The great Christopher North (Professor Wilson) had but a poor opinion of Thomas Moore, and in Noctes Ambrosiana (Blackwood's Magazine July 1823) he thus expressed himself; "MOORE will not live long as a song writer, he has not the stamina in him at all. His verses are elegant, pretty, glittering, anything you please in that line; but they have defects which will not allow them to get down to posterity His strong party views, his affectation of learning, his parade of his knowledge of botany, zoology, and the other 'ologies, these are serious defects, and then the mixed metaphors, and often down-right nonsense to be found in his songs, all detract from his chances of immortality." "Here" says Wilson "is a song he intended to be sung by : : A FALLEN ANGEL OVER A BOWL OF RUM-PUNCH. Heap on more coal there, And keep the glass moving, The frost nips my nose, Though my heart glows with loving. Here's the dear creature, No skylights-a bumper; He who leaves heel taps With hey cow rumble O, Push round the jorum. What are Heaven's pleasures In long or short metre. With hey cow rumble &c. Wide is the difference, With hey cow rumble, &c. LOVE AND THE FLIMSIES. LITTLE Cupid one day on a sunbeam was floating, The whirl and the splash that the water-wheel made. The air was all filled with the scent of the roses, Round the Miller's veranda that clustered and twined; And forth came the Miller, a Quaker in verity, And behind him a Scotchman was singing "Prosperity," And "Walth and prosparity," "Walth and prosparity," His bonny scotch burthen arose on the air, Is a song all in praise of that primitive charity, Which begins with sweet home, and which terminates there. But sudden a tumult arose from a distance, And in rushed a rabble with steel and with stone. And ere the scared miller could call for assistance, The mill to a million of atoms was blown. Scarce mounted the fragments in ether to hurtle, When the Quaker was vanished, no eye had seen where ; And the Scotchman thrown flat on his back, like a turtle, Was sprawling and bawling, with heels in the air. Little Cupid continued to hover and flutter, "Oh, mother," he cried, as he showed them to Venus, Since on earth they so often have bought and sold you." THOMAS LOVE PEACOCK. (From Paper Money Lyrics, written during the commercial panic, in the winter 1825-26.) :0: Another imitation of Moore's style is given in The Book of Ballads, edited by Bon Gaultier, and published by William Blackwood & Sons. These Ballads were written by Professor W. E. Aytoun, and Theodore Martin. A few of them may be considered amusing as parodies, but the greater number are really clever imitations of style, with a little burlesque introduced here and there. Thus, the following would pass very well for one of Mcore's lighter songs: THE BARD OF ERIN'S LAMENT. OH! weep for the hours when the little blind boy And soared in the sunshine, the moth of the hour! Now fondled the lily, now toyed with the rose; And the fair, that at morn had enchanted my mind, Was forsook for another ere evening's close. * But weep for the hour! Life's summer is past, And the snow of its winter lies cold on my brow; And my soul as it shrinks from each stroke of the blast, Can not turn to a fire that glows inwardly now. No, its ashes are dead—and, alas! Love or Song No charm to Life's lengthening shadows can lend, Like a cup of old wine, rich, mellow, and strong, And a seat by the fire tête-à-tête with a friend. :0: OLD SHERRY. (A Parody on the Anacreontic Song.) TO OLD Sheridan once as he sat in full glee, A few duns for hard money sent a petition; I have no cash to spare, 66 And, for all your distresses one damn I dont care, But if once I get in, 'tis my serious design, In passing this quiz, So flushed was his phiz, That the nose of old Bardolph were ice matched to his ; He returned to his friends, who'd just helped him to dine, And laughed at the dupes who found banquet and wine. From The Spirit of the Age Newspaper for 1828. The Right Hon. R. B. Sheridan here referred to, the celebrated wit, orator, and dramatist, was continually in debt, and as, in addition to being thriftless and extravagant, he was intemperate, his once handsome features became, in the later years