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according action acts admiration afterwards allowed already appear attempt beauties become believe belong called cause character circumstances comedy comic composed condition connected crime criticism death Desdemona desire drama dramatic effect England entirely equally existence expression fact feelings follow forms frequently genius give greater habits hand Henry Holinshed honour human idea imagination impression interest kind King least less lived longer Macbeth manner means mind moral nature necessity never object once original Othello pass passion performance perhaps period person personages piece play pleasures poet poetry popular position possess present prince probably produced reason received regard reign rendered Richard scene seems Shakspeare Shakspeare's society sometimes soon soul spectator stage style success sufficient taken taste theatre things thought tragedy true truth turn whole young
Page 122 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.
Page 331 - O, that the slave had forty thousand lives ! One is too poor, too weak for my revenge. Now do I see 'tis true. Look here, lago ; All my fond love thus do I blow to heaven : 'Tis gone. Arise, black vengeance, from thy hollow cell ! Yield up, O love, thy crown and hearted throne To tyrannous hate ! Swell, bosom, with thy fraught, For 'tis of aspics
Page 49 - Come, my Corinna, come; and, coming, mark How each field turns a street, each street a park Made green and trimm'd with trees: see how Devotion gives each house a bough Or branch: each porch, each door, ere this An ark, a tabernacle is, Made up of white-thorn neatly interwove; As if here were those cooler shades of love.
Page 332 - The spirit-stirring drum, the ear-piercing fife, The royal banner ; and all quality. Pride, pomp, and circumstance of glorious war ! And O, you mortal engines, whose rude throats The immortal Jove's dread clamours counterfeit, Farewell ! Othello's occupation's gone ! lago.
Page 46 - Ceremony doffed his pride. The heir, with roses in his shoes, That night might village partner choose ; The lord, underogating, share The vulgar game of
Page 197 - O my love! my wife! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty. Thou art not conquer'd; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there.
Page 341 - Here is my journey's end, here is my butt, And very sea-mark of my utmost sail.
Page 382 - How would it have joyed brave Talbot (the terror of the French) to think that after he had lain two hundred years in his 180 tomb, he should triumph again on the stage, and have his bones new embalmed with the tears of ten thousand spectators at least (at several times), who in the tragedian that represents his person imagine they behold him fresh bleeding.
Page 49 - Above an hour since ; yet you not drest, Nay ! not so much as out of bed ? When all the birds have matins said, And sung their thankful hymns : 'tis sin, Nay, profanation, to keep in, — Whenas a thousand virgins on this day, Spring, sooner than the lark, to fetch in May.