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A VISION UPON THE FAERIE QUEENE,1 Methought I saw the grave, where Laura? lay,
Within that temple, where the vestal flame Was wont to burn; and, passing by that way,
To see that buried dust of living fame,
All suddenly I saw the Faerie Queene;
And, from thenceforth, those Graces were not seen; For they this Queen attended; in whose stead
Oblivion laid him down on Laura's hearse: Hereat the hardest stones were seen to bleed,
And groans of buried ghosts the heavens did pierce: Where Homer's spright did tremble all for grief, And cursed the access of that celestial thief!
THE SOUL'S ERRAND.
Upon a thankless errand;
The truth shall be thy warrant.
Go, tell the Court it glows,
And shines like painted wood;
What's good, but does no good.
Acting, but oh! their actions
Nor strong, but by their factions.
1* A higher strain of compliment cannot well be conceived than this, which raises your idea even of that whicb it disparages in comparison, and makes you feel that nothing could have torn the writer from his idolatrous enthusiasm for Petrarch and his Laura's tomb, but Spenser's magic verse ani diriper Paerie Queene-the one lifted above mortality, the other brought from the skies.''Hazlit.
"I have been always singularly struck and delighted with the tone, imagery, and expression of this extraordinary sonnet. The author must at this time have been deeply real in works of poetical fancy, and highly imbued with their spirit. Milton had deeply studied this sonnet; for in his compositions of the same class, he has evidently, more than once, the very rhythm and construction, as Rell as cast of thought, of this noble, though brief composition."-Sir Egerton Brydges,
: The lady to whom Petrarch addressed so much of his beautiful poetry. * This poem appeared anonymously in “Davison's Poetical Rhapsody," in 1608, and has been ascribed to Sir Walter Raleigh. I have therefore given it a place here with his poems, although there i ho certainty about it. Sir Egerton Brydges, always good authority in every question of English
Keratore, places it at the end of his edition of Raleigh's poems, and says :-"I know no author so capable of writing it as Raleigh; but, whoever was the author, it is a poem of uncommon beauty and merit, and glowing with all that moral pathos, which is one of the first charms in the composiDons of geblus." It is here printed as in Sir E. Brydges's edition.
Tell men of high condition,
That rule affairs of state,
Their practice only hate.
They beg for more by spending,
Seek nothing but commending.
Tell Love it is but lust;
Tell Flesh it is but dust:
Tell Honor how it alters;
Tell Favor that she falters :
In fickle points of niceness;
Herself in over-wiseness :
Tell Skill it is pretension;
Tell Law it is contention:
Tell Nature of decay;
Tell Justice of delay:
But vary by esteeming;
And stand too much on seeming.
Tell how the Country erreth;
Tell Virtue, least preferreth.
And if they do reply,
Commanded thee, done blabbing;
Deserves no less than stabbing;
No stab the Soul can kill. The following most affectionate and touching letter, written by Raleigh to his wife, after his condemnation, cannot be omitted :
You shall receive, my dear wife, my last words in these my last lines; my love I send you, that you may keep when I am dead, and my counsel, that you may remember it when I am no more. I would not with my will present you sorrows, dear Bess; let them go to the grave with me, and be buried in the dust. And seeing that it is not the will of God that I shall see you any more, bear my destruction patiently, and with an heart like yourself.
First, I send you all the thanks which my heart can conceive, of my words express, for your many travails and cares for me ; thich though they have not taken effect as you wished, yet my debt to you is not the less; but pay it I never shall in this world. Secondly, I beseech you, for the love you bare me living, that
o not hide yourself many days, but by your travails seek to help the miserable fortunes and the right of your poor child. Your mourning cannot avail me that am but dust.
hirdly, you shall understand, that my lands were conveyed 14. pde to my child; the writings were drawn at midsummer twelve months, as divers can witness; and I trust my blood quench their malice who desired my slaughter, that they will
also to kill you and yours with extreme poverty. To
end to direct you I know not, for all mine have left me in rue time of trial. Most sorry am I, that, being thus surprised ath, I can leave you no better estate ; God hath prevented
eterminations,—that great God which worketh all in all; : you can live free from want, care for no more, for the rest
vanity: love God, and begin betimes-in him you shall ue, everlasting, and endless comfort; when you have tra
d wearied yourself with all sorts of worldly cogitations, sit down by sorrow in the end. Teach your son also to
ir God whilst he is young, that the fear of God may
him ; then will God be an husband to you, and a o him-an husband and a father that can never be taken
is but a vanity: love u
sery grow up in him ; then will God father to him-an hus from you.
