Moth. You may do it in an hour, sir. Moth. How many is one thrice told? Moth. You are a gentleman, and a gamester, sir. Arm. I confess both: they are both the varnish of a complete man. Moth. Then, I am sure, you know how much the gross sum of deuce-ace amounts to. Arm. It doth amount to one more than two. Moth. Why, sir, is this such a piece of study? Now, here is three studied ere you'll thrice wink; and how easy it is to put years to the word three, and study three years in two words, the dancing horse will tell you. Årm. A most fine figure! Moth. [Aside.] To prove you a cypher. Arm. I will hereupon confess I am in love; and, as it is base for a soldier to love, so am I in love with a base wench. If drawing my sword against the humour of affection would deliver me from the reprobate thought of it, I would take desire prisoner, and ransom him to any French courtier for a new devised courtesy. I think scorn to sigh: methinks, I should out-swear Cupid. Comfort me, boy. What great men have been in love? Moth. Hercules, master. Arm. Most sweet Hercules!-More authority, dear boy, name more; and, sweet my child, let them be men of good repute and carriage. Moth. Samson, master: he was a man of good carriage, great carriage; for he carried the town-gates on his back, like a porter, and he was in love. Arm. O well-knit Samson! strong-jointed Samson! Moth. A woman, master. Arm. Of what complexion? Who was Arm. Is there not a ballad, boy, of the King and the Beggar? Moth. The world was very guilty of such a ballad some three ages since, but, I think, now 'tis not to be found; or, if it were, it would neither serve for the writing, nor the tune. Arm. I will have that subject newly writ o'er, that I may example my digression by some mighty precedent. Boy, I do love that country girl, that I took in the park with the rational hind Costard: she deserves well. Moth. [Aside.] To be whipped; and yet a better love than my master. Arm. Sing, boy: my spirit grows heavy in love. Moth. Forbear, till this company be past. Enter DULL, COSTARD, and JAQUENETTA. Arm. I do betray myself with blushing.—Maid. Arm. I will visit thee at the lodge. Arm. I know where it is situate. Jaq. Fair weather after you. [Exeunt DULL and JAQUENETTA. Arm. Villain, thou shalt fast for thy offences, ere thou be pardoned. Cost. Well, sir, I hope, when I do it, I shall do it on a full stomach. Arm. Thou shalt be heavily punished. Cost. I am more bound to you than your fellows, Moth. Of all the four, or the three, or the two, or for they are but lightly rewarded. one of the four. Arm. Tell me precisely of what complexion. Moth. Of the sea-water green, sir. Arm. Is that one of the four complexions? Moth. As I have read, sir; and the best of them too. Arm. Green, indeed, is the colour of lovers; but to have a love of that colour, methinks, Samson had small reason for it. He, surely, affected her for her wit. Moth. It was so, sir, for she had a green wit. Arm. My love is most immaculate white and red. Moth. Most maculate thoughts, master, are masked under such colours. Arm. Define, define, well-educated infant. Moth. My father's wit, and my mother's tongue, assist me! Arm. Sweet invocation of a child; most pretty, and poetical! Moth. If she be made of white and red, Her faults will ne'er be known; For blushing cheeks by faults are bred, the same, Arm. Take away this villain: shut him up. Moth. No, sir; that were fast and loose: thou shalt to prison. Cost. Well, if ever I do see the merry days of desolation that I have seen, some shall seeMoth. What shall some see? Cost. Nay nothing, master Moth, but what they look upon. It is not for prisoners to be too silent in their words; and therefore I will say nothing: I thank God I have as little patience as another man, and therefore I can be quiet. [Exeunt MoTH and COSTARD. Arm. I do affect the very ground, which is base, where her shoe, which is baser, guided by her foot, which is basest, doth tread. I shall be forsworn, (which is a great argument of falsehood) if I love; and how can that be true love, which is falsely attempted? Love is a familiar; love is a devil: there is no evil angel but love. Yet was Samson so tempted, and he had an excellent strength: yet was Solomon so seduced, and he had a very good wit. Cupid's butt-shaft is too hard for Hercules' club, and therefore too much odds for a Spaniard's rapier. The first and second cause will not A dangerous rhyme, master, against the reason of serve my turn; the passado he respects not, the duello white and red. he regards not his disgrace is to be called boy, but his glory is, to subdue men. Adieu, valour! rust, rapier! be still, drum! for your armiger is in love; yea, he loveth. Assist me some extemporal god of rhyme, for, I am sure, I shall turn sonnet-maker. Devise wit, write pen, for I am for whole volumes in folio. [Exit. ACT II. SCENE I.