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admiration Ainslie appear beauty become believe body called cause character Charles common considered continued death doubt effect Ellen expected eyes feel fire French gave give given hand happy head heard heart honour hope hour human interest Italy kind king known lady late leave less letter light lived London look Lord manner matter means mind nature never night observed once original party passed perhaps person pleasure poor present produced published quoth readers reason received seemed seen side soon speak spirit suffered suppose sure thee thing thou thought tion truth turned volume whole wish writers young
Page 549 - THE measure is English heroic verse without rime, as that of Homer in Greek, and of Virgil in Latin, — rime being no necessary adjunct or true ornament of poem or good verse, in longer works especially, but the invention of a barbarous age, to set off wretched matter and lame metre...
Page 250 - His eye-balls farther out than when he lived. Staring full ghastly like a strangled man : His hair uprear'd, his nostrils stretch'd with struggling ; His hands abroad display'd, as one that grasp'd And tugg'd for life, and was by strength subdued.
Page 557 - Of breaking honesty:) horsing foot on foot? Skulking in corners ? wishing clocks more swift ? Hours, minutes ? noon, midnight ? and all eyes blind With the pin and web,' but theirs, theirs only, That would unseen be wicked ? is this nothing ? Why, then the world, and all that's in't, is nothing; The covering sky is nothing ; Bohemia nothing; My wife is nothing; nor nothing have these nothings, If this be nothing.
Page 561 - ... with entire submission of our own faculties, and in the perfect faith that in them there can be no too much or too little, nothing useless or inert — but that, the further we press in our discoveries, the more we shall see proofs of design and self-supporting arrangement where the careless eye had seen nothing but accident ! LEVANA AND OUR LADIES OF SORROW OFTENTIMES at Oxford I saw Levana in my dreams.
Page 561 - In order that a new world may step in, this world must for a time disappear. The murderers and the murder must be insulated — cut off by an immeasurable gulf from the ordinary tide and succession of human affairs — locked up and sequestered in some deep recess; we must be made sensible that the world of ordinary life is suddenly arrested — laid asleep — tranced — racked into a dread armistice...
Page 560 - Duncan,' and adequately to expound 'the deep damnation of his taking off,' this was to be expressed with peculiar energy. We were to be made to feel that the human nature, ie the divine nature of love and mercy, spread through the hearts of all creatures, and seldom utterly withdrawn from man, - was gone, vanished, extinct; and that the fiendish nature had taken its place. And, as this effect is marvellously accomplished in the dialogues and soliloquies themselves, so it is finally consummated by...
Page 560 - But in the murderer, such a murderer as a poet will condescend to, there must be raging some great storm of passion — jealousy, ambition, vengeance, hatred — which will create a hell within him ; and into this hell we are to look.
Page 27 - He is known by his knock. Your heart telleth you, "That is Mr. ." A rap, between familiarity and respect; that demands, and, at the same time, seems to despair of, entertainment. He entereth smiling and — embarrassed. He holdeth out his hand to you to shake, and — draweth it back again. He casually looketh in about dinner-time — when the table is full.