[or rather compiled by F. Pétis, de la Croix, assisted by Alain René le Sage] and now English. 1714, 12mo. Ziyai, Nakhshabi. Das Papagaienbuch. Eine Sammlung orientalischer Erzählungen. Nach der Türkischen Bearbeitung [of the Persian of Ziyai Nakhshabi] zum ersten Male übersetzt von G. Rosen. 2 Thl. Leipzig, 1858, 8vo. Tales of a Parrot; done into English from a Persian manuscript intitled, Tooti Namêh, etc. [By B. Gerrans.] Vol. 1 only printed. London, 1792, 8vo. The Tooti Nameh. Persian and English. 1801, 8vo. Die Papageimärchen . . . . erzählt, von M. Wickerhauser. Leip., 1858, 8vo. Firdausi. Shah Námeh. Trans. by Dr. James Atkinson. Firdousi traduit et commenté par J. Mohl. 7 tom. Paris, 1876-78, 8vo. Heroic Tales. London, 1886, 8vo. Julien, S. Nouvelles chinoises. Paris, 1860, 12mo. Les deux cousines. Roman Chinois. 2 vols. Paris, 1864. Remusat, J. P. A. Contes Chinois traduits. 1827. 12mo. The Pilgrimage of Fa Hian. From the French,... with notes. Puini, C. Novelle Cinese, tradotti da C. Puini. Piacenza, 1872, 8vo. Treasures of the Talmud, in alphabetical order from A. to L. ... Nork, F. pseud. Vollständiges. Wörterbuch über . . . den Talmud, etc. 1842, 4to. Brecher, G. Das Transcendentale, Magie und magische Heilarten im Talmud. 1850, 8vo. Gould, S. B. Legends of Old Testament Characters from the Talmud. 1871. 8vo. Wuelcker, R. P. Das Evangelium Nicodemi in der abendländischen Literatur. Nebst drei Excursen über Joseph von Arimathia als Apostel Englands, etc. Paderborn, 1872, 8vo. Weil, G. Biblische Legenden der Muselmänner. Aus arabischen Quellen, zusammengetragen und mit jüdischen Sagen Verglichen. Frankfurt a. M., 1845. 8vo. Weil. The Bible, the Koran, and the Talmud. London, 1846, a translation of Biblische Legenden. CONTENTS. PAGE Origin of fictitious narrative-Earliest writers of Greek romance Origin of Romantic fiction in Europe-Romances of chivalry re- lating to the early and fabulous history of Britain, particularly to Arthur and the Knights of the Round Table-Merlin-Saint- Graal-Perceval-Lancelot du Lac-Meliadus-Tristan-Isaie Romances of chivalry relating to Charlemagne and his peers- Chronicle of Turpin-Huon de Bordeaux-Guerin de Monglave Romances of the Peninsula concerning Amadis de Gaul and his descendants-Romances relating to the imaginary family of the INTRODUCTION. THE HE art of fictitious narrative appears to have its origin in the same principles of selection by which the fine arts in general are created and perfected. Among the vast variety of trees and shrubs which are presented to his view, a savage finds, in his wanderings, some which peculiarly attract his notice by their beauty and fragrance, and these he at length selects, and plants them round his dwelling. In like manner, among the mixed events of human life, he experiences some which are peculiarly grateful, and of which the narrative at once pleases himself, and excites in the minds of his hearers a kindred emotion. Of this kind are unlooked-for occurrences, successful enterprise, or great and unexpected deliverance from signal danger and distress. As he collected round his habitation those objects with which he had been pleased, in order that they might afford him a frequent gratification, so he rests his fancy on those incidents which had formerly awaked the most powerful emotions; and the remembrance of which most strongly excites his tenderness, or pride, or gratitude. Thus, in process of time, a mass of curious narrative is collected, which is communicated from one individual to another. In almost every occurrence of human life, however, as in almost every scene of nature, something intervenes of a mixed, or indifferent description, tending to weaken the agreeable emotion, which, without it, would be more pure and forcible. For example,—in the of forming the garden, the savage finds that it is not enough merely to collect a variety of agreeable trees or plants; he discovers that more than this is necessary, and process |