Rehearsal: The Principles and Practice of Acting for the Stage |
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Page 39
... audience , his face turned away from it . A quarter position is a quarter turn away from the audience . This is used far more than is any other position , especially when sharing a scene . When standing in quarter position , the upstage ...
... audience , his face turned away from it . A quarter position is a quarter turn away from the audience . This is used far more than is any other position , especially when sharing a scene . When standing in quarter position , the upstage ...
Page 106
... audience is to be given an opportunity to appreciate them , the thoughts must be separated and time for laughs given be- tween them . Each audience will need to be considered individually . Some audiences laugh loudly ; others , equally ...
... audience is to be given an opportunity to appreciate them , the thoughts must be separated and time for laughs given be- tween them . Each audience will need to be considered individually . Some audiences laugh loudly ; others , equally ...
Page 127
... Audience Feels - In The seeing of real people dealing with real problems , then , draws people to the theater . Acting will not attract the audience unless it appeals to the senses and emotions of its members . The audience wants a play ...
... Audience Feels - In The seeing of real people dealing with real problems , then , draws people to the theater . Acting will not attract the audience unless it appeals to the senses and emotions of its members . The audience wants a play ...
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Rehearsal: The Principles and Practice of Acting for the Stage Miriam Anna Franklin No preview available - 2012 |
Common terms and phrases
acting action actor anger arms attention audience BAXTER become BLUNTSCHLI body CAGLE chair character CHEVELEY CHILTERN CLYTAEMNESTRA comedy comes CYRANO dear door DRINA DRUMMLE DUNSTAN emotion enters express eyes face feel gesture girl give goes GRANDFATHER GRAZIA hand head hear HELEN HELMER IAGO Ideal Husband inflections keep LADY Lady Windermere's Fan laugh LAURA light Liliom lines listening look LORD GORING MADAME BUTTERFLY married MATT Maxwell Anderson MIRIAMNE MISS PERKINS MISS ROBERTS Moss Hart mother move movement muscles never NORA Oscar Wilde OTHELLO PAULA pause person play player RAINA rehearsal Reprinted by special ROSALIND ROXANE scene shoulder Sidney Kingsley sits smile speak special permission speech stage stand Star Wagon steps talk tell theater thing thou thought THROTTLEBOTTOM tone turn upstage voice walk WINDERMERE woman WOMEN words