English Lyric Poetry, 1500-1700Frederic Ives Carpenter |
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Page xx
... sense it is often taken to cover all poetry which does not fall under the species Epic or Drama , or any of their allied forms . Vagueness of connotation has attached to the term , also , from the implicit acceptance by some modern ...
... sense it is often taken to cover all poetry which does not fall under the species Epic or Drama , or any of their allied forms . Vagueness of connotation has attached to the term , also , from the implicit acceptance by some modern ...
Page xxi
... sense of the term , however , two essential ideas attach to the lyric : the idea of its musical character and associations , and the idea of the lyric as the peculiar poetic instrument for the expression of personal mood and feeling ...
... sense of the term , however , two essential ideas attach to the lyric : the idea of its musical character and associations , and the idea of the lyric as the peculiar poetic instrument for the expression of personal mood and feeling ...
Page xxii
... sense the communal or folk - epic , innocent of the personal and subjective note - is obviously allied rather with narrative than with lyrical poetry , Wordsworth's Lyrical Ballads to the contrary not- withstanding . On the other hand ...
... sense the communal or folk - epic , innocent of the personal and subjective note - is obviously allied rather with narrative than with lyrical poetry , Wordsworth's Lyrical Ballads to the contrary not- withstanding . On the other hand ...
Page xxiii
... 2 As , for example , by Landor ( Works , iv . 56 ) : — " all that portion of our metre , which , wanting a definite term , is ranged under the capitulary of lyric " . Lyricism in Anglo - Saxon poetry . modern sense , TESTS OF LYRIC . xxiii.
... 2 As , for example , by Landor ( Works , iv . 56 ) : — " all that portion of our metre , which , wanting a definite term , is ranged under the capitulary of lyric " . Lyricism in Anglo - Saxon poetry . modern sense , TESTS OF LYRIC . xxiii.
Page xxiv
Frederic Ives Carpenter. Lyricism in Anglo - Saxon poetry . modern sense , but various short pieces , mostly in the elegiac manner , approach the lyric in form , and are of interest for what they re- veal of the fundamental subjective ...
Frederic Ives Carpenter. Lyricism in Anglo - Saxon poetry . modern sense , but various short pieces , mostly in the elegiac manner , approach the lyric in form , and are of interest for what they re- veal of the fundamental subjective ...
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Other editions - View all
Common terms and phrases
A. B. Grosart beauty beauty's Ben Jonson birds blessed bliss Book of Airs bower breath bright bring the day Campion Castara Chorus clouds cuckoo dance dear death delight divine Donne dost doth E. K. Chambers earth echo ring edited Elizabethan England's Helicon EPITHALAMIUM eyes fair fairy fear flowers golden grace green Grosart grove H. F. Lyte happy Hark hath hear heart heaven heavenly honour Hymen HYMN king kiss Laius leave light live look Lord Love's lovers Lullaby lyric lyric poetry Madrigals Masque merrily merry mind ne'er never night nightingale nymphs o'er pleasure Poems poetic poetry Poets praise queen reprinted roses shepherd shine sigh sing sleep smile song SONNET sorrow soul spring stars Sweet Phosphor Sweet Spirit sweetly tears thee thine things thou art Thou hast Trilla unto verse W. C. Ward wanton weep Whilst wind youth
Popular passages
Page 223 - TELL me not, sweet, I am unkind, — That from the nunnery Of thy chaste breast and quiet mind To war and arms I fly. True, a new mistress now I chase, The first foe in the field ; And with a stronger faith embrace A sword, a horse, a shield. Yet this inconstancy is such As you, too, shall adore ; I could not love thee, dear, so much. Loved I not honour more.
Page 85 - Come away, come away, death, And in sad cypress let me be laid ; Fly away, fly away, breath ; I am slain by a fair cruel maid. My shroud of white, stuck all with yew, O, prepare it ! My part of death, no one so true Did share it.
Page 190 - Pelops' line, Or the tale of Troy divine ; Or what, though rare, of later age Ennobled hath the buskin'd stage. But, O sad virgin, that thy power Might raise Musaeus from his bower ! Or bid the soul of Orpheus sing Such notes, as, warbled to the string, Drew iron tears down Pluto's cheek, And made hell grant what love did seek...
Page 149 - How happy is he born and taught, That serveth not another's will! Whose armour is his honest thought, And simple truth his utmost skill...
Page 226 - Some men with swords may reap the field, And plant fresh laurels where they kill : But their strong nerves at last must yield ; They tame but one another still : Early or late They stoop to fate, And must give up their murmuring breath When they, pale captives, creep to death.
Page 88 - When to the sessions of sweet silent thought I summon up remembrance of things past, I sigh the lack of many a thing I sought, And with old woes new wail my dear time's waste...
Page 89 - gainst his glory fight, And Time that gave, doth now his gift confound. Time doth transfix the flourish set on youth, And delves the parallels in beauty's brow, Feeds on the rarities of nature's truth, And nothing stands but for his scythe to mow.
Page 150 - Who God doth late and early pray More of His grace than gifts to lend; And entertains the harmless day With a...
Page 85 - He is dead and gone, lady, He is dead and gone ; At his head a grass-green turf, At his heels a stone.
Page 81 - Philomel, with melody Sing in our sweet lullaby; Lulla, lulla, lullaby ; lulla, lulla, lullaby ; Never harm, nor spell nor charm, Come our lovely lady nigh; So, good night, with lullaby.