SONG OF THE SESSION. THERE'S nought but talk on every han'; While business waits amid debates; All this delay, from day to day Arrears of work amasses, oh ! The Income Tax upon our backs, The Poor-Law Bill is standing still, Give them their hour to spend at night, In altercation dreary, oh! And England's good, and England's right, May gang all tapsalteerie, oh! Loud, &c. Although the above lines appeared in Punch more than forty years ago, they apply almost equally well to the present Parliament. THOMAS CAMPBELL. THE LAST DUKE. (After The Last Man.) ALL selfishness must meet its doom; Before the Dukes give us their room I saw a vision in my sleep, Of Tainboffcoon, a fearful heap, Who in the steamer took his place, His Grace had quite a bilious air; Some had gone to Boulogne-the hands The House of Peers was drear and dead, Yet, donkey-like that lone one stood, And, turning on the pier of wood To England gave good bye: Saying, "Thou hast set, my country's sun! The Corn Laws, that for eighteen years "What though beneath them we had dearth, And no reward for skill? What though the tillers of the earth The new coat with its buttons gay, No Ducal hand imparts Henceforth no Duke shall teach the throng, To lower the Duke in vulgar eyes, And poke fun at the Squire. I quit my country, doomed to death; "Go, JOHN-the steam will soon be up, I shall be too sea-sick to sup Unto SIR ROBERT haste; PEEL and Potato-blight defy To make him hold his tongue, or try To talk aught else but 'rot'!" Punch, 1846. (The Duke of Richmond opposed the repeal of the Corn Laws, and declared that if they were repealed, landed proprietors would be driven out of the country.) THE LAST MAN. (A Study after Campbell.) The Park has quite a sickly glare, The spectres of the season are His world has vanished-ah, 'tis hard, For party on the lawn, For picnic, flower show, or dance; To Greece, Spain, Italy, and France Or Cyprus they have gone. Sad and perplexed the lone one stood, "I have no friends by field or flood, Until the Upper Ten' appear, I know not where to go. "And wearily each moment flies, For stale amusements tire; When seasons thus expire. And in Mayfair I hold my breath; Make quite unnecessary calls; I linger like a ghost.' He sought the club-" Bring claret cup In mercy let me taste. And if a pilgrim seeks the place Tell him the last swell of his race This afternoon hath trod, The squares, the drives, and Rotten Row, And met no single belle or beau To greet his listless nod." Funny Folks, August 24, 1878. -:0: THE SONG OF THE FIRST LORD OF THE ADMIRALTY, (The Earl of Ellenborough.) YE mariners of England, I'll thank you if you please, To come and tell me something of The service of the seas: I've something heard of horse marines But nothing do I know; Though a trip in a ship I to India once did go. If enemies oppose me, From being what I ought to be, So come, brave tars, and teach me A vessel for to know: If the heel is the keel Or abaft means down below. Then courage, all you admirals, Our ministers employ me To vote for them, you know; Then be bold, when you're told That by interest things go. Then here's a health to Wellington, Is the time to strike a blow. Punch, January, 1846. (The Earl of Ellenborough was sent to India, as GovernorGeneral, in 1842, and remained there till 1844. On his return there was some difficulty to find a place in the Government for him. By Sir Robert Peel he was appointed First Lord of the Admiralty, a post which he probably owed to the friendship and interest of the Duke of Wellington.) THE RAILWAYS GROSS MISMANAGEMENT; Or, The Complaint of the "Engine-driver" versified. (Written in 1847, when Railways were in their infancy.) Punch, 1847. You Managers of Railways, Who meet to talk and dine, Must have tremendous pluck, Of mismanagement that flow. Out rolls the train, and no man What next may come can know ; And whate'er happens here From mismanagement doth flow. An engine put before the train, Oft will be-which, you see, From mismanagement doth flow. Unto our trains of breaksmen There is a shameful lack; And hence it is our lives and limbs For want of due assistance And mismanagement doth flow. Ye legislative sages! On you it is we call ! Which, for the public safety, From mismanagement that flow. "A great deal more attention will have to be given than heretofore by the agriculturists of England, and perhaps even Scotland, to the production of fruits, vegetables and flowers. You know that in Scotland a great example of this kind has been set in the cultivation of strawberries."-Mr. Gladstone at West Calder, Nov. 27, 1879. YE husbandmen of Scotland, Who till our native soil, How vain your high-class farming! How profitless your toil! YE Liberals of England Who vote by land and seas, Who stamped your names in other years, Your glorious party launch again To meet its ancient foe, And sweep, swift and deep, And no hesitation know, Till a Liberal army, brave and strong, The great deeds of your fathers Still speak from many a grave; For the Commons was their field of fame, Again let noble Gladstone tell, Till England echoes with the song Britannia needs no bulwarks At keeping rebel hordes in awe She smiles at " Foreign Policy," While "Peace and Honour" grow, But John Bull sees 'twixt right and wrong, The Liberal strength of England Shall fill the voting urns, Till Tory fictions fade away, And common sense returns. Then, then, ye Liberal warriors, The song and feast shall flow To the fame of your name, And the glory of the blow That struck a Sham with the force of Truth, Funny Folks, April 17, 1880. :0: THE LANDLORD'S FAREWELL. A respectful Perversion of The Exile of Erin. THERE came to the beach a poor landlord of Erin, I have no refuge from famine and danger Shall I swig the old port in those well-furnished bowers, Erin, my country! you'll soon be forsaken