Classical Epic TraditionThe literary epic and critical theories about the epic tradition are traced from Aristotle and Callimachus through Apollonius, Virgil, and their successors such as Chaucer and Milton to Eisenstein, Tolstoy, and Thomas Mann. Newman's revisionist critique will challenge all scholars, students, and general readers of the classics, comparative literature, and western literary traditions. |
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Page 5
... poetic possibilities open after a century of ever - encroaching prose on the one side , and ever- more bombastic dithyramb on the other , he saw that the superficial imitation of Homer's mannerisms was no longer feasible for any poet ...
... poetic possibilities open after a century of ever - encroaching prose on the one side , and ever- more bombastic dithyramb on the other , he saw that the superficial imitation of Homer's mannerisms was no longer feasible for any poet ...
Page 12
... poet for technical reasons . This modern problem must not disguise what is actually important , which is not what Homer may have intended ( the " intentional fallacy " 15 ) , but what he may have been supposed to intend by great poets ...
... poet for technical reasons . This modern problem must not disguise what is actually important , which is not what Homer may have intended ( the " intentional fallacy " 15 ) , but what he may have been supposed to intend by great poets ...
Page 18
... poet , not because great poets of the Hellenistic age were against flattering their sovereigns , but because they gave too little scope for an original talent to make itself heard . " What happened to poets of such talent who , while ...
... poet , not because great poets of the Hellenistic age were against flattering their sovereigns , but because they gave too little scope for an original talent to make itself heard . " What happened to poets of such talent who , while ...
Page 20
... poetic treatment a music that would transform its meaning . This meant that the harmony and euphony of the line ... poet to avoid the pitfall presented by themes drawn from history , since he was Aristotelian ( and Greek ) enough to ...
... poetic treatment a music that would transform its meaning . This meant that the harmony and euphony of the line ... poet to avoid the pitfall presented by themes drawn from history , since he was Aristotelian ( and Greek ) enough to ...
Page 21
... poet , which at times may character in the story , must intrude between the reader and the narrative , so as to prevent him from taking a detached view . He must always see the story through the author's eyes , as he is required to see ...
... poet , which at times may character in the story , must intrude between the reader and the narrative , so as to prevent him from taking a detached view . He must always see the story through the author's eyes , as he is required to see ...
Contents
37 | |
73 | |
104 | |
Dante and Petrarch | 244 |
The Italian Tradition | 293 |
Chaucer and Milton | 339 |
Eisenstein and Pudovkin | 399 |
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Common terms and phrases
Achilles Aeneas Aeneid Aetia Alexandrian allusion already ancient Apollo Apollonius Arcita Argonautica Ariosto Aristaeus Aristotle Aristotle's artist Augustan Boccaccio Book Caesar Callimachean Callimachus carnival Catullus Chaucer classical epic tradition comedy comic contrast critics Dante death device Dido Doktor Faustus dramatic echo Eclogues Eisenstein emotional Ennius estrangement Euripides example film Gallus genre Georgics Greek Hecale Hector Hellenistic hero heroic Hesiod Homer Horace human Iliad imagination imitation inspired irony Izbr Jason language Latin Leverkühn lines literary literature look Lucan Lucretius lyric Mann's means Medea Milton modern montage moral Muses narrative novel Odyssey Orpheus Ovid passage perhaps Petrarch Pindar poem poet poet's poetic poetry Proiz Propertius prose reader repr Roman Rome satire scene sense Shklovsky shows simile speech Statius story style symbolism technique theme Theseus Thomas Mann Tolstoy Tolstoy's tragedy Trojans Turnus vates vatic Venus Virgil whole words writing
Popular passages
Page 381 - Indian mount; or faery elves, Whose midnight revels, by a forest side Or fountain, some belated peasant sees, Or dreams he sees, while overhead the Moon Sits arbitress, and nearer to the Earth Wheels her pale course; they, on their mirth and dance Intent, with jocund music charm his ear; At once with joy and fear his heart rebounds.
Page 431 - ALL night the dreadless angel, unpursued, Through heaven's wide champain held his way; till Morn, Waked by the circling hours, with rosy hand Unbarr'd the gates of light. There is a cave Within the mount of God, fast by his throne, Where light and darkness in perpetual round Lodge and dislodge by turns...
Page 393 - So saying, her rash hand in evil hour Forth reaching to the Fruit, she pluck'd, she eat: Earth felt the wound, and Nature from her seat Sighing through all her Works gave signs of woe, That all was lost.
Page 142 - Indos 425 ardebat caelo, et medium sol igneus orbem hauserat ; arebant herbae, et cava flumina siccis faucibus ad limum radii tepefacta coquebant: cum Proteus consueta petens e fluctibus antra ibat; eum vasti circum gens umida ponti 430 _exsultans rorem late dispergit amarum.
Page 202 - Apula tantae. 60 vos, o patricius sanguis, quos vivere fas est occipiti caeco, posticae occurrite sannae. 'quis populi sermo est? quis enim nisi carmina molli nunc demum numero fluere, ut per leve severos effundat iunctura unguis? scit tendere versum 65 non secus ac si oculo rubricam derigat uno. sive opus in mores, in luxum, in prandia regum dicere, res grandes nostro dat Musa poetae.
Page 147 - miseram et te perdidit, Orpheu, Quis tantus furor ? En iterum crudelia retro Fata vocant, conditque natantia lumina somnus. lamque vale : feror ingenti circumdata nocte Invalidasque tibi tendens, heu non tua, palmas.
Page 203 - costam longo subduximus Appennino." "Arma virum", nonne hoc spumosum et cortice pingui ut ramale vetus vegrandi subere coctum?' quidnam igitur tenerum et laxa cervice legendum? 'torva Mimalloneis inplerunt cornua bombis, et raptum vitulo caput ablatura superbo Bassaris et lyncem Maenas flexura corymbis euhion ingeminat, reparabilis adsonat echo.
Page 275 - In quella parte ove surge ad aprire Zefiro dolce le novelle fronde di che si vede Europa rivestire, non molto lungi al percuoter...
Page 381 - Since first this subject for Heroic Song Pleas'd me long choosing, and beginning late; Not sedulous by Nature to indite Warrs, hitherto the onely Argument Heroic deem'd, chief maistrie to dissect With long and tedious havoc fabl'd Knights In Battels feign'd; the better fortitude Of Patience and Heroic Martyrdom...