The Dramatic Works of John Ford: With an Introduction, and Notes Critical and Explanatory, Volume 2J. & J. Harper, 1831 - English drama |
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Page 60
... Exit . ACT IV . SCENE I. A Room in the House of MALFATO . Enter MALFATO and SPINELLA . Mal . Here you are safe , sad cousin ; if you please , May over - say the circumstance of what You late discours'd : mine ears are gladly open , For ...
... Exit . ACT IV . SCENE I. A Room in the House of MALFATO . Enter MALFATO and SPINELLA . Mal . Here you are safe , sad cousin ; if you please , May over - say the circumstance of what You late discours'd : mine ears are gladly open , For ...
Page 64
... Exit . Piero , Futelli , ' t is our wisest course to follow Our pastime with discretion , by which means We may ingratiate , as our business hits , Our undertakings to great Auria's favour . Fut . I grow quite weary of this lazy custom ...
... Exit . Piero , Futelli , ' t is our wisest course to follow Our pastime with discretion , by which means We may ingratiate , as our business hits , Our undertakings to great Auria's favour . Fut . I grow quite weary of this lazy custom ...
Page 76
... an idea of a more intimate connexion than is usually understood by that term ; somewhat , for instance , like implicate , involve , inweave , & c . - GIFFORD . Ben . Forbear entreaties . [ Exit . Mart . 76 [ ACT V. THE LADY'S TRIAL .
... an idea of a more intimate connexion than is usually understood by that term ; somewhat , for instance , like implicate , involve , inweave , & c . - GIFFORD . Ben . Forbear entreaties . [ Exit . Mart . 76 [ ACT V. THE LADY'S TRIAL .
Page 77
... Exit . Mart . Ah , thou - but what ? I know not how to call thee : Fain would I smother grief , but out it must ; My heart is broke : thou hast for many a day Been at a loss , and now art lost for ever ; Lost , lost , without recovery ...
... Exit . Mart . Ah , thou - but what ? I know not how to call thee : Fain would I smother grief , but out it must ; My heart is broke : thou hast for many a day Been at a loss , and now art lost for ever ; Lost , lost , without recovery ...
Page 78
... Exit . Who defies danger most . - Sure , state and cere- mony Inhabit here . Like strangers , we shall wait Formality of entertainment . Cousin , Let us return ; ' tis paltry . Spin . Gentle sir , Confine your passion ; my attendance ...
... Exit . Who defies danger most . - Sure , state and cere- mony Inhabit here . Like strangers , we shall wait Formality of entertainment . Cousin , Let us return ; ' tis paltry . Spin . Gentle sir , Confine your passion ; my attendance ...
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Common terms and phrases
Adur Adurni Amor art thou Aurel Aurelio Auria Banks beauty Benatzi Bian Bianca blood brave canst Cast Castanna creature Cuddy D'Av D'AVOLOS dare Devil dost Duke Enter Exeunt Exit eyes fair father fear Fern Fernando Fior Flav folly fortunes four humours Frank Fulgoso Futelli Genoa gentlemen GIFFORD hath hear heart Heaven hobby-horse honest honour humour husband JOHN FORD Kath lady LADY'S TRIAL Levidolche live lord LOVE'S SACRIFICE madam maid Malfato marriage married Mart master Thorney mother Sawyer never noble Piero pity pleasures poor pray prince prithee Raybright SCENE scurvy shalt Sir Arthur Clarington sister Somerton soul speak Spin Spinella Spring SUN'S DARLING sweet thee There's thine Thor thou art thou hast Trel TRELCATIO Warbeck wife Winnifrede witch WITCH OF EDMONTON woman youth