The Musical Traditions of Northern Ireland and Its Diaspora: Community and Conflict
In recent times, the border between the Protestant and Catholic communities of Northern Ireland has often been marked by music. The attitudes of Northern Irish Protestants towards traditional music and the place of Protestant musicians within popular Irish culture need a more thoroughgoing analysis. This book is the first to provide such analysis.
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The Geographical Historical and Social Construction of Northern Ireland
Song Sources Traditions and Ideologies
Performance Practices in Northem Ireland
The Processes of Collection Transcription and Transmission
Music of the Northem Irish Diaspora in America
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Accessed American Ancient Music Appalachians bagpipe bands Belfast bowing Boyle Boys British Bunting Catholic Celtic cent century characteristics Conﬂict Cork County Antrim cultural dance Donegal drone Dublin English Erin ethnic Example Fermanagh ﬁddle ﬁeld ﬁfe ﬁgure ﬁnal ﬁnd ﬁrst ﬂute Folk Music Folklore Francis O’Neill Gaelic George Petrie Henry Highland pipes Hompipe inﬂuence instrument Irish Diaspora Irish language Irish music Irish Traditional Music James Joe Holmes John July Lambeg drums Len Graham London Londonderry Loyalist Mac Aoidh Maguire manuscript McWilliams melodies metrical Mixolydian modal modem Music of Ireland musicians North Northem Ireland Northem Irish notation notes omamentation Ordnance Survey Memoirs Parish pattem pentatonic performance practices Perry’s Petrie Collection played players political popular Presbyterian Protestant published Reel region religious repertoire Republican retum rhyme Sam Henry Savoumeen deelish Scotch-Irish Scotland Scottish Sean signiﬁcant singer Southem Strathspeys style sung transcribed transcriptions tunes Ulster Scots Ulster-Scots Agency vemacular verse