The Edinburgh Review: Or Critical Journal, Volume 122A. Constable, 1865 |
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Page 54
... beauty of which has astonished those who have attended bazaars for the benefit of the charity . When a visitor goes into a workroom , the girls exhibit their sewing most eagerly , and are enchanted by expressions of approbation . All ...
... beauty of which has astonished those who have attended bazaars for the benefit of the charity . When a visitor goes into a workroom , the girls exhibit their sewing most eagerly , and are enchanted by expressions of approbation . All ...
Page 75
... beauty of living nature . There was no perfection in the others which was not assembled here . . . . . . In one point , I think , the Bolognese painters excelled every other master : their draperies are in a greater taste than even Ra ...
... beauty of living nature . There was no perfection in the others which was not assembled here . . . . . . In one point , I think , the Bolognese painters excelled every other master : their draperies are in a greater taste than even Ra ...
Page 77
... beauty of proportion as seen in a Greek temple or an Italian palace . But it is not necessary that he should treat as an idiot or as an incompetent critic every one whose sentiments on such matters of taste vary somewhat widely from his ...
... beauty of proportion as seen in a Greek temple or an Italian palace . But it is not necessary that he should treat as an idiot or as an incompetent critic every one whose sentiments on such matters of taste vary somewhat widely from his ...
Page 78
... beauty and the utmost harmony of lines : Correggio was able to shed over everything he painted a charm of reflected light and chiaroscuro which was sometimes , no doubt , marred by affectation : whilst Titian and the Venetian masters ...
... beauty and the utmost harmony of lines : Correggio was able to shed over everything he painted a charm of reflected light and chiaroscuro which was sometimes , no doubt , marred by affectation : whilst Titian and the Venetian masters ...
Page 81
... beauty of the head , which , independently of all expression , depend on the proportion of the several parts , were comparatively a late discovery among the Greeks . With the old Christian painters , on the other hand , the body is ...
... beauty of the head , which , independently of all expression , depend on the proportion of the several parts , were comparatively a late discovery among the Greeks . With the old Christian painters , on the other hand , the body is ...
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admiration ancient appears Arab Arabia artist Authorised Version beauty Bedouins better Buddhist cathedral century Chaitya character Christian Church Cimabue condition convict Copts CXXII Dekhan Der Freischütz Divine doubt Dunciad Earlswood effect Ellora England English equally excavations existence fact favour feeling force French friends genius Giotto give Greece Greek hand idiots influence interest Irish labour Lady Latin less living Lord Lucretius Madame de Staël Masaccio means ment Messenia mind Miss Berry modern Mont Cenis mountain Munro nation nature never observation opinion original Palgrave pass passage perhaps period persons political present principles prison readers Reform remarkable rock seems side Sir Thomas Wyse society speak spirit style Taepings temples things thought tion Tocqueville town traveller truth tunnel volume Wahabees Warburton Weber whilst whole words writes
Popular passages
Page 481 - If I beheld the sun when it shined, Or the moon walking in brightness ; And my heart hath been secretly enticed, Or my mouth hath kissed my hand : This also were an iniquity to be punished by the judge : For I should have denied the God that is above.
Page 561 - Did wisely to conceal, and not divulge His secrets, to be scann'd by them who ought Rather admire...
Page 206 - Before the beginning of years There came to the making of man Time, with a gift of tears; Grief, with a glass that ran; Pleasure, with pain for leaven; Summer, with flowers that fell; Remembrance fallen from heaven, 320 And madness risen from hell; Strength without hands to smite; Love that endures for a breath: Night, the shadow of light, And life, the shadow of death.
Page 55 - Could we with ink the ocean fill, and were the skies of parchment made, Were every stalk on earth a quill, and every man a scribe by trade, To write the love of God above, would drain the ocean dry. Nor could the scroll contain the whole, though stretched from sky to sky, O love of God, how rich and pure!
Page 561 - Conjecture, he his fabric of the Heavens Hath left to their disputes, perhaps to move His laughter at their quaint opinions wide Hereafter, when they come to model Heaven And calculate the stars, how they will wield The mighty frame; how build, unbuild, contrive To save appearances; how gird the sphere With centric and eccentric scribbled o'er, Cycle and epicycle, orb in orb...
Page 204 - For the Thracian ships and the foreign faces, The tongueless vigil, and all the pain.
Page 119 - For the law made nothing perfect, but the bringing in of a better hope did; by the which we draw nigh unto God.
Page 212 - Hath taken away to slay them: yea, and she, She the strange woman, she the flower, the sword, Red from spilt blood, a mortal flower to men, Adorable, detestable — even she Saw with strange eyes and with strange lips rejoiced, Seeing these mine own slain of mine own, and me Made miserable above all miseries made, A grief among all women in the world, A name to be washed out with all men's tears. CHORUS...
Page 208 - What hadst thou to do being born, Mother, when winds were at ease, As a flower of the springtime of corn, A flower of the foam of the seas? For bitter thou wast from thy birth, Aphrodite, a mother of strife; For before thee some rest was on earth, A little respite from tears, A little pleasure of life...
Page 207 - A time for labour and thought, A time to serve and to sin ; They gave him light in his ways, And love, and a space for delight, And beauty and length of days, And night, and sleep in the night. His speech is a burning fire ; With his lips he travaileth ; In his heart is a blind desire, In his eyes foreknowledge of death ; He weaves, and is clothed with derision ; Sows, and he shall not reap ; His life is a watch or a vision Between a sleep and a sleep.