Then will those rascally tenants awaken, With their nose to some grindstone they knew not before. Oh, cruel fate, could you ever replace me In my seat in the House, where no bagman could chase me; I'd vote for Coercion-though Healy should face me— Where is my hunting lodge, deep in the wild wood New Year is here now, and creditors pressing, From The Irish Fireside, February 6, 1886. THE ESCAPE OF THE ALDERMEN. SING the adventure rare Of those worthies of renown, The Right Honourable LORD MAYOR And the Sheriffs, and the Aldermen, at large And on junketting intent; So they up the river went In their barge. Like porpoises afloat Roll'd their Worships in their craft, In that truly jolly boat It was merry fore and aft: The thirtieth of September was the day, MICHAEL GIBBS was in his chair, And the Aldermen the board were sitting round, As they drifted up the tide, To London ere the sun is low, Like Hyndman speaking rapidly. They roared in all their devilry. But more defiant yet they grow, As down South Audley Street they go, Bottles and legs of mutton throw In Socialistic bravery. The havoc deepens! On, ye brave, To win no glory-risk no grave— Wave, Riot, thy red banner wave, And charge with East-end chivalry. 'Tis eve, and all the damage done, Police stroll up to see the fun, And from each thousand capture one Who joined not in the knavery. Few, few shall smart, tho' many meet, And carpenters and glaziers greet A day dear to South Audley Street, The famous eighth of February. HYDE PARKER. CORONATION LAYS. (Picked up in the Crowd,) An article, having the above title, appeared in the New Monthly Magazine, July, 1831. It referred to the forthcoming coronation of King William IV. and Queen Adelaide, which took place on September 8, 1831. The scraps of poetry were supposed to proceed from the pens of Sir Walter Scott, Thomas Campbell, S. T. Coleridge, W. Wordsworth, L.E.L. (Miss Landon), the Rev. G. Crabbe, Thomas Moore, Thomas Hood, and Robert Southey, then Poet Laureate. As the imitations of Scott and Campbell lead the way, the article may as well be inserted here. The little introductory notices alluding to Moore's well-known love of a Lord, Southey's objection to write the official odes hitherto expected from the Poet Laureate, &c., sufficiently indicate the authors referred to. Some of the imitations are not very striking, and those on Crabbe and L.E. L. might perhaps have been omitted as possessing little to interest the modern reader. However, the whole of the poetry is given, the comments only having been slightly shortened. THE LAY OF THE LOST MINSTREL. [A tall" stalwart figure," with a good-humoured Scotch face, a sturdy-looking stick, and a style of dress indicative of something between the farmer and the philosopher, should be represented seated upon a pile of novels, marked "fiftieth edition," writing, with a pen in each hand two volumes at once of a new work-at the same time dictating a third to an amanuensis at his elbow.] LONG years have pass'd, since lyre of mine Awoke the short and easy line That now unbidden flows; Tell, Constable, tell thou, how long My steps have shunned the halls of Song, My pages, an uncounted throng, But now my harp anew is strung; Before my eyes, when George the Fourth, Were met, and saw no vacant stand; With brandished weapons bare. So like a line of dukes they stood, They had not known their blood. The coming of the king! Yet hark! now, now in truth he comes, With coursers six, are some that bring And him, the darling of renown, Great Cumberland-whom yet the town Salutes with sharp rebuke. And not one lazy lacquey there But glance of rapture drew, Like tinselled hero at the fair Of old Bartholomew. Some rode, some walk'd. some trumpets blew, Some were with wands and some without; And all along the line of view From pavement and from housetop too Rose one continual shout; -:0: THE SHOW IN LONDON. (Thomas Campbell.) His [Let the design represent a middle-sized and middleaged poet, habited in blue, with buttons bearing the initials "P.L.U.C." He must be leaning on an anchor, reading the last account of the capture of Warsaw. books must be numerous and classical, but none bound in Russia, as it reminds him of despotism. A volume of his own poems should be lying before him, opened at 'Hohenlinden," as that exquisite composition has evidently suggested the idea of his new one, called "The Show in London."] IN London when the funds are low, Designed with strict economy. We here this cheapened show have had; Who now shall deem the nation sad! Distress was there superbly clad, And Sorrow stalked not shabbily. All, all the troops were out; who choose And many a line of Foot appears, The drollest of the Infantry. Not last; for of the New Police That morn was seen by all the town :0: THE ANCIENT MARINER. (S. T. Coleridge.) [The author of "The Ancient Mariner," should be delineated after the poet's definition of him, as a "noticeable man with small grey eyes." A crowd of listeners should be around him, catching up with eagerness and ecstasy every syllable as it falls from his lips; and in a corner of the room there might be one or two persons reading his works, apparently puzzled at times to make out his meaning. On the walls should be representations of a giant devoting his life to catching flies; of a philosopher straying on the sea-shore to pick up shells, while the sails of the vessel that was to waft him to his home are scarcely to be descried in the distance.] THE sun it shone on spire and wall, And loud rang every bell; Wild music, like a waterfall, Upon my spirit fell ; But the old grey Abbey was brighter than all, Each spire was like a spell. I breathed within that Abbey's bound, It was a hallowed spot; The walls they seemed alive with sound, Good lord, my brain was spinning round, Eleven o'clock, eleven o'clock ! |