Performativity and PerformanceAndrew Parker, Eve Kosofsky Sedgwick From the age of Aristotle to the age of AIDS, writers, thinkers, performers and activists have wresteled with what "performance" is all about. At the same moment, "performativity"--a new concept in language theory--has become a ubiquitous term in literary studies. This volume grapples with the nature of these two key terms whose traces can be found everywhere: in the theatre, in the streets, in philosophy, in questions of race and gender, and in the sentences we speak. |
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Contents
Performativity and Performance | 1 |
1 The Unhappy Performative | 19 |
2 Culture and Performance in the CircumAtlantic World | 45 |
Drama Performance and the Canon of AfricanAmerican Literature | 64 |
4 Traumatic Awakenings | 89 |
The Ancient Problem | 109 |
6 The Play of Conscience | 133 |
7 The Shudder of Catharsis in TwentiethCentury Performance | 152 |
8 Performativity and Spatial Distinction the End of Aids Epidemiology | 173 |
9 Burning ActsInjurious Speech | 197 |
228 | |
Contributors | 238 |
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action African AIDS American analysis appears argue argument Aristotle Aristotle's audience Austin authority awakening becomes body called catharsis character child claims constitute construction context court critical cross cultural death describe discourse discussion disease distinction drama dream effect emotions epidemiology essay event example experience expression fact father fear feel figure force Freud idea injurious instance kind knowledge Lacan language learning less literary literature living mean memory move movement nature notion offer origin passage performance perhaps philosophy pity play pleasure Poetics poetry political position possible practices precisely present produced protected question reading reality refer relation Renaissance response seems sense simply sleep social space speaking speech stage story suggests theater theory thing tion tragedy trans trauma tropical understand utterance wish writing York