Gender and Genealogy in Tasso's Gerusalemme Liberata |
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Page 47
... tree anyway , causing blood to issue from it . When Tancredi strikes the tree a second time , he hears Clorinda's voice lamenting his aggression ( XIII.41-43 ) . Freud insightfully comments on this episode in Beyond the Pleasure ...
... tree anyway , causing blood to issue from it . When Tancredi strikes the tree a second time , he hears Clorinda's voice lamenting his aggression ( XIII.41-43 ) . Freud insightfully comments on this episode in Beyond the Pleasure ...
Page 51
... tree is to make us believe that Tancredi does indeed see a body , or somebody , in the bleeding tree . The sound emerges " quasi di tomba " ( " as from 51.
... tree is to make us believe that Tancredi does indeed see a body , or somebody , in the bleeding tree . The sound emerges " quasi di tomba " ( " as from 51.
Page 52
... tree ; but every other too , pagan or Frank , that left his limbs at the base of the lofty walls is here constrained ... tree leaves Tancredi ( and the reader ) in the dark about how to understand the relation of soul to tree . The voice ...
... tree ; but every other too , pagan or Frank , that left his limbs at the base of the lofty walls is here constrained ... tree leaves Tancredi ( and the reader ) in the dark about how to understand the relation of soul to tree . The voice ...
Contents
CLORINDAS FATHERS | 15 |
ERMINIA AND HISTORY | 55 |
SECRETS OF A SORCERESS | 113 |
Copyright | |
3 other sections not shown
Common terms and phrases
aggression Antioch appears Armida armor Arsete assume attempt attention authority battle become beginning body Boemondo Book brings calls Canto character Christian claim Clorinda Conquistata critical Crusaders death described desire difference discussion dream epic episode Erminia example eyes father figure finally forces further gaze gender genealogy Gerusalemme Liberata given gives Goffredo hand identity ideological interpretation Italian Jerusalem later letter literary look magic Magus male means narrative narrator nature never Nicea non-Christian object offers origins poem poet poetic presented provides question reader reading recalls recognize relation remains Renaissance responsible reveal Rinaldo role romance seems Sofronia speak story Studies suggests symbolic takes Tancredi Tasso Tasso's poem tell trans translation tree turned University Press vision warrior woman women wounded writing