Midsummer-night's dream. Romeo and JulietHarper & brothers, 1884 |
From inside the book
Results 1-5 of 60
Page 12
... hand . " This view is hardly sustained by a careful comparison of the folio readings with those of Fisher's quarto , the latter ( as we have pointed out in the notes ) being often preferred to the former by most of the modern editors ...
... hand . " This view is hardly sustained by a careful comparison of the folio readings with those of Fisher's quarto , the latter ( as we have pointed out in the notes ) being often preferred to the former by most of the modern editors ...
Page 15
... hand , in his Introduction to the Play , argues from internal evidence that the " Mad Pranks " was not only written after the Midsum- mer - Night's Dream , but that it was in a measure founded upon this very play ; and we think he makes ...
... hand , in his Introduction to the Play , argues from internal evidence that the " Mad Pranks " was not only written after the Midsum- mer - Night's Dream , but that it was in a measure founded upon this very play ; and we think he makes ...
Page 32
... hands and thick heads , whose unskilful art consists in learn- ing their parts by heart , these men believe themselves obliged to represent Moon and Moonshine by name in order to render them evident ; they supply the lack of side ...
... hands and thick heads , whose unskilful art consists in learn- ing their parts by heart , these men believe themselves obliged to represent Moon and Moonshine by name in order to render them evident ; they supply the lack of side ...
Page 33
... hand has assumed this graceful form , are contrasted in the two extremes ; in the centre is the intellectual man , who participates in both , who regards the one , namely , the stories of the lovers , the poets by nature , as art and ...
... hand has assumed this graceful form , are contrasted in the two extremes ; in the centre is the intellectual man , who participates in both , who regards the one , namely , the stories of the lovers , the poets by nature , as art and ...
Page 34
... hands that have helped to shape the world . His utterance is the rich - toned speech of one who is master of events - who has never known a shrill or eager feeling . His nuptial day is at hand ; and while the other lovers are agitated ...
... hands that have helped to shape the world . His utterance is the rich - toned speech of one who is master of events - who has never known a shrill or eager feeling . His nuptial day is at hand ; and while the other lovers are agitated ...
Common terms and phrases
1st folio 1st quarto 2d quarto art thou Athens Balthasar beauty Benvolio Bottom Brooke's poem called Coll Cymb dead dear death Delius Demetrius doth dream early eds earth Egeus Enter Exeunt Exit eyes fair fairy fancy fear flowers follow Friar Laurence gentle give Halliwell quotes hath heart heaven Helena Hermia Hippolyta Lady Capulet later folios Lear look lord love's lovers Lysander Macb Malone married means Mercutio Montague moon Nares never night Nurse Oberon Paris passage passion Philostrate play poet Prince Puck Pyramus Pyramus and Thisbe queen Quince reading remarks Rich Robin Goodfellow Romeo and Juliet Rosaline says SCENE Schmidt sense Shakespeare Shakspere sleep Sonn soul speak Steevens quotes sweet tears tell Temp thee Theo Theseus thine thing Thisbe thou art thou hast Titania tomb tongue Tybalt Ulrici unto Verona wilt word
Popular passages
Page 54 - Of healths five fathom deep ; and then anon Drums in his ear, at which he starts, and wakes ; And, being thus frighted, swears a prayer or two, And sleeps again.
Page 53 - Prick'd from the lazy finger of a maid; Her chariot is an empty hazel-nut, Made by the joiner squirrel, or old grub, Time out of mind the fairies' coach-makers And in this state she gallops night by night Through lovers...
Page 48 - Making it momentary as a sound, Swift as a shadow, short as any dream ; Brief as the lightning in the collied night, That, in a spleen, unfolds both heaven and earth. And ere a man hath power to say, — Behold ! The jaws of darkness do devour it up : So quick bright things come to confusion.
Page 63 - CHORUS. Philomel, with melody Sing in our sweet lullaby; Lulla, lulla, lullaby ; lulla, lulla, lullaby ; Never harm, nor spell nor charm, Come our lovely lady nigh; So, good night, with lullaby.
Page 65 - Thou know'st the mask of night is on my face, Else would a maiden blush bepaint my cheek For that which thou hast heard me speak to-night. Fain would I dwell on form, fain, fain deny What I have spoke: but farewell compliment! Dost thou love me? I know thou wilt say 'Ay...
Page 54 - True, I talk of dreams, Which are the children of an idle brain, Begot of nothing but vain fantasy, Which is as thin of substance as the air And more inconstant than the wind...
Page 59 - Since once I sat upon a promontory, And heard a mermaid, on a dolphin's back, Uttering such dulcet and harmonious breath, That the rude sea grew civil at her song, And certain stars shot madly from their spheres, To hear the sea-maid's music.
Page 53 - Through lovers' brains, and then they dream of love : O'er courtiers' knees, that dream on court'sies straight: O'er lawyers' fingers, who straight dream on fees: O'er ladies...
Page 100 - It was the lark, the herald of the morn, No nightingale ; look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops; I must be gone and live, or stay and die.
Page 186 - He was perfumed like a milliner; And 'twixt his finger and his thumb he held A pouncet-box, which ever and anon He gave his nose, and took 't away again; Who therewith angry, when it next came there, Took it in snuff...