-Another part of the Park. A Pavilion and Tents at a distance. Enter the PRINCESS of France, ROSALINE, MARIA, Consider whom the king your father sends, Of all perfections that a man may owe, Prin. Good lord Boyet, my beauty, though but mean, Doth noise abroad, Navarre hath made a vow, Boyet. Proud of employment, willingly I go. [Exit. Prin. All pride is willing pride, and yours is so.Who are the votaries, my loving lords, That are vow-fellows with this virtuous duke? In Normandy, saw I this Longaville. A man of sovereign parts he is esteem'd; Who are the rest? Of all that virtue love for virtue lov'd: Ros. Another of these students at that time Prin. God bless my ladies! are they all in love, Prin. Re-enter BOYET. Now, what admittance, lord? Boyet. Navarre had notice of your fair approach; And he, and his competitors in oath, Were all address'd to meet you, gentle lady, [The ladies mask. Enter KING, LONGAVILLE, DUMAINE, BIRON, and Attendants. King. Fair princess, welcome to the court of Na varre. Prin. Fair, I give you back again; and welcome I have not yet: the roof of this court is too high to be yours, and welcome to the wide fields too base to be mine. King. You shall be welcome, madam, to my court. But pardon me, I am too sudden-bold : Biron. Your wit's too hot, it speeds too fast, 'twill tire. Ros. Not till it leave the rider in the mire. Biron. What time o' day? Ros. The hour that fools should ask. Biron. Now fair befal your mask! King. Madam, your father here doth intimate The payment of a hundred thousand crowns; But say, that he, or we, (as neither have) A hundred thousand more; in surety of the which, An hundred thousand crowns; and not demands, On payment of a hundred thousand crowns, To have his title live in Aquitain; Which we much rather had depart withal, And have the money by our father lent, Than Aquitain, so gelded as it is. Dear princess, were not his requests so far From reason's yielding, your fair self should make Prin. You do the king my father too much wrong, And wrong the reputation of your name, In so unseeming to confess receipt Of that which hath so faithfully been paid, Prin. We arrest your word. Boyet, you can produce acquittances Of Charles his father. Satisfy me so. Boyet. So please your grace, the packet is not come, Where that and other specialties are bound: To-morrow you shall have a sight of them. King. It shall suffice me: at which interview, All liberal reason I will yield unto. Mean time, receive such welcome at my hand, As honour, without breach of honour, may Make tender of to thy true worthiness. You may not come, fair princess, within my gates; But here without you shall be so receiv'd, As you shall deem yourself lodg'd in my heart, Though so denied free harbour in my house. Your own good thoughts excuse me, and farewell: To-morrow shall we visit you again. Prin. Sweet health and fair desires consort your grace! King. Thy own wish wish I thee in every place! [Exeunt KING and his train. Biron. Lady, I will commend you to mine own heart. Ros. Pray you, do my commendations; I would be glad to see it. Biron. I would, you heard it groan. Ros. Is the fool sick? Ros. Alack! let it blood. Biron. Would that do it good? Biron. Will you prick't with your eye? Long. I beseech you a word. the white? Boyet. A woman sometimes, an light. [Exit. What is she in [Coming forward. you saw her in the Long. Perchance, light in the light. I desire her Biron. O! you are welcome, sir. Adieu. Boyet. Boyet. And wherefore not ships? No sheep, sweet lamb, unless we feed on your lips. Mar. You sheep, and I pasture: shall that finish the jest? Boyet. So you grant pasture for me. Mar. [Offering to kiss her. Not so, gentle beast. My lips are no common, though several they be. Boyet. Belonging to whom? Mar. To my fortunes and me. Prin. Good wits will be jangling; but, gentles, agree. This civil war of wits were much better used Prin. With what? Boyet. With that which we lovers entitle, affected. Boyet. Why, all his behaviours did make their retire I'll give you Aquitain, and all that is his, I only have made a mouth of his eye, By adding a tongue, which I know will not lie. Mar. He is Cupid's grandfather, and learns news of Ros. Then was Venus like her mother, for her father Boyet. Do you hear, my mad wenches? No. ACT III. SCENE I.—Another part of the Same. Enter ARMADO and MOTH. SONG. See, my love. Arm. Warble, child: make passionate my sense of hearing. [Singing. Moth. Concolinel· (Amato bene.) Arm. Sweet air!