VirgilVirgil lived through the fall of the Roman Republic and the establishment of the Empire. In his poems we see a series of attempts, increasingly ambitious in scale and conception, to combine technical brilliance and beauty with profound meditation on the nature of imperialism and the relation of the individual to the State. From short pastoral poems on love and song he progressed to the heroic myth of the founding of Rome. "The Aeneid", immediately recognised as the greatest masterpiece of Latin literature, has had incalculable influence on European literature in the two thousand years since it was first published. |
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Page 23
... on which , he says : ' I played “ Corydon was once on fire with love for Alexis ” and “ Whose flocks are these ? Do they belong to Meliboeus ? ” ' ( 5.84f . ) . That is to say , he quotes the opening lines of the ...
... on which , he says : ' I played “ Corydon was once on fire with love for Alexis ” and “ Whose flocks are these ? Do they belong to Meliboeus ? ” ' ( 5.84f . ) . That is to say , he quotes the opening lines of the ...
Page 50
“ Soon I shall be girding myself to sing of his brilliant battles ' ( G3.10-48 ) . Again the passage , like the opening of the First book , is at once profuse and evasive . The image of the Muses following as captives was not one of ...
“ Soon I shall be girding myself to sing of his brilliant battles ' ( G3.10-48 ) . Again the passage , like the opening of the First book , is at once profuse and evasive . The image of the Muses following as captives was not one of ...
Page 65
It is interesting to compare the opening of Catullus ' poem , which describes the sailing of the ship Argo in quest of the Golden Fleece , with Virgil's description , where he certainly had the Catullan passage in mind , of Aeneas and ...
It is interesting to compare the opening of Catullus ' poem , which describes the sailing of the ship Argo in quest of the Golden Fleece , with Virgil's description , where he certainly had the Catullan passage in mind , of Aeneas and ...
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Contents
Rome and Arcadia | 19 |
the Muse in hobnails | 34 |
The Aeneid and the myth of Rome | 55 |
Copyright | |
2 other sections not shown
Common terms and phrases
Aeneas Aeneid allowed ancient appears Augustus battle bees begins bring Caesar called century civil classic comes course death destiny Dido divine driven Eclogues effect emotions Empire epic expression fact father feel fighting figure finally follows friends Georgics give goddess gods goes Greek hand happy hard hero Homer human idea important included Italian Italy Juno Jupiter killed king language Latin leave less lines literature live look marked means meant mind moral nature Octavian opening passage passion pastoral poem poet poetry political present produce question reader Roman Rome rustic says scene seems seen shows simple sing song stand story style suffering suggest tell Theocritus things Trojan Troy turn Turnus verse Virgil Virgilian whole write young