of his life, so bloated, distorted, and discoloured, that he seemed but a hideous caricature of his former selt. 1:0: THE SHY BO-PEEP. (A sea-side fact.) THE shy Bo-Peep to the sea is gone, And a life buoy slung behind her. "Bathe, I wont !" said this maiden shy, "Tho' disappointment rankles, "In such a garb some man might spy My pettitoes and ankles !' Her friends protest, but the task is vain To make Bo-peep knock under, The frock was never worn again, :0: A. H.S. ANACREON'S ODE XXI. Then, hence with all your sober thinking T. MOORE. Moore has been often accused of plagiarism, and more often perhaps in connection with the above translation from Anacreon than any other poem. A few examples of the versions of earlier writers will show how far the charge can be substantiated. Pierre de Ronsard (who died in 1585) wrote a version, which, given in the old orthography, runs thus: "LA terre, les eaux va boivant. Et le soleil boit la marine. Le soleil est beu de la lune, Tout boit soit en haut ou en bas. Suivant ceste règle commune Pourquoy donc ne boirons nous pas ?" Capilupus imitated the ode, in an epitaph on a drunkard, which has thus been rendered ; WHILE life was mine, the little hour I drank as earth imbibes the shower, Or flushing sun inhales the sea: And Bacchus was outdone by me! In scene 3, act iv., of Timon of Athens, Shakespeare has a similar passage; "I'LL example you with thievery. The sun's a thief, and with his great attraction Another version : THE heavens carouse each day a cup, The sun, and who as right as he? But too much drink shall make me first. THE THIRSTY EARTH. The sea itself (which one would think They drink and dance by their own light, Fill up the bowl then, fill it high, Why, man of morals, tell me why? Whilst referring to Thomas Moore's plagiarisms mention must be made of an article. on the subject contained in Fraser's Magazine, June 1841. It is too long to quote in full, but some of its principal statements may be given: "Moore's plagiarisms are intolerable. There is not a single original thought, conception, metaphor, or image, in the whole range of his works,-from the Posthumous Poems of Tom Little to his last dying speech-the Travels of an Irish Gentleman in Search of a Religion. Even the title of this nonsense is stolen from Erasmus's Peregrinatio Religionis ergo. The man is an indefatigable thief. He has laid under contribution every imaginable book, from the biography of his namesake, Tom Thumb, to the portly folios of the fathers of the church. Perfectly unscrupulous in his marauding expeditions, and impartial in his attacks, he is found at one moment rifling a saint, and in the next pillaging a sinner. You have asked me for some specimens of his plagiarisms. You shall have them. Time will permit me to expose only a very few, so I shall plunge at once in medias LITTLE'S POEMS. "Here is one leaf reserved for me These are stolen from some lines of Pope's :- LITTLE'S POEMS. "Oh, shall we not say thou art Love's duodecimo; Few can be prettier, none can be less, you know, "Sweet Vale of Avoca, how calm could I rest In the bosom of shade with the friends I love best; Sir John Suckling. Aglaura, act iv. Have mingled souls more than two meeting brooks." "Thou motion'st well, nor have I taken leave. It keeps a sweetness yet, [Kisses her]. As stills from roses when the flowers are gone. Philip Massinger. Roman Actor, act iv. sc. 2. "But that thou, whom oft I've seen To personate a gentleman, noble, wise, Faithful and gainsome, and what virtues else The poet pleases to adorn you with; But that (as vessels still partake the odour Of the sweet precious liquors they contain'd) The thing thou dost present.' 66 MOORE'S MELODIES. 'I flew to her chamber, 'twas lonely, While the hand that had waked it so often, Thomas Heywood. A Woman Killed with Kindness. Swifter than that which now divides our hearts. * Oft hath she made this melancholy wood These are specimens of Moore's rogueries; and now having heard them, will you not agree with me in the propriety of addressing him with. the same compliment which Homer pays to Mercury "Immortal honour awaits thee, oh, Thomas Little! for thou shalt be known to all posterity as the chief of thieves." |