Baylie oweth me a thou in Jernesey also you, for my soul's sake, pay all po
e oweth me a thousand pounds, and Aryan six hundred ; y also I have much owing me, Dear wife, I beseech
's sake, pay all poor men. When I am dead, no
doubt you shall be much sought unto, for the world thinks I was very rich : have a care to the fair pretences of men, for no greater misery can befall you in this life, than to become a prey unto the world, and after to be despised. I speak (God knows) not to dissuade you from marriage, for it will be best for you, both in respect of God and the world. As for me, I am no more yours, nor you mine; death hath cut us asunder, and God hath divided me from the world, and you from me. Reinember your poor child for his father's sake, who loved you in his happiest estate. I sued for my life, but God knows it was for you and yours that I desired it: for know it, my dear wife, your child is the child of a true man, who in his own respect despiseth death and his misshapen and ugly forms. I cannot write much; God knows how hardly I steal this time when all sleep; and it is also time for me to separate my thoughts from the world. Beg my dead body, which living was denied you, and either lay it in Sherbourne, or Exeter church by my father and mother. I can say no more; time and death call me away. The everlasting God, powerful, infinite, and inscrutable God Almighty, who is goodness itself, the true light and life, keep you and yours, and have mercy upon me, and forgive my persecutors and false accusers, and send us to meet in his glorious kingdom. My dear wife, farewell; bless my boy, pray for me, and let my true God hold you both in his arms. Yours that was, but now not mine own,
LADY ELIZABETH CAREY.' Of the history of this lady, nothing satisfactory can be obtained. She wrote a tragedy, entitled “Mariam, the fair Queen of Jewry," written by that learned, virtuous, and truly noble lady, “E. C. 1613." It is written in alternate verse, and with a chorus after the manner of the Greek tragedians. She died probably some time in the reign of James the First. The following is the chorus in Act IV. of Mariam :
ON FORGIVENESS OF INJURIES.
Is scorning to revenge an injury;
His adversary's heart to him doth tie.
To yield to worth it must be nobly done;
1 Generally spelled Carew, but incorrectly.
But if of baser metal be his mind,
In base revenge there is no honor won.
We say our hearts are great and cannot yield;
Because they cannot yield, it proves them poor;
The weakest lion will the loudest roar.
To scorn to owe a duty overlong;
To scorn to lie, to scorn to do a wrong.
But if for wrongs we needs revenge must have,
Then be our vengeance of the noblest kind;
And let our hate prevail against our mind ?
Had Mariam scorn d to leave a due unpaid,
She would to Herod then have paid her love;
To fix her thoughts all injury above
SAMUEL DANIEL. 1562-1619.
His most ela
Houses of York and Lancaste the reason that you see fancy of the poet. Sound i of the pathetic, deli throughout his work; but neither w most distant trace of enthusiasm some of his minor poems, especia abonnding in original thoug guage. A very discriminating poetry and prose such a le proaches nearer the style
w but little of the personal history of Samuel Daniel. He was the
a music master, and was born near Taunton, in Somersetshire, in 1562.
In 1579 he entered Oxford, and left it at the end of three years without ta
ing his degree. Towards the close of his life he retired to a farm in his native county, and died in 1619. most elaborate work is · The History of the Civil Wars between the
Tork and Lancaster," which is rather an uninteresting work, for that you see in it more of the correctness of the annalist than the the poet. Sound morality, prudential wisdom, and occasional touches athetic, delivered in a style of great perspicuity, will be recognised
his work; but neither warmth, passion, nor sublimity, nor the nt trace of enthusiasm, can be found to animate the mass. But s minor poems, especially his moral epistles, have great merit,
original thought, expressed in clear, simple, and vigorous lan. very discriminating and candid critic says, “We find both in his iu prose such a legitimate and rational flow of language, as ap. nearer the style of the eighteenth than the sixteenth century, and