CATULLE MENDÈS

(1843-)

HE writings of Catulle Mendès are representative of the cameo-art in literature. His little stories and sketches are of a dainty and polished workmanship, and of minute, complex design. The French faculty of attaining perfection in miniature is his to a high degree. He was born in Bordeaux in 1843, and in 1860 he began writing for the reviews. His short tales are written with exquisite nonchalance of style; but underneath their graceful lightness there are not wanting signs of a deep insight into human nature, and into life's little ironies. The pretty stories, so delicately constructed, hint of a more serious intention in their framing than merely to amuse. The Mirror' might be read to nursery children and to an audience of sages with equal pertinence. The 'Man of Letters' condenses the experience of a thousand weary writers into a few paragraphs. In the pastoral of vagabond Philip and the little white goat with gilded horns, there is all the fragrance of the country and of a wandering outdoor life. 'Charity Rewarded' embodies the unique CATULLE MENDES quality of Mendès in its perfection. He is able to put a world of meaning into a phrase, as when he writes that the pretty lasses and handsome lads did not see the beggar at the roadside because they were occupied "with singing and with love." Sometimes he puts a landscape into a sentence, as when Philip in the country hears "noon rung out from a slender steeple."

Mendès is a poet as well as a writer of stories. It should be said, however, that much that he has written of late years has not represented his higher gifts.

THE FOOLISH WISH

From the Contes du Rouet

AREFOOT, his hair blowing in the wind, a vagabond was pass

Bing along the way before the King's palace. Very young,

he was very handsome, with his golden curls, his great black eyes, and his mouth fresh as a rose after rain. As if the sun had taken pleasure in looking at him, there was more joy and light on his rags than on the satins, velvets, and brocades of the gentlemen and noble ladies grouped in the court of honor. "Oh, how pretty she is!" he exclaimed, suddenly stopping. He had discovered the princess Rosalind, who was taking the fresh air at her window; and indeed it would be impossible to see anything on earth as pretty as she. Motionless, with arms. lifted toward the casement as toward an opening in the sky which revealed Paradise, he would have stayed there until evening if a guard had not driven him off with a blow of his partisan, with hard words.

He went away hanging his head. It seemed to him now that everything was dark before him, around him,-the horizon, the road, the blossoming trees. Now that he no longer saw Rosalind he thought the sun was dead. He sat down under an oak on the edge of the wood, and began to weep.

"Well, my child, why are you sorrowing thus?" asked an old woman who came out of the wood, her back bowed under a heap of withered boughs.

"What good would it do me to tell you? You can't do anything for me, good woman."

"In that you are mistaken," said the old woman.

At the same time she drew herself up, throwing away her She was no longer an old forester, but a fairy beautiful as the day, clad in a silver robe, her hair garlanded with flowers of precious stones. As to the withered boughs, they had taken flight, covering themselves with green leaves; and returned to the trees from which they had fallen, shaken with the song of birds.

"O Madame Fairy!" said the vagabond, throwing himself on his knees, "have pity on my misfortune. Since seeing the King's daughter, who was taking the fresh air at her window, my heart is no longer my own. I feel that I shall never love any other woman but her."

"Good!" said the fairy: "that's no great misfortune."

"Could there be a greater one for me? I shall die if I do not become the princess's husband."

"What hinders you? Rosalind is not betrothed." "O madame, look at my rags, my bare feet. boy who begs along the way."

I am a poor

"Never mind! He who loves sincerely cannot fail to be loved. That is the happy eternal law. The King and Queen will repulse you with contempt, the courtiers will make you a laughing-stock: but if your love is genuine, Rosalind will be touched by it; and some evening when you have been driven off by the servants and worried by the dogs, she will come to you blushing and happy."

The boy shook his head. He did not believe that such a miracle was possible.

"Take care!" continued the fairy. "Love does not like to have his power doubted, and you might be punished in some cruel fashion for your little faith. However, since you are suffering, I am willing to help you. Make a wish: I will grant it." "I wish to be the most powerful prince on the earth, so that I can marry the princess whom I adore."

"Ah! Why don't you go without any such care, and sing a love song under her window? But as I have promised, you shall have your desire. But I must warn you of one thing: when you have ceased to be what you are now, no enchanter, no fairy — not even I can restore you to your first state. Once a prince, you will be one for always."

