The Dramatic Works of John Ford: With an Introduction, and Notes Critical and Explanatory, Volume 2 |
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Page 14
Exeunt ADURNI , Piero , and FUTELLI . Aur . So leave the winter ' d people of the
north , . The minutes of their summer , when the sun Departing leaves them in
cold robes of ice , As I leave Genoa .1 Call me your shadow ' s hench - boy .
Exeunt ADURNI , Piero , and FUTELLI . Aur . So leave the winter ' d people of the
north , . The minutes of their summer , when the sun Departing leaves them in
cold robes of ice , As I leave Genoa .1 Call me your shadow ' s hench - boy .
Page 17
No more . [ Kisses her . Spi . Dear heaven ! go , sister , go . [ Exeunt SPINELLA
and CASTANNA . Aur . Done bravely , And like the choice of glory , to know mine
One of earth ' s best I have forgoneEnter AURELIO . See , see ! Yet in another I ...
No more . [ Kisses her . Spi . Dear heaven ! go , sister , go . [ Exeunt SPINELLA
and CASTANNA . Aur . Done bravely , And like the choice of glory , to know mine
One of earth ' s best I have forgoneEnter AURELIO . See , see ! Yet in another I ...
Page 20
Exeunt . SCENE II . A Room in the House of ADURNI . Enter ADURNI , and
FUTELLI , with a letter , which he presents to ADURNI . Adur . With her own hand
? Fut . She never used , my lord , : A second means , but kiss ' d the letter first , O
...
Exeunt . SCENE II . A Room in the House of ADURNI . Enter ADURNI , and
FUTELLI , with a letter , which he presents to ADURNI . Adur . With her own hand
? Fut . She never used , my lord , : A second means , but kiss ' d the letter first , O
...
Page 25
Exeunt . SCENE III . A Room in Malfato ' s House . Enter AURELIO and Malfato .
Aurel . A melancholy , grounded , and resolv ' d , Received into a habit , argues
love , Or deep impression of strong discontents . In cases of these rarities a friend
...
Exeunt . SCENE III . A Room in Malfato ' s House . Enter AURELIO and Malfato .
Aurel . A melancholy , grounded , and resolv ' d , Received into a habit , argues
love , Or deep impression of strong discontents . In cases of these rarities a friend
...
Page 28
Exeunt . ACT II . SCENE I . A Street . Enter FUTELLI and Guzman . Fut . Dexterity
and sufferance , brave don , Are engines the pure politic must work with . Guz .
We understand . Fut . In subtleties of war , I talk t ' ye now in your own occupation
...
Exeunt . ACT II . SCENE I . A Street . Enter FUTELLI and Guzman . Fut . Dexterity
and sufferance , brave don , Are engines the pure politic must work with . Guz .
We understand . Fut . In subtleties of war , I talk t ' ye now in your own occupation
...
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Common terms and phrases
Adur Adurni appear Aurel Aurelio Auria Banks beauty better Bian blood brave Cast comes court creature dare death Devil Duke Enter Exeunt Exit eyes fair father fear Fern Fernando Fior Flav follow Folly fortunes Frank give hand hast hath hear heart Heaven hold honest honour hope humour husband I'll keep kind lady language leave live look lord madam married master means mother nature never noble once Piero play pleasures poor pray present prince SCENE sister soul speak Spinella Spring stand stay sure sweet tell thee There's thine thing Thor Thorney thou thou art thought truth virtue wife witch woman young youth
Bibliographic information
| Title | The Dramatic Works of John Ford: With an Introduction, and Notes Critical and Explanatory, Volume 2 Harper's family library: Dramatic series Harper's stereotype edition Volume 2 of The Dramatic Works of John Ford, William Gifford The Dramatic Works of John Ford: With an Introduction, and Notes Critical and Explanatory, John Ford |
| Author | John Ford |
| Editor | William Gifford |
| Publisher | J. & J. Harper, 1831 |
| Original from | Harvard University |
| Digitized | 16 Jun 2008 |
| Export Citation | BiBTeX EndNote RefMan |