Rehearsal: The Principles and Practice of Acting for the Stage |
From inside the book
Results 1-3 of 59
Page 4
... hear all of the stories . Nevertheless they were content . They could hear the rhythm of the poetry and most of the lines ; Greek actors trained their voices for power . Voices would be sonorous and speech beautifully modulated . Lycon ...
... hear all of the stories . Nevertheless they were content . They could hear the rhythm of the poetry and most of the lines ; Greek actors trained their voices for power . Voices would be sonorous and speech beautifully modulated . Lycon ...
Page 195
... hear me , hear me . JONATHAN . Now , take it easy , miss . MRS . GEASLING . Don't " miss " me . I'm married . You got to get me home right away , do you hear ? I got to get Mike off to school in the morning . I can't go to no fancy ...
... hear me , hear me . JONATHAN . Now , take it easy , miss . MRS . GEASLING . Don't " miss " me . I'm married . You got to get me home right away , do you hear ? I got to get Mike off to school in the morning . I can't go to no fancy ...
Page 244
... hear melody accurately . Some are unfortunate in being unable to distinguish between rising and falling inflections . Other actors can hear the changes in the speech of someone else , but they can- not hear the melody in their own ...
... hear melody accurately . Some are unfortunate in being unable to distinguish between rising and falling inflections . Other actors can hear the changes in the speech of someone else , but they can- not hear the melody in their own ...
Other editions - View all
Rehearsal: The Principles and Practice of Acting for the Stage Miriam Anna Franklin No preview available - 2012 |
Common terms and phrases
acting action actor anger arms attention audience BAXTER become BLUNTSCHLI body CAGLE chair character CHEVELEY CHILTERN CLYTAEMNESTRA comedy comes CYRANO dear door DRINA DRUMMLE DUNSTAN emotion enters express eyes face feel gesture girl give goes GRANDFATHER GRAZIA hand head hear HELEN HELMER IAGO Ideal Husband inflections keep LADY Lady Windermere's Fan laugh LAURA light Liliom lines listening look LORD GORING MADAME BUTTERFLY married MATT Maxwell Anderson MIRIAMNE MISS PERKINS MISS ROBERTS Moss Hart mother move movement muscles never NORA Oscar Wilde OTHELLO PAULA pause person play player RAINA rehearsal Reprinted by special ROSALIND ROXANE scene shoulder Sidney Kingsley sits smile speak special permission speech stage stand Star Wagon steps talk tell theater thing thou thought THROTTLEBOTTOM tone turn upstage voice walk WINDERMERE woman WOMEN words