Rehearsal: The Principles and Practice of Acting for the Stage |
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Page 61
... turn , the character usually does so toward rather than away from his audience . However , when too great a turn is necessary , it is better for the character to turn away , his back toward the house . As much as a two - thirds turn ...
... turn , the character usually does so toward rather than away from his audience . However , when too great a turn is necessary , it is better for the character to turn away , his back toward the house . As much as a two - thirds turn ...
Page 62
... turn- ing to make an exit . This will make the turn easier when one is to leave by an upstage exit . This backing away may be done for two different reasons . When the actor is directly in line of the entrance and not far from it it is ...
... turn- ing to make an exit . This will make the turn easier when one is to leave by an upstage exit . This backing away may be done for two different reasons . When the actor is directly in line of the entrance and not far from it it is ...
Page 69
... turning around . If he is entering a door on stage left , he should open it with his right hand , pass through it and , without turn- ing around , reach back and close it with his left hand . If he enters from right , he will open with ...
... turning around . If he is entering a door on stage left , he should open it with his right hand , pass through it and , without turn- ing around , reach back and close it with his left hand . If he enters from right , he will open with ...
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Rehearsal: The Principles and Practice of Acting for the Stage Miriam Anna Franklin No preview available - 2012 |
Common terms and phrases
acting action actor anger arms attention audience BAXTER become BLUNTSCHLI body CAGLE chair character CHEVELEY CHILTERN CLYTAEMNESTRA comedy comes CYRANO dear door DRINA DRUMMLE DUNSTAN emotion enters express eyes face feel gesture girl give goes GRANDFATHER GRAZIA hand head hear HELEN HELMER IAGO Ideal Husband inflections keep LADY Lady Windermere's Fan laugh LAURA light Liliom lines listening look LORD GORING MADAME BUTTERFLY married MATT Maxwell Anderson MIRIAMNE MISS PERKINS MISS ROBERTS Moss Hart mother move movement muscles never NORA Oscar Wilde OTHELLO PAULA pause person play player RAINA rehearsal Reprinted by special ROSALIND ROXANE scene shoulder Sidney Kingsley sits smile speak special permission speech stage stand Star Wagon steps talk tell theater thing thou thought THROTTLEBOTTOM tone turn upstage voice walk WINDERMERE woman WOMEN words