Rehearsal: The Principles and Practice of Acting for the Stage |
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Page 60
... walk , they merely stroll or lounge about stage . This is wrong . Speech and action must move faster in plays than in real life and they must , by all means , cor- relate one with the other . When a character is happy , interested ...
... walk , they merely stroll or lounge about stage . This is wrong . Speech and action must move faster in plays than in real life and they must , by all means , cor- relate one with the other . When a character is happy , interested ...
Page 222
... walk . Now we walk without thinking how . We have conquered the technique of walking . The same process should be gone through in learning how to act . Learn to act , step by step ; put what you have learned into practice ; cultivate ...
... walk . Now we walk without thinking how . We have conquered the technique of walking . The same process should be gone through in learning how to act . Learn to act , step by step ; put what you have learned into practice ; cultivate ...
Page 379
... walk , mannerisms , actions . What does he wear ? Clothing should be in keeping with the period , his walk in life , his disposition , his financial standing , and his thinking . 7. Learn to know him so well that you will know exactly ...
... walk , mannerisms , actions . What does he wear ? Clothing should be in keeping with the period , his walk in life , his disposition , his financial standing , and his thinking . 7. Learn to know him so well that you will know exactly ...
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Rehearsal: The Principles and Practice of Acting for the Stage Miriam Anna Franklin No preview available - 2012 |
Common terms and phrases
acting action actor anger arms attention audience BAXTER become BLUNTSCHLI body CAGLE chair character CHEVELEY CHILTERN CLYTAEMNESTRA comedy comes CYRANO dear door DRINA DRUMMLE DUNSTAN emotion enters express eyes face feel gesture girl give goes GRANDFATHER GRAZIA hand head hear HELEN HELMER IAGO Ideal Husband inflections keep LADY Lady Windermere's Fan laugh LAURA light Liliom lines listening look LORD GORING MADAME BUTTERFLY married MATT Maxwell Anderson MIRIAMNE MISS PERKINS MISS ROBERTS Moss Hart mother move movement muscles never NORA Oscar Wilde OTHELLO PAULA pause person play player RAINA rehearsal Reprinted by special ROSALIND ROXANE scene shoulder Sidney Kingsley sits smile speak special permission speech stage stand Star Wagon steps talk tell theater thing thou thought THROTTLEBOTTOM tone turn upstage voice walk WINDERMERE woman WOMEN words