Pro. THE TEMPEST. 197 Behold, sir king, The wronged Duke of Milan, Prospero : For more assurance that a living prince Does now speak to thee, I embrace thy body; And to thee, and thy company, I bid A hearty welcome. Alon. Whe'r thou beest he, or no, Or some enchanted trifle to abuse me, As late I have been, I not know: thy pulse Beats, as of flesh and blood; and, since I saw thee, The affliction of my mind amends, with which, I fear, a madness held me this must crave (And if this be at all) a most strange story. Thy dukedom I resign; and I do entreat Thou pardon me my wrongs:-But how should Prospero Be living, and be here ? Pro. First, noble friend, Let me embrace thine age; whose honor cannot Be measur'd, or confin'd. Gon. Or be not, I'll not swear. Whether this be, You do yet taste But you, my brace of lords, were I so minded, [Aside to SEB und ANT. I here could pluck his highness' frown upon you, I'll tell no tales. Seb. The devil speaks in him. No: For you, most wicked sir, whom to call brother Thy rankest fault; all of them; and require Thou must restore. Alon. If thou beest Prospero, Give us particulars of thy preservation : How thou hast met us here, who three hours since Were wreck'd upon this shore; where I have lost, How sharp the point of this remembrance is ! My dear son Ferdinand. Pro. I am woe for't, sir. You have not sought her help; of whose soft grace For the like loss, I have her sovereign aid, And rest inyself content. [Aside. Pro. As great to me, as late; and, supportable To make the dear loss, have I means much weaker Than you may call to comfort you; for I Have lost my daughter. Alon. A daughter? O heavens! that they were living both in Naples, Myself were mudded in that oozy bed Where my son lies. When did you lose your daughter? Pro. In this last tempest. I perceive, these lords At this encounter do so much admire, The entrance of the Cell opens, and discovers FERDINAND and MIRANDA, playing at chess. I would not for the world. No, my dearest love, Mira. Yes, for a score of kingdoms you should wrangle, And I would call it fair play. Alon. If this prove A vision of this island, one dear son Shall I twice lose. A most high miracle! Fer. Though the seas threaten, they are merciful : I have curs'd them without cause. Of a glad father compass thee about! Arise, and say how thou cam'st here. Mira. [FERD. kneels to ALON. Now all the blessings O! wonder! How many goodly creatures are there here! That has such people in't! Pro. 'Tis new to thee. THE TEMPEST. Alon. What is this maid, with whom thou wast at play? Your eld'st acquaintance cannot be three hours: And brought us thus together? Fer. Sir, she's mortal; But, by immortal providence, she's mine; Alon. I am hers: But O, how oddly will it sound, that I Must ask my child forgiveness ! Pro. Let us not burden our remembrances With a heaviness that's gone. Gon. There, sir, stop; I have inly wept, Or should have spoke ere this. Look down, you gods, And on this couple drop a blessed crown; For it is you, that have chalk'd forth the way Which brought us hither! Alon. Give me your hands: 199 Let grief and sorrow still embrace his heart, That doth not wish you joy! Gon. Re-enter ARIEL, with the Master and Boatswain amazedly following. O look, sir, look, sir; here are more of us! I prophesied, if a gallows were on land, This fellow could not drown: Now, blasphemy, Boats. The best news is, that we have safely found Our king, and company; the next our ship,- We first put out to sea. Ari. Have I done since I went. Sir, all this service My tricksy spirit! Alon. These are not natural events; they strengthen, Boats. If I did think, sir, I were well awake, And (how, we know not) all clapp'd under hatches, [Aside. Where, but even now, with strange and several noises And were brought moping hither. Ari. Was't well done? Pro. Bravely, my diligence. Thou shalt be free. Alon. This is as strange a maze as e'er men trod : And there is in this business more than nature Was ever conduct of: some oracle Must rectify our knowledge. Pro. Sir, my liege, Do not infest your mind with beating on The strangeness of this business: at pick'd leisure, These happen'd accidents; till when, be cheerful, Untie the spell. Sir, I invite your highness, and your train, Since I came to this isle: And in the morn I'll bring you to your ship, and so to Naples, Alon. I long To hear the story of your life, which must Pro. I'll deliver all; And promise you calm seas, auspicious gales, Your royal fleet far off. - My Ariel ;-chick, That is thy charge; then to the elements } [Aside. [Aside. [Exit ARIEL. Be free, and fare thou well! • Exeunt. ROMEO AND JULIET. The story of Romeo and Juliet is considered to be historically true; the Veronese fix the date of this tragedy as 1303. "The history of the fair Capulet and her loved Montague," furnished themes for novelists, and had inspired the muse of the Poets, previous to Shakspeare's time: He has availed himself of these labors to construct his exquisite Drama; the inimitable character of Mercutio, however, is an entirely original creation of the Dramatist. PERSONS REPRESENTED. ESCALUS, Prince of Verona. PARIS, a young nobleman, kinsman to the Prince. MONTAGUE, heads of two houses, at variance with each other. CAPULET, } An old man, uncle to Capulet. ROMEO, son to Montague. MERCUTIO, kinsman to the Prince, and friend to Romeo. BENVOLIO, nephew to Montague, and friend to Romeo. TYBALT, nephew to Lady Capulet. Friar LAURENCE, a Franciscan. Friar John, of the same order. ABRAM, servant to Montague. An Apothecary. Three Musicians. Chorus. Boy. Page to Paris. PETER. An Officer. Citizens of Verona; several Men and Women, relations to both houses; Maskers, Guards, Watchmen, and Attendants. SCENE, during the greater part of the Play, in VERONA; once, in the Fifth Act, at MANTUA. 10* |