Gender and Genealogy in Tasso's Gerusalemme Liberata |
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Page 72
... eyes ... Look upon me ... Look upon me ... This is the last gift that I ask of you " [ XIX.110 ] ) , but to no avail . Tancredi drops his gaze immediately after having opened his eyes . Even later when he recovers somewhat and gazes ...
... eyes ... Look upon me ... Look upon me ... This is the last gift that I ask of you " [ XIX.110 ] ) , but to no avail . Tancredi drops his gaze immediately after having opened his eyes . Even later when he recovers somewhat and gazes ...
Page 119
... eyes is all the more peculiar given that Tasso normally pays a great deal of attention to eyes and to vision . Moreover , in a genealogical line that goes back to Polemon , physiognomical treatises have always privileged the eyes as the ...
... eyes is all the more peculiar given that Tasso normally pays a great deal of attention to eyes and to vision . Moreover , in a genealogical line that goes back to Polemon , physiognomical treatises have always privileged the eyes as the ...
Page 141
... eyes . ] The sight of Armida with her eyes closed brings the poet to address her with an apostrophe that is strikingly like the poet's addresses to the unseeing Tancredi in Cantos III and XII , as well as Erminia's pleas to Tancredi in ...
... eyes . ] The sight of Armida with her eyes closed brings the poet to address her with an apostrophe that is strikingly like the poet's addresses to the unseeing Tancredi in Cantos III and XII , as well as Erminia's pleas to Tancredi in ...
Contents
CLORINDAS FATHERS | 15 |
ERMINIA AND HISTORY | 55 |
SECRETS OF A SORCERESS | 113 |
Copyright | |
3 other sections not shown
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aggression Antioch appears Armida armor Arsete assume attempt attention authority battle become beginning body Boemondo Book brings calls Canto character Christian claim Clorinda Conquistata critical Crusaders death described desire difference discussion dream epic episode Erminia example eyes father figure finally forces further gaze gender genealogy Gerusalemme Liberata given gives Goffredo hand identity ideological interpretation Italian Jerusalem later letter literary look magic Magus male means narrative narrator nature never Nicea non-Christian object offers origins poem poet poetic presented provides question reader reading recalls recognize relation remains Renaissance responsible reveal Rinaldo role romance seems Sofronia speak story Studies suggests symbolic takes Tancredi Tasso Tasso's poem tell trans translation tree turned University Press vision warrior woman women wounded writing