A Philosophical Analysis and Illustration of Some of Shakespeare's Remarkable CharactersJ. Murray, 1774 - 224 pages |
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Page 10
William Richardson. powers and affections of the mind , and affirming , that its operations are governed by no regular principles . That a perfect knowledge of the nature and faculties of the mind is not to be acquired in our prefent ...
William Richardson. powers and affections of the mind , and affirming , that its operations are governed by no regular principles . That a perfect knowledge of the nature and faculties of the mind is not to be acquired in our prefent ...
Page 16
... operations at the very moment they are accidentally excited . Thus , with other obvious difadvantages , he will often lose the opportunity of a happy mood , unable to avail himself of those animating returns of vivacity and attention ...
... operations at the very moment they are accidentally excited . Thus , with other obvious difadvantages , he will often lose the opportunity of a happy mood , unable to avail himself of those animating returns of vivacity and attention ...
Page 20
... operations in the conduct and deportment of others : We must mingle in fociety , and observe the manners and characters of mankind , according as cafual or unexpected incidents may furnish an opportunity . But the mind , not being an ...
... operations in the conduct and deportment of others : We must mingle in fociety , and observe the manners and characters of mankind , according as cafual or unexpected incidents may furnish an opportunity . But the mind , not being an ...
Page 36
... operation , that the picture is his own , and not that of the writer . He examines it coolly : The phantom that pleafed him vanifhes : He is afhamed of the delight it yielded him , and of the praises he fo freely beftowed . It follows ...
... operation , that the picture is his own , and not that of the writer . He examines it coolly : The phantom that pleafed him vanifhes : He is afhamed of the delight it yielded him , and of the praises he fo freely beftowed . It follows ...
Page 48
... operations of fancy , and by remarking the objects fhe with greateft pleasure exhibits , he may difcern , with tolerable accuracy , the nature of his own mind , and the principles moft likely to rule him . Excurfions of the imagination ...
... operations of fancy , and by remarking the objects fhe with greateft pleasure exhibits , he may difcern , with tolerable accuracy , the nature of his own mind , and the principles moft likely to rule him . Excurfions of the imagination ...
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Common terms and phrases
according actions affection againſt agitated agreeable ambition amiable anger animated appears appetites arife attention authority become character circumftances concerning condition conduct confequently confider conftitution defires delight depend difcern emotions endeavours exceedingly excellence excited exhibit explain expreffed eyes faculties fame father fear feelings feem fenfe fenfibility fentiments fhall fhould fions fome forrow foul ftate fuch fuffers fufpicion give governed habits Hamlet hath heart himſelf honour hope human nature idea images imagination Imogen indignation indulgence influence injury intention Jaques kind king lefs lively look Lord Macbeth mankind manner ment mind moft moral moſt moved never obfervations object operations opinions paffion pain particular pleaſure poet poffefs principles propriety qualities reafon receive refentment reflection regard render ruling ſtate temper thefe themſelves theſe thing thofe thoſe thou thoughts tion various violent virtue yield
Popular passages
Page 127 - Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest note to the top of my compass: and there is much music, excellent voice, in this little organ. Yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe?
Page 124 - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Page 114 - I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porcupine : But this eternal blazon must not be To ears of flesh and blood.
Page 66 - Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee: — I have thee not, and yet I see thee still. Art thou not , fatal vision , sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain?
Page 159 - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon...
Page 121 - What's Hecuba to him, or he to Hecuba, That he should weep for her/ What would he do, Had he the motive and the cue for passion That I have...
Page 28 - Like Niobe, all tears; why she, even she, — O God ! a beast, that wants discourse of reason, Would have mourn'd longer, — married with my uncle, My father's brother, but no more like my father Than I to Hercules...
Page 129 - Tis now the very witching time of night When churchyards yawn and hell itself breathes out Contagion to this world. Now could I drink hot blood, And do such bitter business as the day Would quake to look on.
Page 56 - Cannot be ill ; cannot be good : — If ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair, And make my seated heart knock at my ribs, Against the use of nature...
Page 61 - Your face, my thane, is as a book, where men May read strange matters : — To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue: look like the innocent flower, But be the serpent under it.
Bibliographic information
| Title | A Philosophical Analysis and Illustration of Some of Shakespeare's Remarkable Characters Eighteenth century collections online |
| Author | William Richardson |
| Edition | 2 |
| Publisher | J. Murray, 1774 |
| Original from | Oxford University |
| Digitized | 16 Jul 2007 |
| Length | 224 pages |
| Export Citation | BiBTeX EndNote RefMan |