A Philosophical Analysis and Illustration of Some of Shakespeare's Remarkable Characters |
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Page 4
Nor would the practice of this apophthegm enable us merely to elevate and enlarge our desires , but also , to purify and refine them ; to withstand the follicitations of groveling appetites , and subdue their violence : For improvement ...
Nor would the practice of this apophthegm enable us merely to elevate and enlarge our desires , but also , to purify and refine them ; to withstand the follicitations of groveling appetites , and subdue their violence : For improvement ...
Page 30
Try also the following lines from Virgil : they are taken from that celebrated and well - known passage , where Dido expresses to Anna the passion she had conceived for Æneas . Quis novus hic noftris fucceffit sedibus hofpes ?
Try also the following lines from Virgil : they are taken from that celebrated and well - known passage , where Dido expresses to Anna the passion she had conceived for Æneas . Quis novus hic noftris fucceffit sedibus hofpes ?
Page 32
An objection of the following kind may also be advanced : • The excellence of dramatic writing consists in its imitating with truth and propriety the manners and paflions of mankind : If , therefore , a 66 I dramatic writer , capable of ...
An objection of the following kind may also be advanced : • The excellence of dramatic writing consists in its imitating with truth and propriety the manners and paflions of mankind : If , therefore , a 66 I dramatic writer , capable of ...
Page 35
We may also observe , that we are much more subject to delusions of this kind when dramatic performances are exhibited on the stage , and have their effect supported by the scenery , by the dresses of the players , and by their action .
We may also observe , that we are much more subject to delusions of this kind when dramatic performances are exhibited on the stage , and have their effect supported by the scenery , by the dresses of the players , and by their action .
Page 36
It follows also , on the same principle , that men of lively imaginations receive more exquisite pleasure from works of fancy , than those whose inventive faculties are not so vigosous . Upon the whole , it is manifest , 1 1 1 that a ...
It follows also , on the same principle , that men of lively imaginations receive more exquisite pleasure from works of fancy , than those whose inventive faculties are not so vigosous . Upon the whole , it is manifest , 1 1 1 that a ...
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Common terms and phrases
according actions affection againſt agitated agreeable alſo ambition amiable anger animated appears appetites ariſing attention authority become cauſe character circumſtances concerning condition conduct confidence conſequently conſtitution depend deſires diſappointment diſcern diſcover diſpoſitions emotions endeavours eſteem exceedingly excellence excited exhibit expreſſes eyes faculties father fear feelings fions friends give governed habits Hamlet hath heart himſelf honour hope human human nature idea images imagination Imogen indignation indulgence influence injury intention kind king leſs lively look Lord Macbeth mankind manner ment mind moral moſt moved muſt nature never object obſervations operations opinions paffion pain particular paſſion pleaſure poet principles propriety qualities reaſon receive reflection regard render reſentment ruling ſame ſee ſeem ſenſe ſenſibility ſentiments ſhall ſhe ſhould ſome ſorrow ſoul ſtate ſuch ſuffers ſuſpicion temper themſelves theſe thing thoſe thou thoughts tion various violent virtue whoſe yield
Popular passages
Page 127 - Why, look you now, how unworthy a thing you make of me! You would play upon me; you would seem to know my stops; you would pluck out the heart of my mystery; you would sound me from my lowest note to the top of my compass: and there is much music, excellent voice, in this little organ. Yet cannot you make it speak. 'Sblood, do you think I am easier to be played on than a pipe?
Page 124 - That they are not a pipe for fortune's finger To sound what stop she please. Give me that man That is not passion's slave, and I will wear him In my heart's core, ay, in my heart of heart, As I do thee.
Page 114 - I could a tale unfold whose lightest word Would harrow up thy soul, freeze thy young blood, Make thy two eyes, like stars, start from their spheres, Thy knotted and combined locks to part And each particular hair to stand on end, Like quills upon the fretful porcupine : But this eternal blazon must not be To ears of flesh and blood.
Page 66 - Is this a dagger which I see before me, The handle toward my hand? Come, let me clutch thee: — I have thee not, and yet I see thee still. Art thou not , fatal vision , sensible To feeling as to sight? or art thou but A dagger of the mind, a false creation, Proceeding from the heat-oppressed brain?
Page 159 - Made to his mistress' eyebrow. Then a soldier, Full of strange oaths and bearded like the pard, Jealous in honour, sudden and quick in quarrel, Seeking the bubble reputation Even in the cannon's mouth. And then the justice, In fair round belly with good capon...
Page 121 - What's Hecuba to him, or he to Hecuba, That he should weep for her/ What would he do, Had he the motive and the cue for passion That I have...
Page 28 - Like Niobe, all tears; why she, even she, — O God ! a beast, that wants discourse of reason, Would have mourn'd longer, — married with my uncle, My father's brother, but no more like my father Than I to Hercules...
Page 129 - Tis now the very witching time of night When churchyards yawn and hell itself breathes out Contagion to this world. Now could I drink hot blood, And do such bitter business as the day Would quake to look on.
Page 56 - Cannot be ill ; cannot be good : — If ill, Why hath it given me earnest of success, Commencing in a truth ? I am thane of Cawdor : If good, why do I yield to that suggestion Whose horrid image doth unfix my hair, And make my seated heart knock at my ribs, Against the use of nature...
Page 61 - Your face, my thane, is as a book, where men May read strange matters : — To beguile the time, Look like the time; bear welcome in your eye, Your hand, your tongue: look like the innocent flower, But be the serpent under it.
Bibliographic information
| Title | A Philosophical Analysis and Illustration of Some of Shakespeare's Remarkable Characters Eighteenth century collections online |
| Author | William Richardson |
| Edition | 2 |
| Publisher | J. Murray, 1774 |
| Original from | Oxford University |
| Digitized | 16 Jul 2007 |
| Length | 224 pages |
| Export Citation | BiBTeX EndNote RefMan |