An Abridgment of Lectures on Rhetoric |
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Page 5
Hugh Blair. CONTENTS . PAGE Structure of Language Structrue of Sentences The same subject INTRODUCTION On Taste , Criticism.Genius . - Pleasures of Taste . - Sublimity in Objects Sublimity in Writing Beauty and other Pleasures of Taste ...
Hugh Blair. CONTENTS . PAGE Structure of Language Structrue of Sentences The same subject INTRODUCTION On Taste , Criticism.Genius . - Pleasures of Taste . - Sublimity in Objects Sublimity in Writing Beauty and other Pleasures of Taste ...
Page 7
Hugh Blair. English Tragedy Comedy Ancient Comedy Spanish Comedy French Comedy English Comedy PAGE 220 222 225 226 · 227 228 INTRODUCTION . A PROPER acquaintance with the circle of liberal CONTENTS . 7.
Hugh Blair. English Tragedy Comedy Ancient Comedy Spanish Comedy French Comedy English Comedy PAGE 220 222 225 226 · 227 228 INTRODUCTION . A PROPER acquaintance with the circle of liberal CONTENTS . 7.
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... the lasting ap- probation of the discerning . But such imposture must be short and transitory . The body and substance of any valuable composition must be formed of knowledge and science . - Rhetoric completes the INTRODUCTION.
... the lasting ap- probation of the discerning . But such imposture must be short and transitory . The body and substance of any valuable composition must be formed of knowledge and science . - Rhetoric completes the INTRODUCTION.
Page 10
... chief faults which ought to be avoided ; and consequently tend to enlighten taste , and to con- duct genius from unnatural deviations into its proper channel . Though they are incapable of producing great 10 INTRODUCTION .
... chief faults which ought to be avoided ; and consequently tend to enlighten taste , and to con- duct genius from unnatural deviations into its proper channel . Though they are incapable of producing great 10 INTRODUCTION .
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abounds action admit Æneid agreeable ancient appear arguments attention beauty blank verse characters Cicero circumstances comedy composition concise critics degree Demosthenes dignity discourse distinction distinguished effect elegant eloquence emotion employed English English language epic poem epic poetry excel exhibit expression fancy fault figure founded French frequently genius Give an example grace Greek Greek tragedy guage hearers Hence Homer human ideas Iliad imagination imitation instance introduced invention kind language Livy Lusiad manner metaphor Milton mind modern moral motion narration nature never nouns objects observed orator ornament painting Paradise Lost passion pastoral pastoral poetry pathetic pause peculiar perspicuity Pharsalia pleasing pleasures poet poetical proper propriety public speaking racter render requisite rule scene sense sentence sentiments simplicity sound speaker species speech spirit strength strong style sublime syllable Tacitus taste tence thing thought Thucydides tion tragedy unity variety verb verse Virgil voice words writing
Popular passages
Page 111 - We cannot indeed have a single image in the fancy that did not make its first entrance through the sight; but we have the power of retaining, altering, and compounding those images which we have once received, into all the varieties of picture and vision...
Page 88 - Me miserable ! which way shall I fly Infinite wrath, and infinite despair? Which way I fly is Hell; myself am Hell; And, in the lowest deep, a lower deep Still threatening to devour me opens wide, To which the Hell I suffer seems a Heaven.
Page 74 - I shall detain you no longer in the demonstration of what we should not do, but straight conduct you to a hill-side, where I will point you out the right path of a virtuous and noble education; laborious indeed at the first ascent, but else so smooth, so green, so full of goodly prospect and melodious sounds on every side, that the harp of Orpheus was not more charming.
Page 25 - That saith of Cyrus, He is my shepherd, And shall perform all my pleasure ; Even saying to Jerusalem, Thou shalt be built ; And to the temple, Thy foundation shall be laid.
Page 151 - Before all temples the upright heart and pure, Instruct me, for thou know'st; thou from the first Wast present, and, with mighty wings outspread, Dove-like, sat'st brooding on the vast abyss, And mad'st it pregnant: what in me is dark Illumine; what is low, raise and support...
Page 90 - Earth felt the wound, and Nature, from her seat Sighing through all her works, gave signs of woe, That all was lost.
Page 25 - He made darkness his secret place; his pavilion round about him were dark waters and thick clouds of the skies.
Page 110 - Our sight is the most perfect and most delightful of all our senses. It fills the mind with the largest variety of ideas, converses with its objects at the greatest distance, and continues the longest in action without being tired or satiated with its proper enjoyments. The sense of feeling can indeed give us a notion of extension, shape, and all other ideas that enter at the eye, except colours ; but at the same time it is very much straitened and confined in its operations to the number, bulk,...
Page 186 - O SING unto the Lord a new song: sing unto the Lord, all the earth.
Page 115 - A man should endeavour, therefore, to make the sphere of his innocent pleasures as wide as possible, that he may retire into them with safety, and find in them such a satisfaction as a wise man would not blush to take.