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more thoroughly examined into, and more effectually developed in their consequences, and receive that ductility and plastic quality which the pressure of minds of all descriptions, constantly moulding them to their purposes, can alone bestow. But to this end it is necessary that it should be divested, as far as possible, of artificial difficulties, and stripped of all such technicalities as tend to place it in the light of a craft and a mystery, inaccessible without a kind of apprenticeship. Science, of course, like every thing else, has its own peculiar terms, and, so to speak, its idioms of language ; and these it would be unwise, were it even possible, to relinquish : but every thing that tends to clothe it in a strange and repulsive garb, and especially everything that, to keep up an appearance of superiority in its professors over the rest of mankind, assumes an unnecessary guise of profundity and obscurity, should be sacrificed without mercy. Not to do this, is to deliberately reject the light which the natural unencumbered good sense of mankind is capable of throwing on every subject, even in the elucidation of principles : but where principles are to be applied to practical uses it becomes absolutely necessary; as all mankind have then an interest in their being so familiarly understood, that no mistakes shall arise in their application.

The same remark applies to arts. They cannot be perfected till their whole processes are laid open, and their language simplified and rendered universally intelligible. Art is the application of knowledge to a practical end. If the knowledge be merely accumulated experience, the art is empirical; but if it be experience reasoned upon and brought under general principles, it assumes a higher character, and becomes a scientific art. In the progress of mankind from barbarism to civilized life, the arts necessarily precede science. The wants and cravings of our animal constitution must be satisfied; the comforts, and some of the luxuries, of life must exist. Something must be given to the vanity of show, and more to the pride of power: the round of baser pleasures must have been tried and found insufficient; before intellectual ones can gain a footing; and when they have obtained it, the delights of poetry and its sister arts still take precedence of contemplative enjoyments, and the severer pursuits of thought; and when these in time begin to charm from their novelty, and sciences begin to arise, they will at first be those of pure speculation. The mind delights to escape from the trammels which had bound it to

earth, and luxuriates in its newly found powers. Hence, the abstractions of geometry—the properties of numbers—the movements of the celestial spheres—whatever is abstruse, remote, and extramundane-become the first objects of infant science. Applications come late: the arts continue slowly progressive, but their realm remains separated from that of science by a wide gulf which can only be passed by a powerful spring. They form their own language and their own conventions, which none but artists can understand. The whole tendency of empirical art is to bury itself in technicalities, and to place its pride in particular short cuts and mysteries known only to adepts ; to surprise and astonish by results, but conceal processes. The character of science is the direct contrary. It delights to lay itself open to inquiry; and is not satisfied with its conclusions, 'till it can make the road to them broad and beaten : and in its applications it preserves the same character; its whole aim being to strip away all technical mystery, to illuminate every dark recess, with a view to improve them on rational principles. It would seem that a union of two qualities almost opposite to each other--a going forth of the thoughts in two directions, and a sudden transfer of ideas from a remote station in one to an equally distant one in the other—is required to start the first idea of applying science. Among the Greeks, this point was attained by Archimedes, but attained too late, on the eve of that great eclipse of science which was destined to continue for nearly eighteen centuries, till Galileo in Italy, and Bacon in England, at once dispelled the darkness: the one, by his inventions and discoveries; the other, by the irresistible force of his arguments and eloquence.

Finally, the improvement effected in the condition of mankind by advances in physical science as applied to the useful purposes of life, is very far from being limited to their direct consequences in the more abundant supply of our physical wants, and the increase of our comforts. Great as these benefits are, they are yet but steps to others of a still higher kind. The successful results of our experiments and reasonings in natural philosophy, and the incalculable advantages which experience, systematically consulted and dispassionately reasoned on, has conferred in matters purely physical, tend of necessity to impress something of the well weighed and progressive character of science on the more complicated conduct of our social and moral relations. It is thus that legislation and politics become gradually regarded as experi

mental sciences; and history, not, as formerly, the mere record of tyrannies and slaughters, which, by immortalizing the execrable actions of one age, perpetuates the ambition of committing them in every succeeding one, but as the archive of experiments, successful and unsuccessful, gradually accumulating towards the solution of the grand problem-how the advantages of government are to be secured with the least possible inconvenience to the governed. The celebrated apophthegm, that nations never profit by experience, becomes yearly more and more untrue. Political economy, at least, is found to have sound principles, founded in the moral and physical nature of man, which, however lost sight of in particular measures- however even temporarily controverted and borne down by clamour-have yet a stronger and stronger testimony borne to them in each succeeding generation, by which they must, sooner or later, prevail. The idea once conceived and verified, that great and noble ends are to be achieved, by which the condition of the whole human species shall be permanently bettered, by bringing into exercise a sufficient quantity of sober thoughts, and by a proper adaptation of means, is of itself sufficient to set us earnestly on reflecting what ends are truly great and noble, either in themselves, or as conducive to others of a still loftier character; because we are not now, as heretofore, hopeless of attaining them. It is not now equally harmless and insignificant, whether we are right or wrong; since we are no longer supinely and helplessly carried down the stream of events, but feel ourselves capable of buffeting at least with its waves, and perhaps of riding triumphantly over them: for why should we despair that the reason which has enabled us to subdue all nature to our purposes, should (if permitted and assisted by the providence of God) achieve a far more difficult conquest; and ultimately find some means of enabling the collective wisdom of mankind to bear down those obstacles which individual short-sightedness, selfishness, and passion, oppose to all improvements, and by which the highest hopes are continually blighted, and the fairest prospects marred.


