Lectures on Rhetoric and Belles Lettres: Chiefly from the Lectures of Dr. Blair |
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Page 12
... observed ? In our remarks upon it , what order shall we pursue ? How may taste be defined ; and what is the first question that occurs concerning it ? Of reason what is remarked ? How does it appear evident that taste cannot be resolved ...
... observed ? In our remarks upon it , what order shall we pursue ? How may taste be defined ; and what is the first question that occurs concerning it ? Of reason what is remarked ? How does it appear evident that taste cannot be resolved ...
Page 13
... observed , that in the powers and pleasures of taste , there is a more remarkable inequality among men , than is ... observed , and why ? Though none be entirely devoid of this faculty , yet from what does it appear that the degrees in ...
... observed , that in the powers and pleasures of taste , there is a more remarkable inequality among men , than is ... observed , and why ? Though none be entirely devoid of this faculty , yet from what does it appear that the degrees in ...
Page 17
... observed , that , if there be no such thing as a standard of taste , all tastes are equally good ; the taste of a Hottentot or a Laplander , is as delicate and as correct , as that of a Longinus , or an Addi- son . There must then be a ...
... observed , that , if there be no such thing as a standard of taste , all tastes are equally good ; the taste of a Hottentot or a Laplander , is as delicate and as correct , as that of a Longinus , or an Addi- son . There must then be a ...
Page 19
... observations . Criticism is an art founded wholly on experience - on the observation of such beauties as have been ... observed ? In what manner may a masterly genius , though untaught , compose ; and why ? What illustration of this ...
... observations . Criticism is an art founded wholly on experience - on the observation of such beauties as have been ... observed ? In what manner may a masterly genius , though untaught , compose ; and why ? What illustration of this ...
Page 20
... observations upon the beauties and faults of those who have gone before him . No rules can , indeed , supply the defect ... observed ; and why ? From what may an objection , more plausible , be formed against criticism ? Of the public as ...
... observations upon the beauties and faults of those who have gone before him . No rules can , indeed , supply the defect ... observed ; and why ? From what may an objection , more plausible , be formed against criticism ? Of the public as ...
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Lectures on Rhetoric and Belles Lettres: Chiefly from the Lectures of Dr. Blair Hugh Blair,Abraham Mills No preview available - 2015 |
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abound action advantage Æneid agreeable ancient appear arguments attention beauty characters chiefly Cicero circumstances comedy composition concise considered criticism Dean Swift degree Demosthenes discourse distinct distinguished effect elegant eloquence employed English English language epic poem epic poetry Euripides example exhibit expression fancy farther figure frequently genius give grace Greek hearers Hence Homer human ideas Iliad illustration follows imagination imitation instance kind language LECTURE Lusiad manner means ment merit metaphors mind modern moral narration nature never objects observed orator ornament passion pastoral pastoral poetry peculiar perspicuity Pharsalia pleasure poet poetical poetry proceed proper propriety prose public speaking qualities Quintilian racters reason remark follows remark illustrated render requisite respect rule scene sense sensible sentence sentiments simplicity Sophocles sound speaker species speech strength style sublime syllables Tacitus taste tence Theocritus thing thought Thucydides tion tragedy unity variety verbs verse Virgil Voltaire words writing
Popular passages
Page 302 - I hear the far-off curfew sound Over some wide-watered shore, Swinging slow with sullen roar ; Or, if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach Light to counterfeit a gloom, Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm...
Page 305 - O SING unto the LORD a new song: Sing unto the LORD, all the earth.
Page 305 - Give unto the Lord the glory due unto his name: bring an offering, and come into his courts. O worship the Lord in the beauty of holiness: fear before him, all the earth.
Page 32 - Commander ; he, above the rest In shape and gesture proudly eminent, Stood like a tower ; his form had yet not lost All her original brightness, nor appeared Less than Archangel ruined, and the excess Of glory obscured...
Page 103 - I shall detain you no longer in the demonstration of what we should not do, but straight conduct you to a hill-side, where I will point you out the right path of a virtuous and noble education; laborious indeed at the first ascent, but else so smooth, so green, so full of goodly prospect and melodious sounds on every side, that the harp of Orpheus was not more charming.
Page 301 - Than those of age ; thy forehead wrapt in clouds, A leafless branch thy sceptre, and thy throne A sliding car indebted to no wheels, But urged by storms along its slippery way ; I love thee, all unlovely as thou seemest, And dreaded as thou art.
Page 170 - Our imagination loves to be filled with an object, or to grasp at any thing that is too big for its capacity. We are flung into a pleasing astonishment at such unbounded views, and feel a delightful stillness and amazement in the soul at the apprehension of them.
Page 308 - The God of Israel said, the Rock of Israel spake to me, He that ruleth over men must be just, ruling in the fear of God ; and he shall be as the light of the morning, when the sun riseth, even a morning without clouds ; as the tender grass springing out of the earth by clear shining after rain.
Page 125 - Why hast thou then broken down her hedges, so that all they which pass by the way do pluck her ? The boar out of the wood doth waste it, and the wild beast of the field doth devour it.
Page 101 - And when we look upon their machines, Homer seems like his own Jupiter, in his terrors, shaking Olympus, scattering the lightnings, and firing the heavens; Virgil, like the same power, in his benevolence, counselling with the gods, laying plans for empires, and ordering his whole creation.