"Do you think that the royal husband of Princess Rosalind will ever want to go and beg his bread on the roads?

"I wish you happiness," said the fairy with a sigh. Then with a golden wand she touched his shoulder; and in a sudden metamorphosis, the vagabond became a magnificent lord, sparkling with silk and jewels, astride a Hungarian steed, at the head of a train of plumed courtiers, and of warriors in golden armor who sounded trumpets.

So great a prince was not to be ill received at court. They gave him a most cordial welcome. For a whole week there were carousals, and balls, and all kinds of festivities in his honor. But these pleasures did not absorb him. Every hour of the day and night he thought of Rosalind. When he saw her he felt his heart overflow with delight. When she spoke he thought he

heard divine music; and once he almost swooned with joy when he gave her his hand to dance a pavan.

One thing vexed him.

a little she whom he loved so much did not seem to heed the pains he took for her. She usually remained silent and melancholy. He persisted, nevertheless, in his plan of asking her in marriage; and naturally Rosalind's parents took care not to refuse so illustrious a match. Thus the former vagabond was about to possess the most beautiful princess in the world! Such extraordinary felicity so agitated him that he responded to the King's consent by gestures hardly compatible with his rank, and a little more and he would have danced the pavan all alone before the whole court. Alas! this great joy had only a short duration. Hardly had Rosalind been informed of the paternal will, when she fell half dead into the arms of her maids of honor; and when she came to, it was to say, sobbing and wringing her hands, that she did not want to marry, that she would rather kill herself than wed the prince.

More despairing than can be expressed, the unhappy lover precipitated himself in spite of etiquette into the room where the princess had been carried; and fell on his knees, with arms stretched toward her.

"Cruel girl!" he cried: "take back the words which are killing me!"

She slowly opened her eyes, and answered languidly yet firmly:

"Prince, nothing can overcome my resolve: I will never marry you."

"What! you have the barbarity to lacerate a heart which is all your own? What crime have I committed to deserve such a punishment? Do you doubt my love? Do you fear that some day I may cease to adore you? Ah! if you could read within me, you would no longer have this doubt nor these fears. My passion is so ardent that it renders me worthy even of your incomparable beauty. And if you will not be moved by my complaints, I will find only in death a remedy for my woes! Restore me to hope, princess, or I will go to die at your feet.”

He did not end his discourse there. He said everything that the most violent grief can teach a loving heart; so that Rosalind was touched, but not as he wished.

"Unhappy prince," she said, "if my pity instead of my love can be a consolation to you, I willingly grant it. I have as

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much reason to complain as you; since I myself am enduring the torments which are wringing you."

"What do you mean, princess? »

"Alas! if I refuse to marry you, it is because I love with a hopeless love a young vagabond with bare feet and hair blowing in the wind, who passed my father's palace one day and looked at me, and who has never come back!"

THE SLEEPING BEAUTY

From the Contes du Rouet'

T IS not alone history which is heedlessly written, but legend as well; and it must be admitted that the most conscientious and best-informed story-tellers - Madame d'Aulnoy, good Perrault himself-have frequently related things in not exactly the fashion in which they happened in fairyland. For example, Cinderella's eldest sister did not wear to the prince's ball a red velvet dress with English garniture, as has been hitherto supposed: she had a scarlet robe embroidered with silver and laced with gold. Among the monarchs of all the countries invited. to the wedding of Peau d'Ane some indeed did come in sedan chairs, others in cabs, the most distant mounted on eagles, tigers, or elephants; but they have omitted to tell us that the King of Mataguin entered the palace court between the wings of a monster whose nostrils emitted flames of precious stones. And don't think to catch me napping by demanding how and by whom I was enlightened upon these important points. I used to know, in a cottage on the edge of a field, a very old woman; old enough to be a fairy, and whom I always suspected of being As I used to go sometimes and keep her company when she was warming herself in the sun before her little house, she took me into friendship; and a few days before she died,-or returned, her expiation finished, to the land of Vivians and Melusinas, she made me a farewell gift of a very old and very extraordinary spinning-wheel. For every time the wheel is turned it begins to talk or to sing in a soft little voice, like that of a grandmother who is cheerful and chatters. It tells many

one.

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pretty stories: some that nobody knows; others that it knows better than any one else; and in this last case, as it does not lack malice, it delights to point out and to rectify the mistakes of those who have taken upon themselves to write these accounts.