Rehearsal: The Principles and Practice of Acting for the Stage |
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Page 49
... shoulders . MRS . THORNBURY , sinking into it , leans up against him . JERRY starts to put his hand on her shoulder . MRS . THORNBURY is looking up flirtatiously into his face . At this moment , MRS . TICE RC . , facing L. , sees what ...
... shoulders . MRS . THORNBURY , sinking into it , leans up against him . JERRY starts to put his hand on her shoulder . MRS . THORNBURY is looking up flirtatiously into his face . At this moment , MRS . TICE RC . , facing L. , sees what ...
Page 134
... shoulder , the wrist should be limber , and the fingers lithe . You must guard against the elbows clinging closely to your sides . Make arm movements broad , often the full arm length . Force your arms to move out from your sides . Try ...
... shoulder , the wrist should be limber , and the fingers lithe . You must guard against the elbows clinging closely to your sides . Make arm movements broad , often the full arm length . Force your arms to move out from your sides . Try ...
Page 276
... shoulder . When this is done rapidly , the fall appears natural . There are times when he must fall forward or backward . In falling forward it is best to crumple down , breaking the fall by knees and hands and shoulder . In falling ...
... shoulder . When this is done rapidly , the fall appears natural . There are times when he must fall forward or backward . In falling forward it is best to crumple down , breaking the fall by knees and hands and shoulder . In falling ...
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Rehearsal: The Principles and Practice of Acting for the Stage Miriam Anna Franklin No preview available - 2012 |
Common terms and phrases
acting action actor anger arms attention audience BAXTER become BLUNTSCHLI body CAGLE chair character CHEVELEY CHILTERN CLYTAEMNESTRA comedy comes CYRANO dear door DRINA DRUMMLE DUNSTAN emotion enters express eyes face feel gesture girl give goes GRANDFATHER GRAZIA hand head hear HELEN HELMER IAGO Ideal Husband inflections keep LADY Lady Windermere's Fan laugh LAURA light Liliom lines listening look LORD GORING MADAME BUTTERFLY married MATT Maxwell Anderson MIRIAMNE MISS PERKINS MISS ROBERTS Moss Hart mother move movement muscles never NORA Oscar Wilde OTHELLO PAULA pause person play player RAINA rehearsal Reprinted by special ROSALIND ROXANE scene shoulder Sidney Kingsley sits smile speak special permission speech stage stand Star Wagon steps talk tell theater thing thou thought THROTTLEBOTTOM tone turn upstage voice walk WINDERMERE woman WOMEN words