Rehearsal: The Principles and Practice of Acting for the Stage |
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Page 10
... acting . The apron of the stage was steadily decreased until acting eventually appeared only back of the proscenium arch - behind the picture frame . Roofs were placed over theaters , thus making them more usable in all weather but also ...
... acting . The apron of the stage was steadily decreased until acting eventually appeared only back of the proscenium arch - behind the picture frame . Roofs were placed over theaters , thus making them more usable in all weather but also ...
Page 19
... acting . Acting is also a part of the normal life . It is probably the only art in which everyone , not only occasionally but frequently , takes part , and - let us speak secretively - in which he takes pride . To act , to pretend ...
... acting . Acting is also a part of the normal life . It is probably the only art in which everyone , not only occasionally but frequently , takes part , and - let us speak secretively - in which he takes pride . To act , to pretend ...
Page 20
... acting : the me- chanical , that which becomes habitual ; the physical , that which the body performs ; the mental , that which decides ; and the emotional , that which concerns the feelings . These are present in all acting . No one of ...
... acting : the me- chanical , that which becomes habitual ; the physical , that which the body performs ; the mental , that which decides ; and the emotional , that which concerns the feelings . These are present in all acting . No one of ...
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Rehearsal: The Principles and Practice of Acting for the Stage Miriam Anna Franklin No preview available - 2012 |
Common terms and phrases
acting action actor anger arms attention audience BAXTER become BLUNTSCHLI body CAGLE chair character CHEVELEY CHILTERN CLYTAEMNESTRA comedy comes CYRANO dear door DRINA DRUMMLE DUNSTAN emotion enters express eyes face feel gesture girl give goes GRANDFATHER GRAZIA hand head hear HELEN HELMER IAGO Ideal Husband inflections keep LADY Lady Windermere's Fan laugh LAURA light Liliom lines listening look LORD GORING MADAME BUTTERFLY married MATT Maxwell Anderson MIRIAMNE MISS PERKINS MISS ROBERTS Moss Hart mother move movement muscles never NORA Oscar Wilde OTHELLO PAULA pause person play player RAINA rehearsal Reprinted by special ROSALIND ROXANE scene shoulder Sidney Kingsley sits smile speak special permission speech stage stand Star Wagon steps talk tell theater thing thou thought THROTTLEBOTTOM tone turn upstage voice walk WINDERMERE woman WOMEN words