A Philosophical Analysis and Illustration of Some of Shakespeare's Remarkable CharactersJ. Murray, 1774 - 224 pages |
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Page 22
... kind affection . The maxim , that all men who deliberate about doubtful matters , fhould divest themselves of hatred , friendship , anger , and compaffion , is as applicable in philosophy as in politics . Since experiments , made by ...
... kind affection . The maxim , that all men who deliberate about doubtful matters , fhould divest themselves of hatred , friendship , anger , and compaffion , is as applicable in philosophy as in politics . Since experiments , made by ...
Page 31
... hard against the foregoing remark . But let us reflect attentively . Fear is not the prefent paffion in the mind . of Macbeth : A tranfient defire of another kind kind for a moment engages him , namely , the INTRODUCTION . 31.
... hard against the foregoing remark . But let us reflect attentively . Fear is not the prefent paffion in the mind . of Macbeth : A tranfient defire of another kind kind for a moment engages him , namely , the INTRODUCTION . 31.
Page 32
... kind may alfo be advanced : " The excellence of dramatic writing confifts in its imitating with truth and propriety the manners and paffions of mankind : If , therefore , a dramatic dramatic writer , capable of describing and of ...
... kind may alfo be advanced : " The excellence of dramatic writing confifts in its imitating with truth and propriety the manners and paffions of mankind : If , therefore , a dramatic dramatic writer , capable of describing and of ...
Page 33
... , though of a different kind , whether melancholy or joyful , draw the mind from its ufual ftate of indifference , and difpofe it to a ftate of exс treme treme fenfibility ; the flighteft incident . or expreffion will INTRODUCTION . 33 a.
... , though of a different kind , whether melancholy or joyful , draw the mind from its ufual ftate of indifference , and difpofe it to a ftate of exс treme treme fenfibility ; the flighteft incident . or expreffion will INTRODUCTION . 33 a.
Page 35
... kind when dramatic performances are exhibited on the ftage , and have their effect supported by the scenery , by the dresses of the players , and by their action . If this remark , that our own imaginations contribute highly to the ...
... kind when dramatic performances are exhibited on the ftage , and have their effect supported by the scenery , by the dresses of the players , and by their action . If this remark , that our own imaginations contribute highly to the ...
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Common terms and phrases
according actions affection againſt agitated agreeable ambition amiable anger animated appears appetites arife attention authority become character circumftances concerning condition conduct confequently confider conftitution defires delight depend difcern emotions endeavours exceedingly excellence excited exhibit explain expreffed eyes faculties fame father fear feelings feem fenfe fenfibility fentiments fhall fhould fions fome forrow foul ftate fuch fuffers fufpicion give governed habits Hamlet hath heart himſelf honour hope human nature idea images imagination Imogen indignation indulgence influence injury intention Jaques kind king lefs lively look Lord Macbeth mankind manner ment mind moft moral moſt moved never obfervations object operations opinions paffion pain particular pleaſure poet poffefs principles propriety qualities reafon receive refentment reflection regard render ruling ſtate temper thefe themſelves theſe thing thofe thoſe thou thoughts tion various violent virtue yield
Popular passages
Page 127 - Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest note to the top of my compass: and there is much music, excellent voice, in this little organ. Yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe?
Page 124 - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Page 114 - I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porcupine : But this eternal blazon must not be To ears of flesh and blood.
Page 66 - Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee: — I have thee not, and yet I see thee still. Art thou not , fatal vision , sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain?
Page 159 - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon...
Page 121 - What's Hecuba to him, or he to Hecuba, That he should weep for her/ What would he do, Had he the motive and the cue for passion That I have...
Page 28 - Like Niobe, all tears; why she, even she, — O God ! a beast, that wants discourse of reason, Would have mourn'd longer, — married with my uncle, My father's brother, but no more like my father Than I to Hercules...
Page 129 - Tis now the very witching time of night When churchyards yawn and hell itself breathes out Contagion to this world. Now could I drink hot blood, And do such bitter business as the day Would quake to look on.
Page 56 - Cannot be ill ; cannot be good : — If ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair, And make my seated heart knock at my ribs, Against the use of nature...
Page 61 - Your face, my thane, is as a book, where men May read strange matters : — To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue: look like the innocent flower, But be the serpent under it.
Bibliographic information
| Title | A Philosophical Analysis and Illustration of Some of Shakespeare's Remarkable Characters Eighteenth century collections online |
| Author | William Richardson |
| Edition | 2 |
| Publisher | J. Murray, 1774 |
| Original from | Oxford University |
| Digitized | 16 Jul 2007 |
| Length | 224 pages |
| Export Citation | BiBTeX EndNote RefMan |