosalind and me , not suffering me to hope that love will ever make a serious matter of it . The famous satirist Reg- nier , who lived about the time of our author , uses the same me- taphor , on the same subject , though the thought be ...
Page 27
... Rosalind , in a sub- sequent scene , expressly says that she is " more than common tall , " and assigns that as a reason for her assuming the dress of a man , while her cousin Celia retained her female apparel . Again , in Act IV , sc ...
... Rosalind , in a sub- sequent scene , expressly says that she is " more than common tall , " and assigns that as a reason for her assuming the dress of a man , while her cousin Celia retained her female apparel . Again , in Act IV , sc ...
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Common terms and phrases
allusion Audrey believe Bertram better brother called Celia Clown comedy Count Countess Cymbeline daughter Diana doth Duke F editor emendation Enter Exeunt Exit eyes fair father fear fool forest fortune give grace Hanmer hast hath heart heaven Helena Henley honest honour humour Jaques Johnson King Henry knave lady Lafeu live Lord Love's Labour's Lost madam maid Malone marry Mason meaning Measure for Measure Midsummer Night's Dream mistress nature never old copy reads Orlando Othello Parolles passage Phebe play poet poor pr'ythee pray quintain ring Rosalind Rousillon scene second folio sense Shakspeare signifies speak speech Steevens swear sweet sweet Oliver tell thee Theobald thine thing thou art Touch Troilus and Cressida Twelfth Night Tyrwhitt virginity virtue Warburton wife Winter's Tale woman word young youth