...intellectual greatness of the ageT he tr";;oryy of the Athenian poets are as mirrors in whir-h tiysppctator beholds himself, under a thin disguise of circumstance,...admires, and would become. The imagination is enlarged by Hi sympathy with pains and passions" SO fUtgtlty , that they distend in their conception the capacity...

...of the Athenian poets are as mirrors in which the spectator beholds himself, under a thin disguiee of circumstance, stript of all but that ideal perfection and energy which every one feels to bo the internal typo of all that ho loves, admires, and would become. The imagination is enlarged by...

...as mirrors in which the spectator beholds himself, under a thin disguis^_^..circwBÄtauceJ süript of all but that ideal perfection and energy which every one feels to be the internal ijpe olZaJl that he loves, admires, and would become. The ima- j gination is enlarged by a sympathy...

...intellectual greatncsB of the age. The tragedies of the Athenian pot-o are as mirrors in which the spectator beholds himself, under a thin disguise of circumstance,...become. The imagination is enlarged by a sympathy with p&ins and passions so mighty, that they distend in their conception the capacity of that by which they...

...Athenian poets are as mirrors in which the spectator 1 In the transcript, whether the quick yrowth &c. beholds himself, under a thin disguise of circumstance,...loves, admires, and would become. The imagination is enJ larged by a sympathy with pains and passions so mighty, that they distend in their conception the...

...Athens.* " The tragedies of the Athenian poets," he writes, " are as mirrors in which the spectator beholds himself, under a thin disguise of circumstance,...of all that he loves, admires, and would become." Except Henry Reveley's steam-engine, and the sight of the sea, there was little in Leghorn outside...

...mirrors jm _w_hjch_the spectator beholds himself, Sunder a thin disguise of circumstance, stripped of all !but that ideal perfection and energy which...type of all that he loves, admires, and would become. |_The imagina-\ tion is enlarged by a sympathy with pains and passions so mighty, that they distend...

...as mirrors in which the spectator beholds himself, under a thin disguise of circumstance, stripped of all but that ideal perfection and energy which...every one feels to be the internal type of all that he a° loves, admires, and would become. The jmagination is enlarged by a sympathy with pains and passions...

...intellectual greatness of the age. The tragedies of the Athenian poets are as mirrors in which the spectator beholds himself, under a thin disguise of circumstance,...and energy which every one feels to be the internal ty§p of all that he loves, admires, and would become. The imagination is enlarged by a sympathy with...

...expanding to the conception of larger things. Speaking of the ancient drama at Athens, Shelley says, "The imagination is enlarged by a sympathy with pains...the capacity of that by which they are conceived." Those who have received into the inner self the expansive energy of noble thought and social culture,...