FROISSART. THERE are few who have not heard of John FROISSART, the most graphic of the old chroniclers. He was born at Valenciennes, about 1337, and early in life was dedicated to the church. He was scarcely twenty years old when he began to write a history of the English wars in France, chiefly compiled from another chronicler. This history he brings down to the battle of Poitiers in 1350 ; after which period his Chronicle has all the value of contemporary observation. His opportunities as an observer were very great; he was in the confidence of many of the sovereigns and nobles of his time, and was especially attached to the court of Edward III., being secretary to Queen Philippa. He closed a life, compounded of travel and ease, of labour and luxury, of native honesty and courtly arts, about the beginning of the fifteenth century.. His description of the manner of life at the Count of Foix's house at Orthes, is one of the most picturesque of his passages; and a short extract may fitly introduce the quaint and touching story of the death of his son, which we give in Lord Berners' old translation : “ At midnight, when he came out of his chamber into the hall to supper, he had ever before him twelve torches burning, borne by twelve varlets, standing before his table all supper. They gave a great light, and the hall was ever full of knights and squires, and many other tables were dressed to sup who would. There was none should speak to him at his table but if he were called. His meat was lightly, wild fowl, the legs and wings only, and in the day he did eat and drink but little. He had great pleasure in harmony of instruments; he could do it right well himself: he would have songs sung before him. He would gladly see conceits and fantasies at his table, and when he had seen it, then he would send it to the other tables bravely; all this I considered and advised. And ere I came to his court I had been in many courts of kings, dukes, princes, counts, and great ladies; but I was never in none that so well liked me. Nor there was none more rejoiced in deeds of arms than the count did; there was seen in his hall, chamber, and court, knights and squires of honour going up and down, and talking of arms and of amours : all honour there was found, all manner of tidings of every realm and country there might be heard, for out of every country there was resort, for the valiantness of this count."

Froissart describes his own intense curiosity to know “how Gaston, the count's son, died;" but no one would satisfy him. At last “so much I'enquired, that an ancient squire, and a notable man, shewed the matter to me," and began thus :-)

“True it is,” quoth he, “ that the Count of Foix and my Lady of Foix, his wife, agreeth not well together, nor have not done of a long season, and the discord between them was first moved by the King of Navarre, who was brother to the lady: for the King of Navarre pledged himself for the Duke Dalbret, whom the Count of Foix had in prison, for the sum of fifty thousand francs; and the Count of Foix, who knew that the King of Navarre was crafty and malicious, in the beginning would not trust him, wherewith the Countess of Foix had great displeasure and indignation against the count her husband, and said to him:

"Sir, ye repute but small honour in the King of Navarre, my brother, when ye will not trust him for fifty thousand francs : though ye have no more of the Armagnacs, nor of the house of Dalbret, than ye have, it ought to suffice. And also, sir, ye know well ye should assign out my dower, which amounteth to fifty thousand francs, which ye should put into the hands of my brother, the King of Navarre ; wherefore, sir, ye cannot be evil paid.'

“ Dame,' quoth he, ‘ye say truth; but if I thought that the King of Navarre would stop the payment for that cause, the Lord Dalbret should never have gone out of Orthes, and so I should have been paid to the last penny; and since ye desire it, I will do it; not for the love of you, but for the love of my son.

“ So by these words, and by the King of Navarre's obligation, who became debtor to the Count of Foix, the Lord Dalbret was delivered quit, and became French, and was married in France to the sister of the Duke of Burbon, and paid at his ease to the King of Navarre the sum of fifty thousand francs for his ransom, for the which sum the king was bound to the Count of Foix; but he would not send it to the count.

“ Then the Count of Foix said to his wife-Dame, ye must go into Navarre to the king your brother, and shew him how I am not well content with him, that he will not send me that he hath received of mine.'

“ The lady answered, how that she was ready to go at his commandment. And so she departed, and rode to Pampeluna to the king her

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