The Epic Voice |
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Page 64
... books , are concentrated in Book I. And the uninterrupted omniscient narration comprises all that is left of Book III . Viewed from within , of course , the New Arcadia presents more intricate problems . And yet it is possible to reduce ...
... books , are concentrated in Book I. And the uninterrupted omniscient narration comprises all that is left of Book III . Viewed from within , of course , the New Arcadia presents more intricate problems . And yet it is possible to reduce ...
Page 116
... books begin in " the middest " ; they both " recourse to thinges fore- paste " by the agency of the delegated narrators : Una in Book I and Guyon in Book II . Yet even in these most orthodox of books , the in medias res strategy seems ...
... books begin in " the middest " ; they both " recourse to thinges fore- paste " by the agency of the delegated narrators : Una in Book I and Guyon in Book II . Yet even in these most orthodox of books , the in medias res strategy seems ...
Page 121
... Book II A. C. Hamilton , in the company of other critics , is quite correct in seeing Book II as parallel in structure to Book I. In each the knight who represents a particular virtue ( Holiness , Temper- ance ) leaves the court of the ...
... Book II A. C. Hamilton , in the company of other critics , is quite correct in seeing Book II as parallel in structure to Book I. In each the knight who represents a particular virtue ( Holiness , Temper- ance ) leaves the court of the ...
Common terms and phrases
Abdiel Achilles Adam Adam's adventures Aegisthus Aeneas's Aeneid Agamemnon allegory Amphialus Andromana angelic Antiphilus Arcadia Ariostan artistic audience Basilius Basilius's Beowulf Book Bowra C. S. Lewis Canto chapter characterization characters creation critics delegated voice device distinction divine dramatic E. M. W. Tillyard English epic epic poem epic simile epic voice episode example exposition Faerie Queene fiction function Guyon hero heroic poem Homer Iliad incident intention ironic Kalander's kind knowledge later limited literary epic main action main plot medias res structure metaphor Milton modulation Musidorus and Pyrocles Musidorus's narrative Nestor's obvious Odyssey Old Arcadia omniscient narration omniscient voice Pamela Paradise Lost parallel Phaeacians Philoclea poet poet's Poetry princes problem Raphael Raphael's narration recitation recognize Red Cross relationship restricted narration restricted voice reveals revision rhetorical romance romantic epic Satan's Sidney Sidney's Arcadia significant speaker Spenser story Swedenberg tangential narrations tion tradition Troy Ulysses Virgil Zelmane