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THE UNDERWORLD had happened in the weary months gone by; but the next morning Ceres mounted her dragon-car for the first time in many, many days, and set forth to the fields to tend the new grain, while Proserpina ran to the seashore and with a happy shout called the nymphs, her old companions, from their seaweed beds.

Each year thereafter, when Proserpina was led by Mercury to Pluto's kingdom, Ceres, in grief and anger, shut herself up and would not attend to her duties, so that the earth was barren and drear. Each year, with the return of Proserpina, the flash of green ran across the fields and announced her coming before she appeared in sight. And all the people, weary and depressed after the hard, bitter months, joyed with Ceres at her daughter's approach, and cried with her, "She comes ! She comes! Proserpina!”

This story, like that of Phaethon, is a nature myth; that is, it accounts for natural phenomena which the Greeks saw about them. As they conceived of Ceres, the earth goddess, as the kindest of the immortals, and of her daughter, Proserpina, the goddess of flowers and beautifying vegetation, as always young and happy, they found it hard to explain the barrenness of the winter months. Why should Ceres and Proserpina neglect the earth during a part of the year, so that it would bring forth nothing, no matter how much care was bestowed upon it?

We must remember that the people who invented these stories really believed that the earth produced grain and fruit because some goddess bestowed

OF THE UNDERWORLD 479 upon it her care. They even fancied, sometimes, as they entered their fields, that they saw Ceres, with her dragon-car and her crown of wheat ears, vanishing before them. And they did not say, during winter months, “The ground is hard and frozen, and thus cannot give food to the plants;" or, “The seed must lie underground for a time before it can send its roots down and its leaves up, and bring forth fruit.” They said, “Mother Ceres is neglecting the earth.”

What more natural, then, than that they should imagine that the earth goddess was mourning for the loss of something and refusing to attend to her duties? And since the flowers, the special care of Ceres's daughter, disappeared at the same time, it seemed most likely that it was this daughter who had disappeared, stolen and held captive underground. When, each year, the time of her captivity was at an end, Ceres went joyfully back to her work, the flowers and grass once more appeared in a word, it was spring.

Looked at in a slightly different way, Proserpina represented the seed which is placed underground. For a time it is held there, apparently gone forever; but at last it appears above the earth in fresher, brighter guise, just as the daughter of Ceres reappeared.

It is held by some that this myth is a symbol or allegory of the death of man and his ultimate resurrection. That, however, does not seem extremely likely, as the ancients, although they believed in the life of the soul after death, conceived of that life as something far from pleasant, even for those who had led good lives.

The story of Proserpina has been used as a subject for many paintings. One of the best-known of these is Rosetti's “Persephone,” which shows her as she stands, sad-eyed, with the bitten fruit in her hand.

ORIGIN OF THE OPAL DEWDROP came, with a spark of flame A He had caught from the sun's last ray, To a violet's breast, where he lay at rest

Till the hours brought back the day.

The rose looked down, with a blush and frown;

But she smiled all at once, to view
Her own bright form, with its coloring warm,

Reflected back by the dew.

Then the stranger took a stolen look

At the sky, so soft and blue;
And a leaflet green, with its silver sheen,

Was seen by the idler too.

A cold north wind, as he thus reclined,

Of a sudden raged around;
And a maiden fair, who was walking there,

Next morning, an opal found.

IN TIME'S SWING

By Lucy LARCOM DATHER TIME, your footsteps go T Lightly as the falling snow. In your swing I'm sitting, see! Push me softly; one, two, three, Twelve times only. Like a sheet, Spread the snow beneath my feet. Singing merrily, let me swing Out of winter into spring. Swing me out, and swing me in! Trees are bare, but birds begin Twittering to the peeping leaves, On the bough beneath the eaves Wait,—one lilac bud I saw. Icy hillsides feel the thaw; April chased off March to-day; Now I catch a glimpse of May. Oh, the smell of sprouting grass! In a blur the violets pass. Whispering from the wildwood come Mayflower's breath and insect's hum. Roses carpeting the ground; Thrushes, orioles, warbling sound: Swing me low, and swing me high, To the warm clouds of July. Slower now, for at my side White pond lilies open wide. Underneath the pine's tall spire Cardinal blossoms burn like fire.

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They are gone; the golden-rod Flashes from the dark green sod. Crickets in the grass I hear; Asters light the fading year.

Slower still! October weaves Rainbows of the forest leaves. Gentians fringed, like eyes of blue, Glimmer out of sleety dew. Meadow-green I sadly miss: Winds through withered sedges hiss. Oh, 'tis snowing, swing me fast, While December shivers past!

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