Rehearsal: The Principles and Practice of Acting for the Stage |
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Page 7
... plays , Towneley has thirty - two , Chester has twenty - five , and Coventry has forty - two . All of these date back to the fourteenth century . Another class of religious play , the mysteries , came into being about the same time ...
... plays , Towneley has thirty - two , Chester has twenty - five , and Coventry has forty - two . All of these date back to the fourteenth century . Another class of religious play , the mysteries , came into being about the same time ...
Page 37
... Playing for audiences not worth lighting up for . Point - up ( or to point ) .— To emphasize ; to play up an idea or character . Position . An actor's place on the stage as set by the director . Prompt book . - Book of the play used by ...
... Playing for audiences not worth lighting up for . Point - up ( or to point ) .— To emphasize ; to play up an idea or character . Position . An actor's place on the stage as set by the director . Prompt book . - Book of the play used by ...
Page 378
... player studies and trains mentally for only one play at a time . Each new play brings with it as many problems as did the one before , but they are different problems . Each problem must be attacked , worked out , and completed for each ...
... player studies and trains mentally for only one play at a time . Each new play brings with it as many problems as did the one before , but they are different problems . Each problem must be attacked , worked out , and completed for each ...
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Rehearsal: The Principles and Practice of Acting for the Stage Miriam Anna Franklin No preview available - 2012 |
Common terms and phrases
acting action actor anger arms attention audience BAXTER become BLUNTSCHLI body CAGLE chair character CHEVELEY CHILTERN CLYTAEMNESTRA comedy comes CYRANO dear door DRINA DRUMMLE DUNSTAN emotion enters express eyes face feel gesture girl give goes GRANDFATHER GRAZIA hand head hear HELEN HELMER IAGO Ideal Husband inflections keep LADY Lady Windermere's Fan laugh LAURA light Liliom lines listening look LORD GORING MADAME BUTTERFLY married MATT Maxwell Anderson MIRIAMNE MISS PERKINS MISS ROBERTS Moss Hart mother move movement muscles never NORA Oscar Wilde OTHELLO PAULA pause person play player RAINA rehearsal Reprinted by special ROSALIND ROXANE scene shoulder Sidney Kingsley sits smile speak special permission speech stage stand Star Wagon steps talk tell theater thing thou thought THROTTLEBOTTOM tone turn upstage voice walk WINDERMERE woman WOMEN words