The American Elocutionist: Comprising 'Lessons in Enunciation', 'Exercises in Elocution', and 'Rudiments of Gesture |
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Page 5
... feeling . But , in the applications of inflection , emphasis , and pause , which determine the meaning of every sentence of audible language , a definite rule is indispensable to intelligible or effective instruction . The systematic ...
... feeling . But , in the applications of inflection , emphasis , and pause , which determine the meaning of every sentence of audible language , a definite rule is indispensable to intelligible or effective instruction . The systematic ...
Page 6
... feeling ; but its chief offices are strictly intellectual . A third department of elocution , embraces the con- sideration of tone , as adapted to the utterance of pas- sion , or the strongest forms of emotion , and is designated by the ...
... feeling ; but its chief offices are strictly intellectual . A third department of elocution , embraces the con- sideration of tone , as adapted to the utterance of pas- sion , or the strongest forms of emotion , and is designated by the ...
Page 7
... feeling that pervades a composition , as a whole . The ' song ' of bad reading , is principally caused by an erroneous cadence . The The modulation of the voice , in adaptation to differ- ent species of metrical composition , is ...
... feeling that pervades a composition , as a whole . The ' song ' of bad reading , is principally caused by an erroneous cadence . The The modulation of the voice , in adaptation to differ- ent species of metrical composition , is ...
Page 43
... feeling , it is indispensable to intelligible communication , that there be a general agreement about the signification assigned to given sounds ; as otherwise there could be no common language . It is equally important that there be a ...
... feeling , it is indispensable to intelligible communication , that there be a general agreement about the signification assigned to given sounds ; as otherwise there could be no common language . It is equally important that there be a ...
Page 58
... feeling or of voice , and by children , generally , when reading in a large room . It produces the style of utterance which most people erroneously adopt in conversing with a deaf person . Contrasted with a natural and habitual tone ...
... feeling or of voice , and by children , generally , when reading in a large room . It produces the style of utterance which most people erroneously adopt in conversing with a deaf person . Contrasted with a natural and habitual tone ...
Other editions - View all
The American Elocutionist: Comprising 'Lessons in Enunciation', 'Exercises ... William Russell No preview available - 2017 |
The American Elocutionist: Comprising 'Lessons in Enunciation', 'Exercises ... William Russell No preview available - 2016 |
Common terms and phrases
accent action appropriate arising articulation attention avoided beauty becomes body called cause character close commencing common correct course deep distinct effect elocution emotion emphasis error example EXERCISE expression falling fault feeling feet foot force former gesture give habit hand head heard heart human inflection king language less letter liberty light living look lord manner marked meaning mind moderate movement natural never night o'er object observed occur pass passage pause piece pitch poetry position practice preceding present produce pronounced prose reading regard requires rising rule sense sentence sentiment short slow sometimes sound speaker speaking speech spirit style succession syllables thing thou thought tion tone true turn utterance verse voice whole
Popular passages
Page 77 - HIGH on a throne of royal state, which far Outshone the wealth of Ormus and of Ind, Or where the gorgeous East with richest hand Showers on her kings barbaric pearl and gold...
Page 182 - Now came still evening on, and twilight gray Had in her sober livery all things clad ; Silence accompanied ; for beast and bird, They to their grassy couch, these to their nests, Were slunk, all but the wakeful nightingale, She all night long her amorous descant sung...
Page 104 - I conjure you, by that which you profess, (Howe'er you come to know it,) answer me : Though you untie the winds, and let them fight Against the churches ; though the yesty waves Confound and swallow navigation up; Though bladed corn be lodg'd, and trees blown down; Though castles topple on their warders...
Page 178 - These are thy glorious works, Parent of good, Almighty, thine this universal frame, Thus wondrous fair; thyself how wondrous then ! Unspeakable, who sitt'st above these heavens, To us invisible, or dimly seen In these thy lowest works; yet these declare Thy goodness beyond thought, and power divine.
Page 108 - And this is in the night. — Most glorious night ! Thou wert not sent for slumber ! let me be A sharer in thy fierce and far delight, — A portion of the tempest and of thee ! How the lit lake shines a phosphoric sea, And the big rain comes dancing to the earth ! And now again 'tis black, — and now the glee Of the loud hills shakes with its mountain-mirth, As if they did rejoice o'er a young earthquake's birth.
Page 72 - To hear the lark begin his flight, And singing startle the dull Night, From his watch-tower in the skies, Till the dappled Dawn doth rise...
Page 95 - And Abel, he also brought of the firstlings of his flock and of the fat thereof. And the Lord had respect unto Abel and to his offering : but unto Cain and to his offering he had not respect.
Page 102 - Tis morn, but scarce yon level sun Can pierce the war-clouds, rolling dun, Where furious Frank and fiery Hun Shout in their sulphurous canopy. The combat deepens. On, ye brave, Who rush to glory, or the grave ! Wave, Munich ! all thy banners wave, And charge with all thy chivalry.
Page 154 - Wha will be a traitor knave ? Wha can fill a coward's grave ? Wha sae base as be a Slave ? Let him turn and flee ! Wha for Scotland's King and Law, Freedom's sword will strongly draw ; Free-man stand, or Free-man fa', Let him on wi
Page 70 - Echo still through all her song : And, where her sweetest theme she chose, A soft responsive voice was heard at every close ; And HOPE, enchanted, smiled, and waved her golden hair.