-Go, tenderness of years: take this key, give enlargement to the swain, bring him festinately hither; I must employ him in a letter to my love. Moth. Master, will you win your love with a French brawl? Arm. How meanest thou? brawling in French? Moth. No, my complete master; but to jig off a tune at the tongue's end, canary to it with your feet, humour it with turning up your eye-lids; sigh a note, and sing a note; sometime through the throat, as if you swallowed love with singing love; sometime through the nose, as if you snuffed up love by smelling love; with your hat penthouse-like, o'er the shop of your eyes; with your arms crossed on your thin belly's doublet, like a rabbit on a spit; or your hands in your pocket, like a man after the old painting; and keep not too long in one tune, but a snip and away. These are complements, these are humours; these betray nice wenches, that would be betrayed without these, and make them men of note, (do you note, men?) that most are affected to these. Arm. How hast thou purchased this experience? Arm. But 0,-but 0, Moth. The hobby-horse is forgot. Arm. Callest thou my love hobby-horse? Moth. No, master; the hobby-horse is but a colt, and your love, perhaps, a hackney. But have you forgot your love? Arm. Almost I had. Moth. Negligent student! learn her by heart. Arm. By heart, and in heart, boy. Moth. A messenger well sympathised: a horse to be ambassador for an ass. Arm. Ha, ha! what sayest thou? Moth. Marry, sir, you must send the ass upon the Arm. Thy meaning, pretty ingenious? Moth. You are too swift sir, to say so: Moth. By thy favour, sweet welkin, I must sigh in thy face: Re-enter MOTH with COSTARD. Arm. Some enigma, some riddle: come,-thy l'envoy; -begin. Cost. No egma, no riddle, no l'envoy! no salve in them all, sir: O, sir, plantain, a plain plantain ! no l'envoy, no l'envoy: no salve, sir, but a plantain. Arm. By virtue, thou enforcest laughter; thy silly thought, my spleen; the heaving of my lungs provokes Moth. And out of heart, master: all those three I me to ridiculous smiling. O, pardon me, my stars! will prove. Arm. What wilt thou prove? Moth. A man, if I live: and this, by, in, and without, upon the instant: by heart you love her, because your heart cannot come by her; in heart you love her, because your heart is in love with her; and out of heart Doth the inconsiderate take salve for l'envoy, and the word l'envoy for a salve? Moth. Do the wise think them other? is not l'envoy a salve? Arm. No, page: it is an epilogue, or discourse, to make plain Some obscure precedence that hath tofore been sain. The fox, the ape, and the humble-bee, There's the moral: now the l'envoy. Moth. I will add the l'envoy. Say the moral again. Arm. The fox, the ape, and the humble-bee, Were still at odds, being but three. Moth. Until the goose came out of door, And stay'd the odds by making four. Now will I begin your moral, and do you follow with my l'envoy. The fox, the ape, and the humble-bee, Were still at odds, being but three. Arm. Until the goose came out of door, Staying the odds by making four. A good l'envoy. Moth. Ending in the goose; would you desire more? Cost. The boy hath sold him a bargain, a goose, that's flat. -- Sir, your pennyworth is good, an your goose be fat. Moth. By saying that a Costard was broken in a shin. Then call'd you for the l'envoy. Cost. True, and I for a plantain: thus came your argument in; Then the boy's fat l'envoy, the goose that you bought, And he ended the market. Enter BIRON. Biron. O, my good knave Costard! exceedingly well met. Cost. Pray you, sir, how much carnation ribbon may a man buy for a remuneration? Biron. What is a remuneration? Cost. Marry, sir, half-penny farthing. [Showing it. Cost. When would you have it done, sir? Cost. Well, I will do it, sir. Fare you well. The princess comes to hunt here in the park, Cost. Guerdon.-O, sweet guerdon! better than remuneration; eleven-pence farthing better. Most sweet guerdon!—I will do it, sir, in print.-Guerdon Arm. But tell me; how was there a Costard broken-remuneration! in a shin? Moth. I will tell you sensibly. Cost. Thou hast no feeling of it, Moth: I will speak that l'envoy. I, Costard, running out, that was safely within, Fell over the threshold, and broke my shin. Arm. We will talk no more of this matter. Cost. Till there be more matter in the shin. Arm. Sirrah Costard, marry, I will enfranchise thee. Cost. O marry me to one Frances?—I smell some l'envoy, some goose, in this. Arm. By my sweet soul, I mean, setting thee at liberty, enfreedoming thy person: thou wert immured, restrained, captivated, bound. Cost. True, true; and now you will be my purgation, and let me be loose. Arm. I give thee thy liberty, set thee free from durance; and, in lieu thereof, impose on thee nothing but this bear this significant [Giving a letter.] to the country maid Jaquenetta. There is remuneration; for the best ward of mine honour is rewarding my dependents. Moth, follow. [Exit. Moth. Like the sequel, I.—Signior Costard, adieu. [Exit. Cost. My sweet ounce of man's flesh! my incony Jew! Now will I look to his remuneration. Remuneration! O! that's the Latin word for three farthings: three farthings, remuneration.-"What's the price of this inkle? A penny.-No, I'll give you a remuneration:" why, it carries it.-Remuneration!-why, it is a fairer name than French crown. I will never buy and sell out of this word. [Exit. Biron. O! And I, forsooth, in love! I, that have been love's whip; A very beadle to a humorous sigh; |